Sunday Matinee: Fear, Love, & Agoraphobia [Film]


“Chet is a 28 year old agoraphobic man and still lives with his mother. When Mom moves away Chet has to get a roommate. Enter Maggie. A volatile female Marine with her own personal issues. The two become emotionally entangled as they struggle to escape from their self-made prisons.” – October Coast PR

I have always been a sucker for a good hearted rom-com, I simply can not help it. But, I have more of an affinity for a film that you may think is just a romantic comedy, but there is something deeper just below the proverbial surface that eventually explodes on to the screen and becomes more than just a simple love story. And THAT is what Fear, Love, and Agoraphobia does so perfectly.

This film has characters that you simply want to love, because you know that the people that Alex D’Lerma have brought to life with his incredible talent, absolutely deserve to be happy. So much credit for this has to be given to Dustin Coffey and Linda Burzynski who gave their greatest performances to date. These two were the focus of the film, and they were definitely what made this film so damn touching and entertaining.

At it’s core, this is film is a love story. But, not in the expected and common place sort of way. This is a story about one of the core concepts of love, which is acceptance. In order to feel love for anything, you have to have some sort of love for yourself. And that can sometimes lead to the necessity of acceptance. You have to accept whatever issues you have that may be holding you back in this life, and find your own way to move forward. And sometimes another person will come along to help take the load of on your journey to love. You may fall in love with them as well, although you know in the deepest part of your soul, it is a fleeting love that you are simply experiencing on your own personal journey to realization. And that folks, is the short, simple, and truthful analysis of what this amazing film has to offer the world.

Or who knows really? Maybe I am overanalyzing here. I just truly enjoyed Fear, Love, and Agoraphobia. And I think you all should too!

Check out Fear, Love, and Agoraphobia for yourself, available on VOD now!


After Auschwitz [Film]

“In After Auschwitz, filmmaker Jon Kean examines the question, “What happens after surviving an unspeakable horror?” with six stories of remarkable women who survived the Holocaust and went on to build lives in the United States, but never truly found a place to call home.

For survivors of the Holocaust, liberation was both an incredible moment and a devastating one. It marked the beginning of a life-long struggle. Most wanted to go home, but there was no home left in devastated post-war Europe. Many came to America and wanted to tell people about their experiences, but were silenced. “You’re in America now, put it behind you” is what they were told. The women Kean follows became mothers and wives with successful careers, but never fully healed from the scars of the past.” – Big Time PR

I will admit, I knew in my heart of hearts, that this was going to be an amazing film. I also knew that I would probably end of blubbering like a small child with a skinned knee, but I knew I had to see it unfold. Based on content alone, I knew it would be a hard watch, but one that I definitely needed to see. And lo and behold, I was right! Well, I should say I was half right. I cried like a toddler with TWO skinned knees! But, at the same time, I was definitely able to see the beauty that filmmaker Jon Sean was able to bring to this tale of some of the bravest women the world will have ever known, through damn fine storytelling, and absolutely impeccable timing.

After Auschwitz is a film that touches on some things are very familiar to anyone who happened to have partook in world history during their schooling years. But, to see something of this nature so in depth, and with so much directness and affirming attitudes towards the horrendous acts that people seem to forget about was something different entirely.

But, as morbid as it may sound, the tales of what occurred during the Holocaust at places like Auschwitz is not one that was unbeknownst to me. I actually learned most form the events that, as the title suggested, occurred AFTER these women were sprung free. I was ignorant to the death, torture, torment, starvation, anger, and chaos that would occur directly after these brave souls were to experience “freedom”.

And while the subjects of this film managed to make decent lives for themselves, there is still a sense of darkness within them due to the horrific experiences they were forced to endure at such an early age. It’s seriously just not fucking fair. And what struck me as the most peculiar was to learn about how some people seriously just didn’t want to talk about it. Which seems like a huge generational gap that would not be the case in today’s society. And that is just one simple thing to look back on. This film is absolutely loaded with some incredible stories, and more insight that you could ever imagine. And yes, while some of it is absolutely heart wrenching to a softy like me, there is also a bit of joy and pride expressed when you realize what these women had to endure to become the people they were right until the very end, or are to this very day!

I know I say that I “can’t recommend this film enough”, to other films, but this one I mean it in a very different way. Please show this to everyone. Let the world know about this time of an already well known and horrific stories. Show your kids. They have to know about the evil that once existed, and understand that something like this can never happen again. This is history, folks. You need to know what happened. And why not have to shown to you in a beautifully filmed and edited experience like After Auschwitz.

