Sunday Matinee: Unpresidented [Short]

Hello Everyone! Yes, we are coming to you all on the unusual Sunday here with a new feature on the site that we are very excited to share with you all. Welcome to the Sunday Matinee! I know that we have less than subtly been pulling an MTV on you all and skewing away from being a music centric site, and have leaned into the world of film and television. And with the addition of this feature, there is obviously no stopping the monsters within. But, I think you all are going to love it.

For the first official edition of the Sunday Matinee, we would like to share an amazing new short from the fine folks at Ganglebot Films entitled Unpresidented. You may recognize Ganglebot from the sensational viral videos aptly titled The Drunk Series, which we also highly recommend. And the company’s latest venture into the world of politics is absolutely incredible, and something we are so happy to share with you fine readers.

Unpresidented is a short bit of satire that feels absurd and ridiculous in it’s own right. I mean, it is children saying some frightening and offensive things on camera. Problem with it is, 95% of the frightening and offensive dialogue the children are using, are taken almost directly from the voice of our current sitting President of the United States of America. And that is what should truly be frightening and offensive to the viewers. The film manages to clearly explain the events surrounding the 2016 Presidential Election that led us to the state that we are in today. It is a masterpiece of satire and hilarity that is sure to make you cringe while laughing hysterically.

So please enjoy Unpresidented, our first venture into the world of the Sunday Matinee.

 

Michael Goorjian [Interview]

It’s been a few years since we spoke with SLC Punk writer/director James Merendino, but a lot of great things have happened since then. In that interview, we talked about the potential of a SLC Punk sequel coming to light. Well, since then, that film has been released, and to great acclaim I might add. So, upon the release of this beloved sequel, we wanted to jump back into that world a little bit. And who better to chat with than Heroin Bob himself, the great Michael Goorjian.

But, as we examined further into the world of Goorjian, we discovered that he has accomplished so much more than just being an iconic character in a brilliant indie film and it’s subsequent sequel. He is an Emmy Award winning actor, an accomplished novelist, and an overall brilliant human being. So, of course will talk SLC Punk as it is unavoidable and worthy of notice, but we also wanted to hit on some of his other amazing work, including a new novel entitled What Lies Beyond The Stars that is absolute MUST READ! And we will hear all about it in the words below. So please enjoy some great words from the amazing actor, writer, and so much more, Michael Goorjian!

When did you first realize you wanted to be involved in the world of acting or the creative world in general? Was it an early passion that drove you?

I started acting as a way of getting out of class. The principle at my JR. High made an announcement over the PA telling anyone interested in auditioning for a part in a local community theater production of Computer Crazy should to come to the front office. I went and ended up getting the part. Unfortunately, I didn’t realize that the rest of the cast were all senior citizens, and this very dorky play was going to be performed in front of schools all over town, including at my own school. Despite the humiliation of that first experience, I stuck with acting.


You developed a fanatic cult following for your amazing portrayal as Heroin Bob in the indie classic film SLC Punk. You were already an Award winning and established actor at this point, but this put you in a whole other realm it would appear. Is this a proper descriptor, or am I projecting? Basically, what was it like after becoming the man behind Heroin Bob?

Yeah, it’s weird for sure. There are people out there with tattoos of me on them. I actually saw one Heroin Bob tattoo on a very attractive woman’s back side – just a photo mind you.
Bob was definitely a very special character. Much of it had to do with the dynamic between me and Matt Lillard (great actor). But also, I think Bob is kinda the sacrificial lamb in the film, a Jesus character, who dies for all our sins.

I’ve had many people connect me throughout the years about how deeply important Bob was to them. How Bob help them get through tough shit, how Bob was like their best friend, etc. That for me is the greatest joy one can ever have as an actor.

And then all these years later, you returned to the Heroin Bob character in 2016. We spoke with James Merendino when Punk’s Dead was in the early stages of pre-production, when it still felt sort of like a dream. But now it is out there and living amongst its fans. So how was this experience for you? What was it like to go back after all of these years?

It was a blast. I hadn’t seen James in years, and that alone was worth it. It took a while to find the character again but once we got rolling it all came back.

You decided to get yourself behind the camera a bit with the amazing masterpiece and last project of the legendary Kirk Douglas, known as Illusion. How did this project come to life? What made you decide to move into the director’s chair on the other side of the camera?

“Illusion” took me 5 years to make. I shot it piece-meal while raising money as I went, maxing out credit cards, begging, borrowing and occasionally stealing as I went. We shot on a borrowed 35 mm camera from Francis Ford Coppola — he didn’t know I was using it at first but luckily he became very supportive once he found out what I was up to. I shot 3/4th of the film before even getting Kirk Douglas involved. He was a dream to work with; it was an experience I’ll always cherish.

We always ask our statue holding interviewees this one question….Where do you keep your Emmy? And does its physical location have any sort of significance for you?

It is on a shelf in my hallway. For years my mom kept it because I’ve always been a bit of a recluse and often just lived out of my car in LA. I did consider having it mounted as a hood ornament on my matte-black 95 Chevy Caprice but decided that would be a little much.

