Quiet Life [Band]

Good old fashion down home and Neil Young inspired tunes to sip whiskey from a cup made of tin. This is what you can expect from a Quiet Life song. So, break out the flannel and let these Portland based Americana masters take you down a grassy trail littered with pain, love, and a prestigious sense of what is natural and/or necessary to continue on breathing. For all the eighties babies out there that truly believe they were screwed from conception by being born far to late, here is a group that can bring forth the nostalgia you wish you could have. Here is old school storytelling dubiously running through a new school musical disobedience.

One of Quiet Life’s finest tracks has to be the harmonica driven & twanged out “Cave Country”. It would be entirely impossible to feel like shit when you listen to this song. In fact, the line “Feels so good” is constantly repeated for reinforcement. Nicely played. “Big Green” takes you on a dusty path slightly skewed from the previous mentioned track. This is old school folk to the core. The difference between these tracks perfectly demonstrates the awesome versatility these lumberjacks of indie rock have. They portray a sense of respect for the past that often goes untouched. What a well rounded batch of pine forest folksmiths.

Catch Quiet Life on tour this winter all over the eastern side of the country!

11/8/2011

Fayetteville, AR

George’s Majestic Lounge

with Dr. Dog

11/9/2011

Oxford, MS

Proud Larry’s

with Dr. Dog

11/10/2011

New Orleans, LA

Tipitina’s

with Dr. Dog and Felice Brothers

11/14/2011

Charleston, SC

The Music Farm

with Dr. Dog and David Vandervelde

11/15/2011

Athens, GA

40 Watt Club

with Dr. Dog and David Vandevelde

11/16/2011

Knoxville, TN

Bijou Theatre

with Dr. Dog and David Vandervelde

11/17/2011

Boone, NC

Legends @ Appalachian State University

with Dr. Dog and David Vandervelde

11/18/2011

Chattanooga, TN

Track 29

with Dr. Dog and David Vandervelde

11/20/2011

Philidelphia, PA

World Cafe Live

w/ Sallie Ford and The Sound Outside

11/21/2011

Easton, MD

NightCat

w/ Sallie Ford and The Sound Outside

11/22/2011

Brooklyn, NY

The Bell House

w/ Sallie Ford and The Sound Outside

11/23/2011

New Haven, CT

Cafe Nine

w/ Scott McMicken of Dr. Dog

11/25/2011

New London, CT

venue TBA (iamfestival@gmail.com for more info)

w/ Scott McMicken of Dr. Dog

11/26/2011

Manchester, NH

138 Listening Lounge

12/2/2011

Durham, NC

Duke University

with Cotton Jones

12/3/2011

Asheville, NC

Broadway’s

with Cotton Jones

12/4/2011

St. Augustine, FL

The Original Cafe Eleven

with Cotton Jones

12/6/2011

Atlanta, GA

The Earl

with Cotton Jones

Women Asking Men Out For a Date?

Too much to lose, to ask her out,

I want her to choose, there’s no doubt.

For if I ask, and she rejects,

she’ll drop me, our friendship next.

She’ll think I’m a creep, a horny guy,

wanting one thing, and that’s a lie.

All I want, is her with me,

to treat her nice, like a lady.

So I’ll rest, and quiet I’ll be.

playing the game, of wait and see.

Our friendship to risk, so I sit and pout,

till she gives me a clue, or asks me out.

-From the Pistolero Poet.

What a profound question! Yes, profound! If it’s 1957…

So I’m talking to my roommate the other day about dating. I shared my (often humorous) experiences in the dating world. Being gender-variant clearly never helped my case… Ever. Primarily because having a more feminine mindset is a pretty terrible thing to have if you’re trying to pick up women. This is probably because we were both thinking the same thing; “I’ve given them every indication that I like them, why wont they ask me out?” And thus, we eventually walked away feeling like the other person just wasn’t all that into us when in all actuality, we were crazy about each other. Me with my crippling shyness, and her not wanting to impose or step on my toes wasn’t a good combination. I often wondered why my friends consistently tried to hook me up with other shy people. What happens when you put two shy people in a room together? No one speaks! Oddly enough, my shyness is what attracted many of those same women to me, but due to our cultural axioms, they never thought about making the first move. I related to my roommate that I could have had many more relationships had the girl just taken the first step. I’m not saying she should have swept me off my feet and paid for everything, but a simple “I like you” would have been enough for me to see that she had the same feelings for me as I had for her and would have given me the confidence to ask her out without fear of ruining a sterling friendship. What is the deal with women never wanting to make the first move? They joke about how unobservant, unintuitive, unempathetic and emotionally detached we are, but in the same breath they expect us to know what she’s thinking and if the mood is right.