After Auschwitz is available now in select theaters across North America. Check out the film’s WEBSITE for more details.


Laurie Kilmartin [Interview]

Today we are featuring one of the most consistently hilarious people to have ever graced the world of comedy with their presence. Laurie Kilmartin has been a name that has always been on my radar as a legendary figure in the world of stand up and comedy. Of course, it has only been my recent obsession of the last few years that led me back to her work. I re-discovered Laurie’s work the way I tend to with 90% of the comedians I now love and adore….podcasts. Yes, I happened to see Laurie’s name pop up a little over a year ago on Pete Holme’s podcast, You Made It Weird. She had such an amazing story to tell about her life as a comic on the road, writing for television, and all that goes along with being an absolutely hilarious person. This of course led me down the wonderful rabbit hole of Laurie’s absolutely brilliant career that spans over 30 years.In all of these years, Laurie has not slowed down a bit! She has continuously been able to talk about situations that might make some feel uncomfortable, but she is dealing with tragic events that occur in her own life, in her own way. And thus, creating some of the most brilliant works of comedic art of recent years.One such example can be found in her new book, Dead People Suck that was released this last February, and can be purchased now! Check out her website, for more details.Now enjoy some amazing words from an absolute living legend, Laurie Kilmartin!

Standard opening question here, but it always intrigues me each and every time: When did you first realize you were a hilarious person, and you wanted to get paid to be hilarious by talking at people from a stage?

I don’t think I’m hilarious, but I do manage to get laughs. When I started standup, I just wanted to get good at it. I was socially awkward and I thought if I could get laughs onstage, all my other problems would be cured.

I thought about getting paid after seeing guys who weren’t that funny, but were making money. I thought, I’m just as bad as that guy is, why can’t I make $100 this week?

I have tuned into your podcast you do with Jackie Kashian, the aptly titled The Jacke and Laurie Show, and it is really, really funny! For those who may not be tuning in (and soon will), how did this partnership come together? What made you both decide to do this show?
Jackie and I started doing standup in 1987 (she in Wisconsin, me in San Francisco), but we didn’t meet until a few years ago. In the 80s and 90s, bookers NEVER put women on the same show. We’d see each other’s headshots on the wall, but we were always booked 6 months apart.

We decided to do our podcast because we noticed that female comics our age weren’t being asked to do podcasts, were basically being asked to leave show business. So we said, “fuck that. We’re here and you’ll like it.”

I hate to have to get into this, but I know you have been at the forefront in talking about the matter. It has been great to see people held accountable for their actions, and changes being put in place in the world of comedy specifically, as far as sexual harassment and assault are concerned. But, I am curious to know how much has really managed to change in the last few months? Do you as a veteran in the comedy world see changes that will remain permanent? Or do you believe the industry will soon regress to its old habits in due time?
Look at lineups. Lots of clubs continue to book white male headliners almost exclusively. Sometimes a female comic can get the MC or feature position, but headlining is where the money is. Also, audiences can handle having a woman in the lead position. Some of these club bookers are such lazy cowards. They’re 30 years behind the culture.
What are you thoughts on the addition of things like social media and podcasts becoming a crucial element to the world of comedy. What are some Pro’s and Con’s to the addition of things like these?
I guess the “con” of Twitter is it’s hard to get off it. But it’s mostly positive. You get to grow an audience without leaving your house. Same with podcasts. Ours doesn’t make ad money but we’ve both had people come to our live shows because they like our podcast.
Another question I always like to ask when we are fortunate enough to have a comic on the site concerns locations. I am always curious to know what may be some cities across the country (or globe) that people may not think about as being great comedy towns? Basically, what are your favorite towns that may not be major areas?

I remember having really fun shows in Boise. The club I worked there closed, but I was shocked. It was a really cool town. Also, I had one of the best sets of my life in England, in a town I thought was called Astor, but I can’t find it on a map. When you have a low-ceilinged club, it almost doesn’t matter what town it’s in. It will attract the right people.

You have a book that was recently released that details a very personal experience that sounds fascinating, entitled Dead People Suck. Can you tell our readers what they should expect when every single one of them gets to check it out?


Dead People Suck is a true story, seen through the eyes of a comedian. My dad died from lung cancer, and we went through hospice before that. It was searing and real and I wrote a lot of jokes about it. It’s not dark humor to me, but people have said it’s dark. To me, it’s normal.

What else does the future hold for you? Anything you would like to plug to our readers?


The future holds for me what it holds for all of us: death. I would like to plug gardening to your readers. Plant something in the Earth before you return to it.

What was the last thing that made you smile?