Can you tell us a bit about your novel What Lies Beyond the Stars? When did you decide to add novelist to your expanding list of credits? And where did this story come from?

What Lies Beyond the Stars is based on a screenplay I wrote 20 years ago. I was actually close to shooting the film with myself and Michelle Williams to star, but then the financing fell through in a very predictable Hollywood way. So, instead of letting the project die, I threw the script on a shelf and waited and waited and 15 years later found myself doing some directing work for a Publishing company that happened to be looking for new material. I showed the CEO my script and he agreed to let me turn it into a novel!

What’s the book about?… I’ll just say that it is the artistic work that I am most proud of (along with Heroin Bob of course). Here’s a link if people what to check it out.

 

What else do you have coming up that our readers should be on the look out for? Do you have anything to plug?
I’m currently writing a sequel to What Lies Beyond the Stars which will come out in the Fall of 2018. I’m also going to be doing a play at the Berkeley Repertory Theater later this year. Back to the stage!

What was the last thing that made you smile?

Dave Chappelle

Pick up a copy of Michael’s book What Lies Beyond the Stars right HERE. For a preview, check out this amazing trailer that has been put together for it:

Roger Christian [Interview]


I am compelled to preface today’s feature by stating that this is officially our 200th interview here at Trainwreck’d Society, and I am extremely thrilled to bring it to you fine folks today. We have had the honor of sharing some great words with some amazing people over the years, and to mark this amazing milestone we definitely have something pretty special for you all today. And let it be known, it will most likely not very long before we are telling you that we have our 300th interview coming soon. Exciting times around here in the Trainwreck’d world.

And we are excited to announce that today’s interviewee is known other than the Academy Award winning art director, writer, and filmmaker Roger Christian. Roger is the mastermind behind some of the most iconic figures and images known to man. It is because of guys like Roger that even the most casual movie goer knowns what a light saber is, and fell in love with the happenings of things that took place in a galaxy far, far away. Yes, he is the man who helped make Star Wars to be the visually fascinating masterpiece that we all know and love today. He was the man who was entrusted by George Lucas as the art director of what would be one of the most famous films in history, as well as being entrusted to join him on his journey through The Return of the Jedi and the saga’s return in The Phantom Menace as 2nd A.D.

But while Star Wars is obviously a major feat for Mr. Christian, it is important to mention that he has brought so much joy to the world beyond the likes of the Jedi. He was nominated for an Oscar once again (and unfairly robbed of a win, in my opinion) for his work in art direction on another classic film we all know and love known as Alien. Yes, that Alien. Beyond the world of art direction, Roger is also an accomplished filmmaker who has been behind the camera on some of amazing projects that were actually the catalyst for why I wanted to talk to him.

I will honestly admit to you all, here and now, I was not interested in Roger’s work on Star Wars, as this is not a world that entirely fascinated me. So, it brings me great joy to be able to say that all Star Wars related questions in this interview are either inspired by or directly from none other than the brilliant Brady “Berzerker” Berkenmeier from my favorite podcast known as Super Geeky Play Date. A huge thanks to Brady for coming through for us on this one. Once again, help from a dear friends is what we rely on to make this site a success!

As I stated before, those of us who are less familiar with the Star Wars world will definitely know who this man is. In a career spanning over 50 years, he has been the man behind films like the 1997 Patrick Stewart fronted film Mastermind, 2013’s Stranded that features Christian Slater’s finest performance pre-Mr. Robot, and most importantly, the upcoming creation of the passion project he has had funneling through is brain for the last 50 years (and has released in short versions on at least two occasions), Black Angel, which will be coming soon and will mention in great detail. In fact, once you have completed reading his great responses, you can scroll all the way to the bottom of this interview and find the FULL version of the original short.

Yes, Roger Christian is a legend in the world of filmmaking, especially in the visual sense. He is the man behind the fucking light saber for shit’s sake! For that alone, it is an honor to have him featured as our 200th interview here at Trainwreck’d Society. It has been a long and winding rode to make it to this milestone, and I speak for all of us who have made this happen when I say we are so happy that you have chosen to take this journey with us. So before I get to sappy here, please enjoy some amazing words from Academy Award winner, Roger Christian!

What inspired you to join the world of art direction and filmmaking? Were you always interested in the world of a film from a young age?

I grew up in the country near a town called Reading, with no access to theatre or any knowledge of the film industry. I was given instruction by my Father to be an architect, Doctor or Priest. Escaping the brutal way we were treated at school, to an arts college, I went one day with friends to London to see Doctor Zhivago and Claude Lelouch’s A Man and a Woman. David Lean’s film made such such a powerful impression on me, I literally had an out of body experience in the theatre when the music rose as the young Zhivago stood by the grave at the burial, and it is still one of my most favourite films of all time. I was hooked, and A Man and a Woman cemented a passion. The driving jazz and the power of images with emotion, was a new kind of filmmaking. I remember having huge arguments outside the theatre about its style and impact.