My roommate said that most guys are intimidated by girls asking them out. That their fragile ego would prevent them from accepting the experience as a positive one. She went onto say that most guys want a more submissive girlfriend, and asking them out would show that they were too assertive. Obviously, I disagreed. She said that my experience as a male wasn’t a typical one and that other people would agree with her. Luckily, I just happen to work in an environment that is packed full of macho bravado. So, off I went to work to ask what everyone thought. I wanted to ask everyone I could to get a good cross-section of what the popular male opinion was on the subject. Without fail, every single guy said the same thing… They were totally fine with a woman asking them out. Some preferred it, most felt that the concept of the old tradition was outdated and irrelevant. A surprisingly progressive outlook for such a traditional area! I asked the question outside of work, in casual conversation. Again, everyone said that it was fine, some even went so far as to say that the whole idea of men asking women out was silly because women are more picky, thus if women asked men out you could eliminate much of the risk of rejection.

A history lesson from an old timer really put it in perspective for me. He related that back in the old days, women didn’t work (unless they were a teacher or nurse). So women were seen as not really bringing anything to the relationship. More of an object, something that needed to be taken care of. Since the man was the only provider, it would have been seen as imposing or vain for a woman to ask a man out. Something like the old adage, “beggars can’t be choosers”. I told him that it sounded incredibly sexist, he agreed but added that it was a common belief back then. Everyone thought that way. After I heard that, I couldn’t understand why women would want to perpetuate such a negative tradition.

Some of the comments I’ve heard after asking the question; How would you feel if a woman asked you out?

– Flattered.

– It would be refreshing, I’d really like that.

– Even if I didn’t like her, I’d still take her out just for asking.

– The best relationship I ever had started when a girl approached me.

– I’d be all about that. It takes all the guess work out of it so you have nothing to lose.

– Some guys may be intimidated by that. But they’d have to be really weak to be intimidated by a girl who liked them.

So, it seems the verdict is in. Girls take heed… If you want a guy to ask you out, get over yourself and ask him. It’ll be ok, really. You’ll probably win some cool points in the process.

I would ask that we keep this going. Is anyone out there offended by the idea of women asking men out? Anyone at all? I’m interested to hear what other people have to say about this subject, just leave your comments in the section below.

Mammoth Life: Kaliedoscopic Art Pop [Album]

photo by Rebecca Dreyfus

Somewhere in the Land of Make Believe in the sky, Mr. Rogers and Shari Lewis are taking a bath in warm red wine and dropping heaven acid as all their magical friends watch in confusion. Lambchops is freaking out. And playing on the dusty old CD player is Mammoth Life‘s prolific debut album Kaliedoscopic Art Pop. This album is described perfectly by it’s title. This is one of the happiest freakin’ albums of all time. This is the Disneyland of art pop. It also has the soul of an expressionless hermit. With these powers combined, something wonderful is sure to happen.

Bobby Sauder and Elizabeth Mead trade vocals better than honest teenagers traded baseball cards in the mid nineties. The harmonic “I Have Lost” pushes their capacity to 11. And “First Semester of College” will leave your head spinning in directions you never thought possible. These are songs for the light hearten and endearing spirit in all of us. Any given Mammoth Life track is a trip through a consciousness once only found in a C.S. Lewis children’s book (not those silly adult Christian books).

Yes this album is an almost traumatic display of artistic expression and possible LSD paranoia. When a group puts their entire being into something as special as this, the hard work shows. Mammoth Life can bring out the child and/or activist in all of us. And Kaliedoscopic Art Pop is one of the best pop spectacles to emerge in last decade.

Check out Kaliedoscopic Art Pop and more great work from Mammoth Life on their WEBSITE.

Bella Koshka: Slow Dancing On The Ocean Floor [Album]

If a woman’s voice has never haunted your dreams, then you have never really lived. It may take an alternative savoy band like Bella Koshka and their disturbingly efficient album Slow Dancing On The Ocean Floor to truly throw your eyes in the back of your head and make you discover the secrets of a real existence. Laura Boland’s vocals are sure to stir you into euphoria and terror with ease.

Unlike most female led alternative groups, Bella Koshka isn’t campy or indecisive in their attitude. Their tracks are consistently ery and entertaining. “Relic” brings out the tattooed head banger in all of us. While “Treasure” pushes the scary ass violin based ballad to the limit. 35 minutes in a haunted house is alot for anyone to consume. But, when put into the form of Slow Dancing On The Ocean Floor, it’s down right compelling.