My son. He’s 11 and he’s my favorite person. He makes me laugh every day.

4/20 Massacre [Film]

“From writer/director Dylan Reynolds comes the story of five women who go camping in the woods to celebrate a friend’s birthday over the 4/20 weekend. But when they cross the turf of an illegal marijuana growing operation they must struggle to survive the living nightmare.” – October Coast PR

For some of you out there, I have to say…Happy 4/20! While it may not necessarily be a day that I celebrate personally, I can certainly respect it! And I have a brilliant film that matches the theme to share with you fine folks out there. It is the delight horror film, 4/20 Massacre, that turned out to be a truly original and delight cinematic experience. While the premise of the film seems to be initially campy and should be more comedy based, this film is actually neither. It is actually a wonderful horror film that features all the elements we have come to love and adore in the world of horror.

Between a stellar cast, a wonderfully written story, and some timely and gruesome visuals, this is just an overall wonderful indie horror film. It is another example of a film made on a micro-budget that just truly works. I would love to see what this exact same cast and crew would be able to do with a 7 figure budget, but I can honestly say that I enjoyed the film exactly as it is.

4/20 Massacre has been released theatrically today! The L.A. theatrical will be held at California Institute of Abnormal Arts in North Hollywood and run thru 4/20 to 4/27. The film is also available on DVD right NOW!


Toddy Walters [Interview]

Hello Dear TWS Readers! Today we have an absolutely amazing interview to share with you fine folks. Today we have some amazing words from an absolutely brilliant vocalist, actress, and so much more, the amazing Toddy Walters. Right off the bat, if you are a fan of any of the work from the now legendary pop culture icons that are Trey Parker and Matt Stone… are going to want to check this out!

On August 17th, 1997, I was a 12 year old boy. I was a massive fan of the barely watched cable channel known as Comedy Central. I was one of those kids who had a “divorced Dad doing better than the Mom he lived with”, and when I was staying with Dad, I watched the shit out of Comedy Central. I watched The Daily Show with Craig Kilborne on a regular basis. I loved Bob & Margaret, Make Me Laugh, and the endless re-showings of Blazing Saddles. And I remember seeing the constant advertisements for a weirdly animated show called South Park that was coming soon. And on August 17th, I managed to find myself at my “cool aunt’s” apartment in Lake Oswego, Oregon, and falling in love with the program that we all know and love and now consider to be a bit revolutionary, a little show called South Park.

What does this have to do with our guest today? Well, she was there. Toddy was around in the very beginning, and she was invested in in the amazing beginning years of South Park. She speaks of this a bit in the amazing responses she passed along, so I will take a social cue here and just shut the fuck up right about now. So, enjoy some amazingly insightful and amazing words from the great Toddy Walters!

When did you first discover your passion for the world of music and performance? Was it a lifelong passion of yours, or did you sort of just fall into the business?

I was born an artist, and the music and television of the 1970’s really shaped me. It gave me the drive to want to definitely be a Charlie’s Angel but the musical Annie sold me on wanting to sing in front of people. Singing has always come very naturally to me, I have a melody of some kind in my head pretty literally all the time, which is a boon and a bane;) I’ve spent all of my life singing and performing in one capacity or another.

You began working with the now legendary duo of Trey Parker and Matt Stone from their initial inception, with their Troma release Cannibal: The Musical, right up through to the inception of South Park. What were those early days like? Was it strange to be involved with so much success, so quickly alongside a couple of dudes you knew from college?

Those days were crazy, life-changing and interesting. I found out about what was then called ‘Alferd Packer – The Musical’ when I went to a CU Boulder film school screening of student films, one of which was Alferd Packer. The short film was a trailer for a film (with no actual finished product) which was such a creative idea to begin with but more than that was the buzz created by this funny little trailer. The buzz was everyone wondering if it was actually a film and I decided at that point that if they were going to make a film, I was going to get myself in that film, not even knowing the story of if there were any parts for women. I had already been in a couple student films there so I wrangled an audition and the rest is cinematic history, lol.

Not long after, I was pretty helplessly in love with Trey and we were together for a few years when he moved to LA. I witnessed the meteoric rise of South Park first hand in a lot of ways just being around the two of them. I moved to LA a couple years later still in a long-distance relationship with Trey but the quick and huge success complicated things unsurprisingly and it was no longer healthy. It was hard for us to let go, but it was harder to sustain a relationship amidst all the chaos.

What I am grateful for is the work I was able to do with them which allowed me to get some exposure as an actor. However, within two years of moving to LA, I decided that I wanted to concentrate on music and that’s what I did.