Working every summer to survive putting up huge marquees for shows all over southern England, we were in Black Park, and I saw a prison camp, so realistic, a tramp used to offer food every day to the men who built it. They told me it was a film set, and we were next to Pinewood studios. So squeezing under the fence that lunch time I watched James Bond being filmed through an open stage door, the smell and the lights and sets, was it, I had to do this. I spent years trying to get into an industry where I didn’t know anyone, even doing two years at Oxford School of Architecture, as I was told to enter through the art department as I’d been years at Art school.

I spent all my spare time watching films by Bergman, Felini, Pasolini, Truffault, Godard, Lean, Powell etc and my master and mentor Kurosawa. I ate up his work, and giants like Visconti. My first job ever was where destiny struck. I was tea boy to John Box who designed Dr. Zhivago and Lawrence of Arabia. John mentored me closely in an industry where it was run like an office, and I was told daily to get a haircut and a suit and tie, and stop talking about these art films and knuckle under and work my way up slowly on the drawing board. It wasn’t for me and I quickly worked my way to be a set decorator, and using the money I earned to direct theatre plays I commissioned and music videos, anything I could get my hands on.

We all know that Star Wars: A New Hope, now 40 years old, was a groundbreaking masterpiece that changed the world of cinema forever. And it was pointed out to me that the film also marked one of the first times that art direction and special effects really became extremely popular. What was this experience like for you? Was it surreal to finally get the credit you deserved?

Yes it was surreal. There was no faith that Star Wars would make a dollar, as Science Fiction as a genre was dead at the time, and worse this was regarded as a Children’s fantasy. I shared George Lucas’s vision, that space should be dusty and real, and the world used and old and natural. With the budget, when we started off with four million dollars to make this epic, it was daunting. I had to buy scrapped airplanes and break them down to encrust the interiors. I used real guns with pieces stuck on, and made the Lightsabre with an old camera part and superglued on T-strip and an old calculator part.

John Barry the designer was brilliant, taking George to Tunisia where he found the ancient world and deserts, adapted by our dressing and props to the world of Tatooine. The majority of the crew, thought the film was a Children’s story and being sci-fi, would never see the light of day. The worlds of myth and legend got me through my difficult childhood in the grey times after the wars, and so John and I and the two art directors stood by George Lucas’s side when few others did, and built his world for Star Wars, difficult as it was.

Star Wars was the first science fiction film ever where the audience believed the film was real, set in its world, old used and natural. This was my world and I was finally able to put on screen my vision for how it should look. Being awarded an Academy Award, so unexpected, was an honour and a recognition that all the hard work and belief where most people doubted it would work was justified.


What was it like jumping back into the world of Star Wars in the late 90’s to work on The Phantom Menace, over 15 years after the release of Return of the Jedi? Did it feel like a whole new experience for you?

It was like coming home. Being trusted by George to film alongside him, we had the two crews who filmed Indiana Jones making this epic in just twelve weeks, there was no time to think. Star Wars was my world to enter back into, and little had changed. Being back in Tunisia was inspiring especially the huge set for Tatooine built in the desert near where we filmed the first film and filming the pod race. Directing instead of designing, was a joy for me. I worked with all the main actors and some amazing stunt and action scenes, so it was like being in heaven despite working 14 or more hours a day. George had to leave at the end, so I finished the filming.

I am very intrigued about your project Black Angel. Can you tell us a bit about how this project has come about? What made you want to tell this tale?

The short film I wrote as my debut directing film, was commissioned by George Lucas to release with Empire Strikes Back and funded by a twenty five thousand pound grant from the British government. Following Kurosawa’s influence, I was the first person to film Scotland’s stunning and ancient landscapes in cinemascope as a background for my ancient myth. It inspired John Boorman Excalibur and George step printed a Yoda fight in Empire when he saw mine. I received many letters from the audience at the time, how I had touched them deeply, and that was my intention to connect to the subconscious as Tarkovsky did.

I made the film as I love mythology and legends and wanted to explore the last moment in a Knight’s life as he honoured the code they lived by, to find a maiden in distress and rescue her. I went deeper as it was a fight against death, a huge theme in mythology.

The negative was lost after Rank in the UK went bankrupt and found three years ago in Universal studios after I had almost given up ever seeing it again. Restored to its original powerful imagery, it screened again as closing film at the Mill Valley Film Festival to ecstatic reviews and even more popular at the Glasgow Film Festival where we sold out a four hundred screen cinema. I got five hundred thousand hits about it from a BBC online article, and social media went viral after. Not bad for a thirty five year old film.

This led to Alex Tate a UK producer wanting to make my original epic fantasy feature idea and we are filming this year in Hungary and Scotland. The popularity of Game of Thrones and Star Wars have created a massive platform for fantasy which is real and down and dirty, and thats how we made the original Star Wars and Alien. I am following my original desire to create a very real and down to earth epic set in amazing visions, in the same vein as these powerful films I was involved with connected to the audience. That desire is more and more prevalent in audiences, who want to connect to worlds they can identify with, but be carried on an exciting journey.