Everyone should know this album. It’s the indie alternative version of The Little Mermaid. It’s a perfect soundtrack to obscurity. It’s the power of the dark side spiked with handfuls of skittles. They dementia never hinders as tremendous guitar riffs overpower tempting bass lines and the fore mentioned scary ass violin. This is an album that can be universally appreciated in all realms of music livelihood.

Visit bellakoshka.com for more details and live streaming.

The Color Turning: Good Hands, Bad Blood [Album]

It’s probably not right to say that The Color Turning’s Good Hands Bad Blood might make you want to take a nice hot bath. That might imply there’s something dirty about it. Or that you’re dirty. Maybe you are, but this intriguing collection L.A. psychedelic tunes are nothing far from clean, crisp, and relaxing. As the experimental and vibrant sounds move through your speakers, you have to be one strung out human being to not feel inexplicable calm and impressionable.

“Where The Sky Ends” is one of the most hard rocking tracks on the disc. Yet it still remains as cool and collective as Sinatra in his heyday. “Ghost Song” has some pretty heavy chords and explosions of heartache as well. “Me Versus Me” pulls from some pretty obvious influences, but still holds it’s own originality. Overall, each track brings it’s own personality to Good Hands Bad Blood. A personality that might seem a bit self conscious at times, but never lacks the creative spirit.

The Color Turning is not unlike a lot bands you occasionally stumble upon. You know them when you hear them. Their your cousin’s boyfriend’s favorite band. They have the sound that might scare off some pop rock followers. Yet, they manage to twist it up a bit and bring the hesitant listener into a world they can understand. You don’t have to be “uber-cool” to love these guys. You just have to appreciate some good tunes when you hear them. You will hear them here.

Learn more about The Color Turning, and what they are up to these days at their WEBSITE.

Jonathan Kimball: Optimisms [Album]

Folk music has inspired artists from several different spheres of music. Everyone knew that Kurt Cobain was a huge Leadbelly fan. And every musician knows what it means to strip themselves of electricity, and push around an old school feel with just their finger tips and an acoustic guitar. So when Jonathan Kimball dropped his solo debut albumOptimisims, with just this state of mind, it shouldn’t have been too much of a surprise. But for a prog rock, reggae, ska, and punk engineer of obscurity to bring it to the level he did, a bit of surprise was inevitable.

“Commentary’s bullshit anyway, severed at the skin, waiting to decay”. Lyrics to a death metal track? Nope. It’s just one clever bit of dark satire from Optimism’s star track, “Box of Empty Thoughts”. With an Art Garfunkel meets Hank III sort of country feel, Kimball pushes us from ships to flights of stories that tell us what exactly he believes it takes to be alive. He says it best on “Choice to Choose” with high pitched guitar picking and darkness versus light emotional battlefields put right out for the rest of us to digest.

The rebellious spirit is clear throughout Optimisms. But, this is an album that would could be heard with the same measure of delight in a hookah lounge in Antioch California, as it would in a tavern in Box Elder, South Dakota. Jonathan Kimball is an artist with an almost inconceivable range of talent. He seems to know what style will have the most impact at exactly the right moment. The yearning to hear what he is going to do next is a part of his appeal. Not just clever marketing. But, a brilliant way to breathe in the world of wordplay and musical development.

Find out what Jonathan Kimball has been up to lately by friending him on Facebook.

Elaine Greer: Making Plans and Going Places [Album]

Elaine Greer has something unexplainably awesome about her. At first listen, it’s hard to comprehend what really makes her special or sets her apart from so many other folk songstresses of our current times. There’s not a lot. But, there’s something there that keeps you tuned into what she has to say. Her debut EP Making Plans and Going Places has so many youth like attachments that are so bloody attractive you might just be surprised by how much you will enjoy a nice dose of pure unadulterated innocence.

The opening track, “Making Plans”, kicks of a with what sounds like a merry go round friendly tune immediately followed by Elaine’s sweet and sensitive vocals. Though the tunes change throughout the rest of the album, this constantly twirling about in an organization sense of chaos sets the tone and spirit of the entire album. But, the standout track has to be the stripped down and flower powered cut “When The Colors Leave”. You will clap, lean, rock, love to this uplifting low powered ballad.

Still, Greer seems like nothing new really. But, isn’t that okay? It’s not essential for every artist to break through the scene with completely original ideas and musical doctrine. Some just want to join in, make music, and live the life of a creative expressionalist.  Mastering a well respected field is definitely impressive enough for me.  Nothing is taken from the beauty of Making Plans and Going Places just because it might be similar to something else you have heard. May Elaine have a long and withstanding career that proves her to by one of the many women of folk strumming their way through life the way they see fit.