Amongst the plethora of vocal and musical work you did on the South Park series and film, what would you say is your personal favorite character that you brought to life? 

I had a blast playing Kelly – Kenny’s girlfriend in the episode ‘Rainforest Shmainforest’ starring Jennifer Aniston. Kelly was the perfect nose-picking drama queen that Kenny needed, and even if it was short lived, it was true love.

My other fave was playing Winona Ryder in the movie, it was such a blast. It was fun to hear my voice when I saw the film, felt really good. I have to say I’m pretty proud that in the credits of that film, my name comes sandwiched between Nick Rhodes and Stewart Copeland which is just cool.

Besides being a brilliant vocalists and actor, I understand you have worked extensively in the world of production, including some post work on one of my favorite films of all time, The Thin Red Line. What was it like to work on a project like this? And what sort of other production work have you done in the business?

I started as a production office coordinator on the South Park movie which led to other production office gigs on animated film and the odd production assistant or wardrobe assistant gig on live action features. I spent a few weeks on the a computer game based on The Matrix 2 & 3 as a wardrobe assistant. This was when motion capture was new and I assembled hundreds of these little rubber balls covered in reflective tape that were then put on all the joints on these black leotards that the Korean martial arts team wore. I was a stunt double for tests a few times and had to put a leotard on and jump around, that was fun. They were also shooting 2nd unit for both films in the studio so I got to watch Keanu Reeves, Carrie-Anne Moss and Laurence Fishbourne work out.

My last production job was on The Thin Red Line where I was a production assistant, a wardrobe assistant and a stand in for the lead actress. There were so many amazing people associated with that film obviously and it was so fun to be a part of. Word got around that I was an actress and Terrence Malick hired me to be a featured extra in a scene that was eventually cut (but I heard I’m in the perhaps fictitious ‘director’s cut’). I thought, you couldn’t just keep my 10 second close up in your 3.5 hour movie, lol? I did get to be in front of cinematographer John Toll who reminded me not to chicken neck when trying to convey emotion, lesson learned.

What can you tell us about your band, Winehouse? I understand it is definitely NOT a “cover band”, but what it is sounds fascinating to me! So with that, could you explain a bit about it to us? And what made you decide to channel the spirit of Amy?

Yes, very adamant about it being a tribute band, always correcting people! I would rather she still be alive and I wouldn’t have had to create the project but it felt like the right time and her songs are so fun to sing, not to mention she was an hysterically funny creature. I took it in a theatrical direction by playing her in earnest, I took on her accent, dressed like her, the whole nine. It married my two favorite things, singing and acting. When we first started, we would recreate her live shows at the height of her fame (2007-2008) as close as possible, setlists, line up, her banter. But it morphed into more of a stage show where I scripted it, the concept was that Amy was now in heaven and so she was able to talk about what it’s like up there, the famous celebs she hangs out with also in the 27 club, so it focuses on the humor mostly with just a little bit of heartbreak when she asks god why she had to suffer. I’ve put the wig down for the foreseeable future as it was a five year labor of love and because I feel like I realized the vision I had for the project and am ready to move on.

I’ve always thought that Denver would be a pretty good town for music, but I honestly have no idea as my experience in Colorado altogether is that of one overnight stay at an airport hotel, and walk through that crazy expensive mall. So, what is the music and arts community like around there? What do you believe sets this area apart from say, an Austin or Portland?

Denver has been booming for a few years now and so has the music scene. The most recent success story is of course, Nathaniel Rateliff. When I began making music here in Denver in the early 90s, the music scene was cool but jam band heavy so I was excited to move to LA where there would be more diversity. Now the art / music scene is infused with so many talented native and non-Colorado natives and it’s hopping with a lot of different styles and scenes. I’d say it’s different to Austin in that it’s not as much of an ‘industry’ town since it’s not known for its record labels and has very few management companies. It’s harder to break out here, but I imagine most musicians here are happy to make it a valid part of their lives even if they don’t make a living with it. As a forever unsigned artist, I don’t necessarily believe being signed equates with making superior music.

Toddy in “Stadium Anthems”

What does the future hold for you? Anything you would like to plug to our readers?

I’m happy to say I have a film to plug, although at this point, there is no secure distribution. It was filmed in the summer of 2016 and is called Stadium Anthems, directed by a first-time CO based writer-director, Scott Douglas Brown. It’s a sort of surrealistic, absurdist, dramedy, mockumentary set in Denver and is about the music industry and how it’s changed so much in the last however many years. My character is Heroine Jones, the female singer-songwriter-teacher-bartender-fetish performer (what doesn’t she do?) who is the heart of the film and represents doing art for art’s sake while all around her the chaotic and laughable record label types vie to stay relevant in the post-internet age.