And you have mentioned in a previous conversation that you are very fond of the music that is set to be used in Black Angel. Can you tell us a few details about said music? And, as a huge fan of well composed music in film, I am curious to hear your personal insight as to why music is a critical element to any good film?

Music and sound create the power of a movie, equal to performance of the actors and characters they have created, and the director’s vision. Turn off the sound on any movie and its power collapses. Who can forget those simple notes on Jaws, and the Star Wars theme that takes you right into the saga when you hear it. My number one favourite, Dr Zhivago‘s score is as epic as the film.

I spent weeks and weeks gathering reference for Black Angel to influence Trevor Jones. Vangelis was unknown in England at the time, but I had gathered sound tracks from French documentaries he had composed the music for. A huge influence, Stomu Yamashta an amazing Japanese composer who created Red Buddha Theatre, and other music I found inspiring to create a musical landscape, the soundtrack takes you deep into the mystic soul of Black Angel.

What else does the future hold for you? Anything else we should be looking forward to in the future?

I am deep into the epic feature film of Black Angel, a passion project for me since writing and directing that short film as a launch for my career. Finally I am able to get it made and this is my legacy really, and has taken this time for the global market to get recognition for this type of fantasy, so I can get funded. I am also making a documentary/drama on the Creative Force. Inspired by the five rebels who made Star Wars when nothing else existed in cinema and with the smallest budgets way below what it would have taken using conventional techniques. So they echoed Luke Skywalker, heroes journey moment and let out of their comfort zones and because of them Star Wars got made. This extends to some incredibly famous people in their chosen films who saw Star Wars and became so inspired they followed their dreams and left their comfort zones. Based on my book, Cinema Alchemist, which is a blow by blow account of how Star Wars, Alien and Black Angel were made on way too low of budgets, I was intent on inspiring people and that is the overwhelming response to the book. So I am interested to explore this and help people follow their dreams and inspire them to follow their own heroes journey as thats what its all about and why myth and legend is so important to everyone.

And we always ask our statue holding friends this question: Where do you keep your Oscar? And does its physical location have any significance to you?

When we got ours, it was the worst thing you could do in England to embrace it or shout out about it, the familiar place everyone kept theirs was to hold the toilet door open. That was to do with the British establishment looking down on Science Fiction and American culture. Star Wars helped change that and Alien and the films that followed quickly made getting an Oscar a huge honour.

What was the last thing that made you smile?

Seeing the lightsaber I created for 12 dollars gaining iconic status as a main plot point in the final scene in A Force Awakens and coming to fruition in The Last Jedi. – R

Do yourself a favor, and check out the amazing short film that is Black Angel, which Roger Christian has so kindly put on YouTube with a lovely introduction as well. Check it out here:

Debra Eckloff [Interview]


Today we have a feature on a brilliant actress who fans of the improv world will probably now and love. Her name is Debra Eckloff, and is a delight! I will admit that I am not an expert in the field of improv (or any field for that matter), but through my research I have learned that Debra is a class act in a realm all of her own. And then when I got some nice words from her, I would soon realize that she is simply a gem of a human being!

I first became aware of Debra and her work with her performance in one of the most beautiful pieces of satire I have ever witnessed, the video “Ballad of Billy John” performed by Trevor Moore on his special entitled High In Church that was released in 2015, and remains a continuously watched special in my world, especially “Ballad of Billy John”. Seriously, you HAVE to check this shit out. It’s absolutely incredible.

And part of what made the video so damn great was the subject of our interview today, the great Debra Eckloff. She is a beautiful human being, and has so much to say. So let’s get to it! Ladies and gentlemen, Debra Eckloff!

I have come to learn that you have been making quite the splash in the L.A. improv world over the last few years. What drew you to the world of improv? And what do you still love about the job?

I stumbled into improv. I was signed up to take an advanced scene study class but it cancelled unexpectedly. Patrick Bristow, Improvatorium, was teaching improv next door and was willing to let me audition. I joined him for about three years. I learned most of what I know about comedy from Patrick. He’s a master. The task of creating a small comedic scene from a suggestion plays with the idea of living being a shared experience, of organic communication that is in the moment. Improv abandons preconception and planning and trusts in the connection we all have. When a scene is really working, it’s quite a charge.

In your professional opinion, how has your improv work translated to the more scripted screen roles you have done?

Improv is fundamental to how I work. When I first get the sides, I attempt to discern what I can in order to create something grounded for the audition, something that allows me to enter the world of the scene. Depending upon the script, this takes many forms. For instance, if I have some pages of the script but I don’t see what is driving the scene they want to see me do, I might write a scene that is not in the script pages I have. This enables me to have history (complete with dialogue) that I imagine to have lived. Further, if I have a lot of memorization, one way that I reach it is through improvisation. I do my best to learn the lines, of course, but I find once I start living the scene and the emotions are bubbling up, they upset the lines.