Discover more Greer goodness at her WEBSITE.

Ben Glover: Through The Noise, Through The Night [Album]

It’s actually been a couple of years since Ben Glover dropped this beautiful album, Through The Noise, Through The Night, an album that any fan of besieged and nicely wrapped singer/songwriter treatments should not forget when they begin to name their favorites. Hanging just around the edge of a new aged classic rock sound, Glover shows us that the power of a pretty little song about something pretty and little is something we will never grow tired of.

With a voice like Petty, Glover sings of love and loss as expected. But, he also spins a bit of sappy storytelling into a modern display of artistic ingenuity. Just check out tracks like “Full Moon Child” and “First Chance For A Second Try” and see for yourself if Ben isn’t everything you are looking for in the new age version of singer/songwriter holding a guitar and pouring is soul into a cup half filled with Jameson, and the other half with institutive hope. And the borderline country/folk opus “Too Late To Leave Her Alone” is one of the most genuinely intimate songs you may ever hear, so much so that you might feel as though you are actually intruding, hearing something that was only meant for two.

Ben Glover is just plain great. No, he’s not spewing out obscurities and obscenities to demand attention, and he’s not quoting little known Peruvian philosophers or turning the latest Mac Book applications into some sort of art form. He’s simply showing us how wonderful a pretty little song, laced with violins and fluttering magic, can make us feel something we should be feeling all the time. And if Ben Glover can’t make you feel like you are floating on a cloud of overtly explosive love, then the sorrow is all yours.

Discover more about the amazing talent that is Ben Glover from his WEBSITE.

Circlebirds: Complexities [Album]

It only seems rational that a town in Texas called College Station would be the home to new age folk (which is basically College Rock from the 80′s) group such as Circlebirds. This vocally driven four piece band of troubadours have a created a shining example of well developed experimental folk with their debut album Complexities. There is tenderness to the lyrics, and delightful feeling of almost codeine induced tranquility to be heard on just a dozen tracks. This is beauty at its beastly best.

Complexities has some excellent stripped down, singer-songwriter moments brought to courtesy of the band’s founder Matt Jackson. But, it might be best to note the lo-fi indie pop inspired tracks that highlight the album such as “Howling at the Moon” and “Catfish Whiskers”. But, for fans of the down home feelings that a simple acoustic guitar and a just a slight amount of ambience, it would be behoove you to look into “Finally Feeling” or “The Fever Has Passed”. No matter what suits your fancy, Circlebirds is eager to please, and most definitely will be a treat for fans of lyrically driven and inspiring folk music.

According to the band’s Facebook page, Circlebirds were born “from fires of hardcore music and failed relationships”. As narcissistic as it may seem, this is awesome! It is attitudes like this that brought us the best work of Leonard Cohen, Nick Drake, and latter day Johnny Cash. Sure, these guys don’t sound at all aged and weathered as these fore mentioned legends of rock and roll, but they have the spirit of the legends that preceded them. Want proof? Look no further than their own words: “I’ve seen fire and I’ve touched water, but no I’m feeling something new”. There may just be a new dawn for the living artist, and Jackson and crew are right there to sulk in the pleasant sorrow of being talented and free from the mundane.

Learn more about what Circlebirds has been up to by Liking them on Facebook.

The Get Busy Committee: Little Razor Blades [Single]

Rhymers Ryu and Apathy do no play around. As vocalists for The Get Busy Committee, they bring such a direly needed sense of realism that i’s almost depressing. But, such is life at times. Thankfully pain and suffering can be playfully portrayed throughout bouncing beats with a light hearted feel. It’s almost hard to believe a line like “Choppin’ up a line up on the top of a toilet” could make you nod your head in enjoyment. And GBC producer Scoop Deville knows more about being an artist in the world of hip hop than Timbaland or Scott Storch could ever even imagine.

“Food stamps, government cheese, and some cocaine/ I never knew a single soul who owned a rope chain”. This line pretty much sums up the entire theme of “Little Razor Blades”. The 80′s were some fucked up times for black folks suffering under the Reagan dictatorship. Especially in the GBC’s homeland of southern California. If rappers like The Game or E-40 just don’t feel speak enough truth for you (which the regularly do not), then look no further than these group right here. “All that glitters ain’t gold, I promise” is a perfect description for the collection of images found in this video. This is the best and most humbly entertaining display of popular hip hop since it was new to say to say fuck the police.

“Little Razor Blades” can be found on the GBC’s debut album Uzi Does It available on CD, MP3 download, and an Uzi shaped USB hard drive (yes, this is for real) on their website.