It was an amazing step back into the film world and I was able to not only act, but sing, write songs and be the music supervisor. All in all, twenty-something pieces of music were recorded for the film, some of which were mine and some of which were Scott’s. The film has been finalized and is just now beginning the search for distribution.

Otherwise, I’d love to make a new record someday!

What was the last thing that made you smile?

When my boyfriend bought me the live vinyl of Kate Bush’s ‘Before the Dawn’ for Christmas two years ago which is her first live set of performances in thirty five years. I cried virtually through the entire four-record set I was so happy. That’s not to say I haven’t smiled since, of course:)

Niousha Noor [Interview]


Lately, I have been hearing a lot of buzz about a program on the beloved Home Box Office (HBO, if we are to go shorthand) entitled Here and Now. And the word on the digital streets is that actress Niousha Noor is one of the biggest highlights of the series to lookout for. So it goes without saying, we are extremely happy to be able to share a few words from this amazing actress that is currently excelling brilliantly in Alan Ball’s latest project that has been getting some excellent reviews as of later.

And as it usually tends to be when we finally attempt to do something new here at TWS, we are IN LOVE! Niousha Noor has turned out to be an extremely brilliant, funny, and far too kind human being. She was nice enough to share a few words with us about Here and Now, her viral video that is #PERSIANIZE, and so much more in this incredible interview that I am to so happy to share with you fine underserving readers! Niousha has turned out to be a perfect fit for TWS. She has checked off so many boxes that make her a brilliant fit for our digital pages. She is a strong independent woman, she’s killing it on a series with a strong message, and she has worked in our beloved world of horror/comedy. Hell, should Niousha find her way into the Fallout video game world, we might have to make her Mayor!

So with that, let me stop babbling and share some pretty amazing words form the brilliant Niousha Noor! Enjoy!

When did you first discover you had a passion for the arts? Did you grow up dreaming about performance, or did you just sort of find your way into this world?

As a kid in Iran I was always involved in the world of cinema as my dad is a cinematographer. I found myself often on movie sets. Movies and arts were a big part of my childhood, but I didn’t really think about myself as an actor until later on in life.

I have heard great things about Alan Ball’s HBO series Here and Now, in which you play Donya, a crucial character in the mystery of the show. What drew you to this project? What did you then, and now, find most intriguing about the concept?

What drew me to the project was the sides I had to audition for! The role specifically wanted an Iranian women speaking Farsi. It seemed to be about a mother in search of something… in the 1970s….. There is not many roles for “Iranians” to begin with but have it be in this form shrouded in such mystery was very intriguing.


What do you believe to be the most important thing that viewers should take away from Here and Now, on a social commentary level? And specifically, your character’s involvement in that commentary?

I think just looking at the cast you’ll immediately notice that it’s a show about diversity and identity. About how we deal with that diversity not only as a tight-knit family but on a larger scale as a society and what we identify with as individuals. In a sense asking the question of who are we in the here and now? And diversity not only in terms of race and ethnicity, but also sexuality, politics, class and age. My character as part of Farid’s backstory helps him come to terms with his past and helps him find who he is.

Now, we here at Trainwreck’d Society are very big fans of the world of horror, especially horror of the more campy variety. Scrolling through your IMDb credits, I noticed a film that I have yet to see, but feel that by title alone, I would at least be a bit intrigued. it is called Oh Snap! I’m Trapped in the House with a Crazy Lunatic Serial Killer. I mean, the title pretty much spells it out, but, would you care to elaborate on this project a bit? What was it like to work in the world of horror on a project like this?

Oh wow! Ha! I have to say, I had so much fun shooting that film! There were so many of us all staying at the same house we were shooting in! Well I, (spoiler alert), did shoot my very first death scene in that movie, and I was killed by an axe! So….that was indeed horrific and fun to shoot!

I am very intrigued by a project you did, and currently working on a follow up for, entitled #PERSIANIZE. Can you tell us a bit about this? What inspired you to create this project?

Yes!! Ok so…

I love to dance, especially to persian music of the 80’s. These songs are so nostalgic for me as I grew up dancing to them in Iran. I thought of this concept of an Iranian woman crashing a dance class  in Hollywood, pretending to be their substitute teacher and basically teaching them Persian dance instead. I was able to get such a cool group of real dancers for the shoot and the result was not only so much fun, but beautiful. These songs pull the strings of most Iranian hearts as we all have so many memories with them, so to see Americans dancing Iranian and so beautifully too, I don’t know, it was touching. The video went viral mainly in the Iranian community so I believe they agreed! I’m just ready to have a different conversation about Iran! Persianize to me is about bringing forth the fun, beautiful aspects of my culture to those who don’t know it! I’m in the process of making the second video due to the high demand, so look out for it on my page!