So what I do is I work on the lines, but then I get to a point where I throw them out for the sake of meaning. I let the improv loose inside of the emotions that are running underneath the lines in order to fully live them. I’m ready with the scripted lines after I’ve explored like this. Another area where I use improvisation is when I am working on my moment before. What you choose for the moment before results in your character’s mood/state of mind at the start of the scene. I also use substitution a lot in my work. I probably use substitution almost as much as I use improvisation. All this sounds rather think-y but the truth is, the better it’s working, the less think-y it is. In other words, all of this enriches the role for me and makes it an incredible emotional experience. What improvisation and substitution do for me, essentially, is they free me.

I absolutely adored your role in the video for Trevor Moore’s “The Ballad of Billy John” a part of his High In Church special. How did this role come about, and what made you want to work on this project?

Thank you. I am very proud of the video and the reception has been great. I love reading the comments from viewers. I’m grateful to Trevor Moore for a delightful, original and clever song and for including me in the project. The first thing that happened was that I auditioned for Matthew Vaughan over at CAZT. I was so green I didn’t even know that “CC” stood for Comedy Central. The audition involved going through a series of emotions for the camera, locating the highs and lows of Billy John’s wife. Prior to the shoot, I was sent an audio file of the song. I am grateful to Matt because he made me feel very comfortable both in the audition room and on set.


And how was the process of filming this amazing video alongside Ron McPherson? Was there a lot of laughter involved?

We shot the video in a sweet little residence in Laurel Canyon. I had never met Ron before but we had good chemistry right away. He’s a really nice guy. I had to nuzzle up and get some instant intimacy going and it was very easy to break the ice with him. Trevor was there all day for the filming and answered any questions I had. I improvised throughout filming because, as I was saying, I find my emotions through improvisation. Direction was tight and precise on the project.

Nicholaus Goossen was just amazing. The video had its complexities because there’s the camera, the camera in the laptop (which was filming some of the footage), the song that plays, etc. Back to your question, was there a lot of laughter involved? The comedy is grounded in reality in this case. What I mean is that the couple is not in on the joke. So, yes, laughter in between takes but real emotion had to be generated to ground the experience the couple was having. It’s hard to analyze comedy, that’s for sure…but I believe the shock of what they expect and what actually happens is anchored in their innocence. The comedy comes from somewhere around there, I believe.

In your opinion, what would you consider your dream role? What is that role that you would absolutely love to get?

Who knows, really… I have been lucky so far and I am grateful. I have played a myriad of characters and I have gotten to explore so much emotionally. I marvel at many incredible performances I’ve seen. For instance, I love the role Shelley Winters plays in Lolita, Tilda Swinton in Michael Clayton, Cherry Jones’s role in Transparent. I enjoy tender roles for women as well, such as J. Smith-Cameron’s work as the mother of Daniel Holden in Rectify. I’m a little darker, though. I have played some meanies (that’s what I call them). It’s a wild place in your mind where you go to motivate and own a badass. Comedy, of course, is my other love, my first love. Ironically, I have more control over my badasses than I have over my comedic characters. I prepare for both, however I never know what’s going to happen in comedy. I have to step off a cliff.


What does the future hold for you? Anything you would like to plug to our readers?

Who knows, really… I know I will continue to age. lol And that’s a factor in what the future holds for anybody. I know a great role is coming for me. When we meet, we will be like long lost friends. Sometimes you get a role and the memorization is like butter on warm bread. I long to meet characters that will bring me to emotions I need to traverse.

I am in two films that are headed to festivals. One is Emily, written and directed by Jean-Marc Demmer. The other is still in post, The Last Crow, written and directed by Jake Miller and Paul Cadenhead. Both experiences were wonderful.

What was the last thing that made you smile?

Probably a man, but I hate to admit that.

Check out the above mentioned sketch for Trevor Moore’s “The Ballad of Billy John” right here, courtesy of Comedy Central:

Dominic L. Santana [Interview]

You all are going to LOVE today’s guest, I guarantee it. Everyone should. And for me personally, it represents yet another milestone in my own life. Today’s interviewee is a brilliant actor who has been working steadily for long while and has also added screenwriter to his credits. His name is Dominic L. Santana, and he is a hell of a great guy. But, how does this link up as a milestone for me personally? Well, Santana has been pinned to portray a legendary figure in a film coming this summer that I am so damn excited for, I can hardly contain it. In fact, I really haven’t, we actually talked about it two days ago with our amazing interview with actor Rayan Lawrence. Be sure to check that out as well.

The biopic All Eyez On Me follows the life and untimely death of the legendary Tupac Shakur, a man who I idolized to a HUGE extent as a youth, and still consider one of the greatest artists of our time that was taken from us far too early. 21 years after Pac was taken from us, they are finally releasing a full on dramatization that looks to be incredible. One of the reasons it is poised to be amazing is the casting of Dominic L. Santana as the legendary mogul, Suge Knight. Suge and Death Row Records play a HUGE part in the legacy that is Tupac Shakur, and they simply could not have cast a better person to tackle this dark and legendary figure. This is going to be great folks!

So, we were very excited that Dominic was willing to talk to us a bit about his journey to Suge. Where did Mr. Santana come from, and what has led him to be the man he is today? With some beautiful responses, we are going to surely find out! We are very honored to have him join the TWS ranks, and honored he was willing to speak with us. So please enjoy some great words with the amazing Dominic L. Santana!

Check out what he has to say, and then go check out All Eyez On Me in theaters TODAY!

When did you first realize you wanted to become an actor? Was there a moment when you can remember thinking, “this is it, I’m going to do THIS”?

I took interest in acting since I was a child. My mom was always a big movie buff and because we didn’t have a lot of money she made sure we had great movie nights and occasionally a trip to movie theater which was always a big deal to us. So those memories kind gave me a fondness for film. As I got older, my interest in film grew more and more. Eventually in highschool I had a great theater arts teacher name Vivian Wade who really went out of her way to get me to take it serious. She saw something in me that I had not quite seen in myself yet. I remember her telling me I had the “It” factor. Of course I didn’t really get it then but the events after high school would land me right on the path I needed to go. My family relocated to Wilmington, NC where I discovered a booming film business. It was there that I realized my love for film could be more than just a dream. So I started pursuing it. I got my first role on a show called Dawson’s Creek. I got lucky because I was there as an extra in front of a club and it just so happened that the scene wasn’t working the way they wanted it to. They had one bouncer but felt it would flow better with a second one. They picked me from the crowd and gave me a line. That’s the first time I realized I could actually do this for a living. Of course my pay rate went way up from being an extra to actor so it became real that it wasn’t just for fun but that you can pay your bills while doing it as well. From there I got obsessed and began networking and pushing.

You had a great role in 2007’s mystery/horror film Furnace that was absolutely compelling. Can you tell us a bit about working on a film like this, featuring some of an array of characters from legendary character actor Michael Pare, to hip hop stars like Ja Rule and Paul Wall?

I actually had a great time on Furnace. It was freezing and we were in a real old prison which made it even colder. I was already a huge Ja Rule fan so just being able to spend time with him was dope. Even better he was cool as hell and I still consider him a friend to this day. Tom Sizemore is a phenomenal actor and theres a scene where we ran out of lines but Tom wanted to test my improv skils and kept going. We went on for an extra ten minutes past the script until the director finally yelled cut and everyone exploded with amazement at what they had just witnessed. A lot of that scene got cut but right after, Tom smiled ear to ear and said “you’re a great F*cking actor”. Coming from someone I saw opposite Denzel Washington, Tom Hanks etc was huge to me. I knew he had worked with the best and could see he was one of the best, so for him to tell me meant everything, It was the first time I felt it was actually confirmed that I knew what I was doing and I belonged.

Danny Trejo was also great and we had many great convos. He’s a great story teller and he has a million and he’s so wise. It was great just to sit and listen to him and his stories about life. Funny story about Michael Pare. He’s a real cool guy and we got along great. One day we had to film a fight scene. We had gone over it with the stunt coordinators but he and I hadn’t actually practiced on each other yet. So it’s time to film it and we end up delayed about an hour. So finally a producer comes to my trailer and he informs me that the hold up is Mike is super leery about doing the scene. We are about the same height but he’s more model build and I’m more NFL build. He never heard of me before so he didn’t really know how professional I was or wasn’t. So he was worried that I may hit him for real and was refusing to do the scene. So I laughed when they told and I asked where he was at. They told me and I immediately went to him. I told him theres no cause for him to be worried, I’m a professional and would never hit him. I took him over to the stunt coordinator and we practiced the fight. Not only did we get it together but it actually turned in to a more violent and more believable fight scene. Right after we finished filming it he looked at me breathing hard and said “You’re a real f*cking professional!” and shook my hand and we laughed. It was a great bonding moment and neither of us got injured. The scene looked great.

You made your screenwriting debut with 2015’s Mr. Right, which you also starred in. What inspired you to write this story? Was it at all from personal experience, or just something you felt you needed to tell? Or both?

I actually wrote that film to produce with a few industry friends of mine. It was the first script I was able to write to completion. Before then I really didn’t have the patience. I didn’t plan to actually write it but the writers I had met with just weren’t getting what I was trying to bring to screen so I ended up studying a few months and writing it myself. Glad I did. Over time things kind of fell apart but I didn’t want to waste such a good story so I worked my connections to find a buyer. Fortunately I got it sold and turned it over. They’re the ones who actually asked me to play one of the smaller roles in it. Wasn’t my plan. I was fortunate. I actually pulled a lot from my imagination and then some from actual experiences, either my own or others I had witnessed or heard about. I’m truly a student of life and people so I find inspiration for stories all around. Another big part of the film I focused on was showing African Americans dealing with life issues but not only in the “hood” or being ratchet. I wanted people to see there are intelligent, educated, well to do black people who have interesting and relatable stories. It’s not always just about “hood” love or criminal stories. Plenty of blacks live in middle and upper class. We’re seen one dimensional far too much and I wanted to seize that opportunity to show us a different way while still being very entertaining.

 

To add to your variety, you have also been working in the world of music as well releasing your own albums. What made you want to join this world as well as the world of acting?