If you were given the chance to portray any legendary figure (historical, or not) in Iranian history, who would it be?

What a great question. I would have to say Gordafarid. She is one of the heroines in the Shahnameh–Book of Kings-which is this epic literary masterpiece written by Ferdowsi centuries before Game of Thrones! Gordafarid is a female heroine, a champion. A woman who volunteers to fight against the commander of the other rival group, and she wins. She is a symbol of courage and bravery for Iranian women -or just women in general. It would be an incredible journey to play her– even if not— I would be delighted to be a part of a project that just tells the stories of Shahnameh because they are magnificent.

What does the future hold for you? Anything you would like to plug to our readers?

Well there will be more of a reveal to my character Donya in the final episodes of Here And Now. Also definitely look out for the second NuNu #Persianize video! I am also in the middle of finishing my first feature–I am really enjoying the process of creating and telling stories!

What was the last thing that made you smile?

This question did 🙂

But before this, I recently booked a trip to Europe. Once I saw the ‘Congratulations, your trip is booked!’ confirmation, I had a really big grin on my face. I love to travel.

Sunday Matinee: Kuleana [Film]







I’ll just kick things off here by saying that Kuleana is at its very core, a seriously insightful film. It is wonderful look into the damnation and tyranny that would ensue after the statehood was confirmed for the land of Hawaii. It’s really something that I had never actually thought too much about. I have always known that the natives to Hawaii have always been a very strong and proud group of folks, and that the white gentrification of the land was, to put it lightly, pretty fucked up. But to see some very probably events depicted in such a manner as this film does is a whole new proverbial ball game. It is a toxic and frightening thing I am very willing to admit that I can never truly understand. But, it didn’t stop me from enjoying a very well made film on the subject.

Kuleana is a film that focuses on one man’s journey to clear his father’s tarnished name, and to retain purity to his land that is unscathed from the indignity of commercial greed but is in danger of being handed over to the corporate monsters who are uncaring about the sacred history of a land as they can not see such beauty with their eyes blinded by dollar signs. Phew. That was a bit of a rant wasn’t it? Anyway, Kuleana is a hell of a film with a brilliant cast. If you couldn’t tell from the big of agony and anger I am putting into writing this, there are some demons associated with this film. And one of the biggest demons of them all is portrayed by Stefan C. Schaefer, who portrays a true bonafide asshole on a Nurse Ratchet level. He’s so good at this role that you couldn’t even “love to hate” his character. You just hate him. So much respect also has to be given to Sonya Balmores and Moronai Kanekoa, who give absolutely dynamite performances as well. And also Marlene Said, who was just downright adorable!

Whether you find yourself to be emotional attached to this little group of islands out there in the Pacific, or you are just a fan of very well made cinema, Kuleana is a film that will have something for you. You really do owe it to yourself to check it out!





New Music Tuesday: Gerry Spehar – Anger Management [Album]

First and foremost, I have to be honest when I say that I was sadly uninformed when it came to the genius of the great Gerryy Spehar…..until now. Now, I am slightly informed, and feel as though I need to know so damn much more. This is because of the idea that if his amazing record Anger Management is any indication of what this man has been doing throughout his career, then I have definitely been missing out over the years. I now consider myself a HUGE fan of Gerry, based on the contents of the album I am here to talk to you all about today.

Anger Management is the modern equivalent to all of those old and beautiful Woody Guthrie-esque protest songs that are held dearly in the annals of history. And while those old folk songs are definitely special for very good reasons, Gerry Spehar has creating something uniquely different, and actually a bit more impressive in my own opinion. Gerry blends classic old timey folk songs with a brilliant seasoning of blues and rock & roll, and even a bit of a country ballad feel at times, that makes for an album that is not only important to our current political climate, but also sounds absolutely amazing! While I do appreciate a good protest song for its basic nature, it always has more of an impact when there is immense talent involved. And Spehar is definitely an extremely talented singer and musician, as well as a mesmerizing songwriter.

Whether it is a slow paced and gut-wrenching ballad like “A Soldier’s Spiritual”, the high-speed satirical folk ditty “Thank You Donald”, the 90’s alternative like cut “Except For the Bomb”, or the seriously funky, blues-driven “Bitch Heaven”, I am here to tell you that Gerry Spehar’s Anger Management is without a doubt one of the best albums you are going to hear in 2018. And even more so, this music is absolutely timeless and should be the catalyst for people to listen to 100 years in the future to truly understand what these days were like. This is a perfect album with a perfect message, and most importantly, it is an absolute joy to listen to!

Gerry Spehar’s Anger Management will be available on May 18th wherever you find music. Check out his WEBSITE for more details!

Lin Tucci [Interview]

When did you decide you wanted to join the world of acting? Was it something you sort of fell into, or has it been a passion brewing within you for quite some time?

My passion for acting came first at an early age. I grew up in a very colorful Italian community where my uncles owned a produce market. The cast of characters were a revolving door of entrances & exits akin to a  “commedia dell ‘arte”.

I loved listening and watching their every move, and having a captive audience. That’s when I began impersonating them. Having a captive audience, the customers laughed seeing me imitate the priest whose sing song sermons had a message and moral to each story then the punch line, the girl scout leader who had a huge beehive, reciting the girl scout rules with a cigarette in her mouth and a lisp that came from her lips between each puff, the “bookie”, “who was all of 5’4”  arriving with “the numbers” in his hand. His swagger ruled the roost. 

It was then that I was bitten and I never turned back! Learning the craft became my focus. First in junior college, then continuing to Boston Conservatory of Music, graduating with a B.F.A . Drama Major/ Musical Theater Minor.

Then the world of acting opened wide.

You were without a doubt the highlight character for me in the 1995 film Showgirls, appearing as Henrietta “Mama” Bazoom, which also featured past TWS guests like Robert Davi and Rena Riffel. You were absolutely hilarious! So what was it like to work on a project like this? Was it an enjoyable shoot?

Showgirls was my first feature film. MGM, Paul Verhoeven and Joe Esterhas were enough for me to sign on. From the first day on set to the premiere, the journey was an adventure of a lifetime. The Henrietta “Mama” Bazoom character on paper was a pisser!  She was “large and in charge”, at least at the Cheetah Club. Henrietta’s “bazoom’s” were originally scripted to be revealed as a computer generated move, like Jessica Rabbit. When the contract was ready to be signed the deal was “au naturel” or nothing. I thought, “Well, as Elvis said, ‘it’s now or never’.” 

Somewhere in one of the Planet Hollywoods is a dress of Henrietta’s displayed in infamy!

TWS guest Robert Davi and Rena Riffel were all part of the Cheetah Club clan. Robert gave the grit. Rena was the temptress of titillation. Rena & I had a blast  when we were asked to put our handprints at the Vista Theater in LA as an homage to Showgirls! 

Elizabeth Berkley was “lightning in a bottle”. I love that woman. She was brave beyond imagination. Nomi was the only one who could get Henrietta’s Ta-Ta”s to HA HA !

Showgirls  has proven to be timeless.. over 20 yrs later it is regarded as a cult classic and I LOVE THAT !!!

More recently, you appeared on the hit of a show known as Orange Is The New Black. What was it like to be a part of a program like this from the beginning only to watch it blossom into the massive hit that it is ?

The Orange Is The New Black tagline is “every sentence has a story”. I never would have imagined the epic story I could tell after being in 44 episodes and I am so honored to have received two SAG Awards. Jenji Kohan, the show runner, is our “fearless leader” and she is without a doubt a genius. Jenji cast the pilot with the majority of actors who sat together at Kaufman Studios Day 1 on set, not knowing the “arc” of their character or how many  episodes they would be in. The playing field was level. Series regulars like Kate Mulgrew had star power. Even then I remember sitting next to her in the hair department. Wig’s coming in and out. “Red” had not been imagined…yet. Everything was raw and awesome in every aspect. I had never worked on a TV series, so the learning curve for me was an everyday event. In Piper Kerman’s book, Anita DeMarco was based on a real person Piper knew in prison. When I read for the role, I felt I immediately knew Anita . I became her the moment I put on my khakis and was set behind bars. I knew where Anita lived in her mind. The writing on the show is FLAWLESS! Piper Kerman gave me the greatest compliment when I first met her, she said, “Lin”, you are Anita!

When the show’s critical acclaim increased after Season 1, I knew we’d be “riding a rainbow”. The show was a hit. Now indeed it is a massive hit and I’m still in shock that I’ve been a part of it. OITNB will go down in history as a Netflix phenomenon whose voice will resonate forever.

I have to admit that I am very naïve and sadly unaware about something called, Nunsense? I notice that in your credits that you have appeared in a couple of these productions? I am definitely very curious, and would love it if you wouldn’t mind telling us a bit about this production?

My first national tour in the USA was Nunsense. My character was Sister Robert Anne, a streetwise nun from Canarsie, Brooklyn. Nunsense is a 5-character musical. Robert Anne’s character was exactly like a nun I had in school, Sister Dora. My resume reflects many productions of the show because I absolutely LOVED LOVED LOVED  singing & dancing as Robert. Little known fact: when I was cast in both Showgirls and OITNB, I had been doing Nunsense.

I went from being a “saint to a sinner” then a saint to a “prisoner”! Robert is a wise cracking “bob & weave” kind of gal. Talks to her students in the language they can connect to. Each character in the show reveals in their back story what their dreams were if they did not have ‘the calling”. Robert sings a song “I Just Want To Be A STAR”…’nuff said! I was lucky to be in productions with the late great Phyllis Diller and Dody Goodman and Laugh-In’s  wild & wonderful Jo Anne Worley.

Nunsense legacy lives on… AMEN!!

I am always intrigued and impressed by anyone in the acting world who has moved freely between film, television, and the stage, as you have done. And I always like to ask: If you were forced to only work in one of the mediums, what would it be? Why?

TELEVISION !! I love everything about it ! The pace and craft is a master class of thinking on your feet. I love creating the character at home, delving into  the intention the writer has written in each scene for the character, learning the lines, arriving on set ready to  meet the director for the day’s shoot.. In TV, a plethora of “mega-mind’s” constantly surround you. Each bringing their own style and vision. 

Every episode has the footprint of the writer and director. I had the privilege of being directed by Jodie Foster on OITNB, yup ,TV….Acted & directed with Laura Prepon in the same episode  on OITNB yup, TV ..Danced with RuPaul in the B’52 “Love Shack” video yup, TV ! Working with actors who move freely in all genres raises the bar when on a TV set. We share the pulse of timing in televison bringing the skills of a theater foundation. When I hear the word “ACTION” I get an adrenaline rush which is exhilarating. BRING IT !!!

What does the future hold for you? Anything you would like to plug to our readers?

I have signed on for an indie film called Megaball$, a comedy feature . It’s about geeks, the Lotto & mob. The tagline is: You never know when you’re number is up ! My character is spicey! That’s all I can say! 

The Chiller Theatre Expo asked me to do an autograph meet & greet April 27 – 29. It is in Parsippany New Jersey. Come on down if your in the hood, would love to meet you. If the spirit moves you, join me on Twitter, @lintucci, and check out my FB page, Lin Tucci, for some fun behind the scenes OITNB photos and magical red carpet moments. 

What was the last thing that made you smile?

Ron, I am smiling now ! Your questions reminded me of so many memories. Thank you for reaching out. Phyllis Diller once said ” a smile is a frown turned upside down”.

Sunday Matinee: Strawberry Flavored Plastic [Film]

“The origins of the story revolved around a few main ideas that germinated into what the film eventually became. One of those ideas revolved around a real life person whom a friend of mine had worked with for many years, and the sort of lunacy and unhinged nature of this person (non-violent, might I add) whom I heard stories about sort of grabbed my attention. Coupling that with an innate desire to tell a layered, challenging and relevant tale, it all built itself into what SFP became. It’s also worth noting that I’m absolutely fascinated with the concept of nearly forcing an audience to align themselves with a questionable character; there are many positive and sympathetic facets to Noel’s character that run parallel to his darker and sociopathic side, and I really wanted to explore that and expand upon those notions.” – filmmaker Colin Bemis

Hello there fine readers! Welcome back from our week long hiatus, and back to our first Sunday Matinee in quite sometime. And we have an amazing film to showcase for you fine folks! In our last interview with indie filmmaker Colin Bemis, we promised you we would talk a bit about Strawberry Flavored Plastic. A film that is poised to be one of our top 10 films of the 2018. I thoroughly enjoyed this movie just so damn much.

And while everyone truly acted their asses off in this film, a huge shoutout has to go to Aidan Bristow. This man had be feeling literally anxious and a bit on edge. His role as Noel Rose is the type of stuff that legends are made of. And of course, an actor is only as good as the writing, and our man Colin Bemis has written the hell out of a story and has been kind enough to share it with the world! Another shoutout has to go to the brilliant Bianca Soto who comes in extremely strong as well.

Again, I can not say enough great things about Strawberry Flavored Plastic. It is a brilliant debut film from our new friend Colin Bemis, and I can not recommend it enough. So be sure to check it out when it hits VOD or a theatre near you when it drops!