Well music was my first passion. I’ve done it for years and have several close calls with major labels but I’m one of the artist who wouldn’t just bend over and make nothing but poison to funnel into our community. More than once I was made to choose “our way or no way”. I always refused to let some guys in suits who know nothing about the minority community use me to further destroy it. I’m not really a conscious rapper like Common or Talib Kweli but I focus on making hits people love but infusing a little mental medicine in the songs. Apparently labels don’t like you encouraging people to be better and want more. Anyway, I always thought music would open the door for me to do film but film just kind of shot past my music career. With film I have a lot more control. I work with different companies all the time. Some are great and some not so great but I’m contracted with them for more than a year so I can move on. With a label deal you’re subject to their agenda for years. I’ve seen some sell their soul or sell out their community to be here today and gone tomorrow. But I could never shake the idea of having to explain my music they wanted me to make 30 years later if someone asked me why I helped destroy our community and what example I set for the next generations. I realized early on music is powerful. It’s into someone’s soul and can alter how they perceive life or situations. So I didn’t want to be the cause of feeding negative energy to the masses and I paid the price for it. I don’t regret it though.

You were pinned to portray the legendary Suge Knight in the biopic All Eyes On Me about the final years of the late Tupac Shakur. Suge is obviously a crucial role in this period. So what can you tell us about this project? And how did you become drawn to this role?

Well the film actually covers Tupac’s life and how he became the man we all know and love today. As a huge fan already, I was just fortunate to be submitted for the role of Suge Knight and 4 auditions later getting the role. I had to fight for it and I won. I always took interest in Suge Knight and what he accomplished with Death Row. I always felt there was way more to him then just what the media portrayed. So I was excited to explore on film the different sides of Suge. Fortunate to have a great director and some great producers.

What is, for you personally, that ONE shining role that you are desperately yearning to portray? If you were given free range with any sort of character, void of all financial restrictions and what not, what would be your dream project?

Honestly it’s on the table to play Suge Knight in a story thats focused on him and the inception of Death Row. It’s not set in stone yet but that’s the role I think I could really create a film legacy from. Our size and look are as close as I could get to portraying someone real and his story is just amazing and wild. It gets no better than that. I got a lot of camera time but the All Eyez On Me story is focused on Tupac and everything from his view which is also rollercoaster film that will be a classic. I think if I could continue on once more as Suge and finish what I started in AEOM it would be epic.

So, what does the future hold for you? Anything to plug to our readers?

Well I’m still writing and putting a lot of attention into producing some more of my own ideas as well as looking at different projects coming my way for acting. Also I still love music so we’re dropping a free album next month that we’ve been holding forever and then preparing to record a new one. I’m also producing with a great friend and filmmaker a tv show that looks like it will land a home on network in the next few months. So a lot of exciting things and I’m trying to do it all.

What was the last thing that made you smile?

Aside from my son, just yesterday they dropped the full length AEOM trailer which featured me more than the others and that made me smile ear to ear. Nothing like saying I’m gonna be a star one and then seeing tangible evidence that you were right. It’s not all about being a star but what it represents in all your years of work and efforts. As well as what means to your child and family’s future.


Check out the trailer for the fore mentioned All Eyez On Me featuring our new friend Dominic Santana:

Rayan Lawrence [Interview]

Photo by Miles Maker (milesmaker.com)

 

In two days, the world will finally be receiving what we can only hope will be the definitive film showcase of the great Tupac Shakur. All Eyez On Me will finally be brought out into the world on June 16th. And we were lucky enough to grab some words from a couple of the film’s stars. Kicking things off is the amazing actor Rayan Lawrence, best known for his reoccurring role in WGN America’s amazing drama Underground.

Rayan will be portraying the crucial role of one of Tupac’s closest friends in the rap game, the illustrious Treach of Naughty By Nature. For avid and die-hard fans of Tupac Shakur, you KNOW the importance that Treach held in heart of Shakur. And you will also understand that Lawrence had a huge job to tackle in portraying a crucial role in this upcoming biopic. For those of you who may not be as aware, with this cat behind the character, you will soon realize.

So, please enjoy our awesome interview with the brilliant actor Rayan Lawrence below, and remember to come back this Friday for some more great words, and then make your way to a theatre near you to check out All Eyez On Me. Ladies and gentlemen, the great Rayan Lawrence!

When did you first realize you wanted to join the world of acting? Was it always a passion of yours from an early age, or was it a random occurrence that brought you in?

I first realized I wanted to join the world of acting, when I went out on my first audition and booked it. It was a random occurrence because I was interested in modeling and once I booked my first acting job I then realized I have a passion for acting.

What sort of research went into your performance as Treach in the Tupac Shakur biopic All Eyez On Me? Did you manage to hang out with the man himself? Did he have any advice or stories to give you that worked with your role in the film?

I never got a chance to hang out with Treach but I’ve always been a fan of his music. So, I went back and listened to all of his music and watched his interviews to get a feel of his personality, mannerisms and get a feel of his friendship with Tupac.

And what was the filming of All Eyez On Me under the guise of the great Benny Boom and amongst some of your fellow amazing actors?

Working with Benny Boom on All Eyez On Me was great experience because working with a director who is passionate about telling the story is very important. You can see the focus in Benny’s eyes about telling the story right. Demetrious Shipp Jr. really embodies Tupac, as well as Khadija Copeland who plays Queen Latifah and Chris Clarke who plays Shock G. The times we spent on set were priceless.

Recently you worked on the incredibly original and unique WGN original show Underground which covers a very specific and dark period of American history. What was it like diving into such a harrowing tale of unsung heroes in American history? Can you help but feel like you are a part of something bigger than yourself with this performance?

Working on Underground was a sacred experience. It was very humbling for me to be able play a character from that time period and to understand the sacrifices that our ancestors made for us to have the freedoms that we have today. It is important for our generation and our future generations to be reminded of how our ancestors fought for us and that we need to continue to fight for the cause.

I am a huge fan of biopics of all kinds, and with your recent experiences performing one as a supporting character, I would love to ask this question: If you were given the free range to portray any legendary person in American history in a lead role, who would it be?

I am a huge fan of biopics as well. If I were given the free range to portray any legendary person in American History in a lead role it would have to be former president Barack Obama. Doing research on Mr. Obama would be priceless. This would be a challenging role but very rewarding.

What is next for you? Anything coming up you’d like to tell our readers about?

I have a couple projects that I am attached too but can’t reveal at this time. One of my other projects I would love for you to look out for is this indie feature PIMP with Keke Palmer. This should be a good one.

What was the last thing that made you smile?

The last thing that made me smile was when I kissed my mother this morning before I left the house. Nothing makes me happier than making my mother proud of my growth as a man.

Declan O’Brien [Interview]


Today we have another showcase of an absolutely amazing writer and filmmaker who has managed to strike fear, joy, and happiness into the hearts of millions for many years. Declan O’Brien may be known best for contributing to several different film franchises that we all know and love. The one franchise that has been showcased here at Trainwreck’d Society would be the Wrong Turn horror series. We’ve spoken with the original writer behind the series, several actors from that world, and now…we are fortunate enough to have a few words who brought us three of the most amazing chapters from the Wrong Turn franchise. O’Brien brought us the 3rd, 4th, and 5th installment in this beloved and absolutely insane series that we all know and love.

But, Declan has proven to be a mastermind in his craft on so many different levels. He’s created some amazing SyFy films, and breathed all new life into the WWE’s The Marine series, and just so much more. And we are so happy that he agreed to share a few words with us here. SO ladies and gentlemen, please enjoy this amazing interview with the great Declan O’Brien!

When did you realize you wanted to become a filmmaker for a living? What was the real jumping off point for what has become your career?

I knew I wanted to be in film since I was a young child. I’m the youngest of seven and my entire family was musical. I wanted to move in a different direction to film and television.

When you are jumping into a series like Wrong Turn, what is your main mission in continuing on a franchise? How do you put your own personal stamp on an established series?

I always want to explore new ideas and themes while still maintaining the structure of the series. I often juxtapose classic themes or movies into the horror franchises. Wrong Turn 3 for example was really a riff on greed. You could say it was Treasure of Sierra Madre meets Wrong Turn. Same for Wrong Turn 5, if you look closely it has the feel of Rio Bravo about it.


How about The Marine series? What is your personal seal/watermark placed in those films?

I wrote Marine 3 right around the real estate market collapse where all these banks were taking people’s homes after giving them predatory loans. I created a militia group that wanted to get back at the corporate banks by robbing them and burning the money. It wasn’t about the money but about payback.

What was it like working for Roger Corman on Sharktopus? Was your experience as fabled as I have heard with break neck pace and budget restrictions making you become that much more creative?

Roger is a legend. I thoroughly enjoyed working with him on two films and we’ve developed others together. Roger is a no nonsense producer. He gives you the parameters, the budget the schedule and you have to find a way to make it work. But most importantly Roger is a filmmaker first and foremost. If it’s for the good of the film he always has your back.

 


When you are working on a SyFy film, what would you say is generally different about the filmmaking process? In watching the films, there is a very different feel many other films, but still so enjoyable. So is the experience of making one different?

SyFy has produced so many films over the years it is difficult to stand out. You have to have a good hook. Something that sells it in a sentence or a title like Sharktopus. the trailer that played at Comicon back then made it go viral. There were clips on The Tonight Show and Letterman. It just became a meme almost before there were memes and long before Sharknado.

When did Utopia Pictures come about? What inspired you to start your own company?

Utopia Pictures is a company I was partnered at over a decade ago. I am no longer there. My company is Fairport Filmworks. It’s always good to blaze your own path.

What is next for you? Anything you would like to plug?

If I told you I’d have to kill you….

What was the last thing that made you smile?

My daughter getting her driver’s license.


Check out the official trailer of the fore mentioned film The Marine 3: Homfront, right here courtesy of the WWE Network: