2019 Oscar Preview with Chris & Ron [Exclusive – Presented by The Listening Tree]

 

On February 24th the 91st Academy Awards Ceremony, presented by the Academy of Motion Pictures Arts and Sciences (AMPAS), will broadcast out from the Dolby Theater in Hollywood to an estimated 35 million viewers in the United States. The first Academy Awards were a private event hosted by Douglas Fairbanks and William C. deMille on May 16th, 1929 which lasted fifteen-minute to an audience of around 270 guests. William A. Wellman’s film “Wings” (1928) won the Academy’s first Best Picture award. By 1929, filmmaking had become an established industry and a profitable artform. Although, this was not the case initially. Film has existed for 122 years so far and will still exist for years beyond. Nearly every aspect of the film business has changed over those 122 years apart from one entrenched traditional element – the voting members of the industry’s most “prestigious” award ceremonies.

The brothers Auguste and Louis Lumiere held the world’s first screening of projected motion on December 28th, 1895 in Paris, France. This event included the brother’s first film “Workers Leaving the Lumiere Factory” (1895), a 50 second micro documentary of, workers leaving the Lumiere Factory. Fascinating, I know, but revolutionary for its time. While this video would be lucky to receive 100 views on YouTube today, that screening represents a paradigm shift in art for the 20th century. Early on film was considered radical by established artists. It would take many years for film to be recognized, let alone legitimized by a critical body. The Academy Awards remain the oldest film award ceremony beginning 34 years after the brothers Lumiere’s first screening.

The technology used by 1895 filmmakers would not be recognizable by modern creators. The use of sound, the standardization of film rate, the use of widescreen in amazing Cinemascope, the addition of Technicolor, 3D, intercutting, the 180-degree rule, etcetera. All these advancements in technology pushed the boundaries of what film could be, a limitless possibility of imaginative storytelling.

The Academy of Motion Pictures Arts and Sciences has just over 6,000 voting members. Twenty-two percent of those voters are held by actors. Additionally, 91 percent of the members are white and 76 percent male. The average age of a voting member is 63 years of age. To simplify, the Academy voters who decided the “best” in a year’s film releases are old white guys. This is the problem of the Oscars.

Art is a living entity and reflection of the current generation. Art should push boundaries and brake established models. Artists should be recognized for experimentation and advancements in their craft.

– Sir Christopher Eaves

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So here is what you do folks: Head on over to our FACEBOOK EVENT PAGE from the Trainwreck’d Society Facebook page, and leave a simple reply anywhere stating that you are on “Team Chris” or “Team Ron” when you have decided who you believe made the best choice. The pointing system works as follows:

Correct “Want to Win” = 0.5 points

Correct “Going to Win” = 1.0 points

So tell us what you think, and if you choose the winner, you are entered into a pool to win an exceptionally mediocre prize of the finest Korean bootlegs from 2012-2013 (and before), a copy of Children of Mercy: Tales and Teachings From the World of Independent Music, and more!

And after you have picked your team, who do you know if you have personally won? Well, this  the most exciting part, Folks! Our dear friends at brilliant podcast known as The Listening Tree have agreed to take part in the pageantry of The Oscars (whether they all appreciate it or not) and will announce the actual winner of the contest on their upcoming episode. The announcement will be made by none other than Mr. Chris Eaves himself, rather than whichever random kid of mine happens to be awake in the European morning shortly after the Oscars have concluded.

The Listening Tree is an absolutely brilliant podcast, and you can find it anywhere. Most of you will want to probably navigate your wonderful selves to iTunes to check it out, but if I am able to give an unpaid advertisement to a company I truly believe in, I would recommend you find them on Laughable. It’s a truly amazing app all things hilarious.

So, look out for Episode 10 of The Listening Tree podcast, where Chris Eaves himself will announce the winner of the absolutely incredibly mediocre prizes that you could possible win for yourselves!

So let’s have some fun!

Here is that FACEBOOK EVENT PAGE one more time!

 

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BEST PICTURE


A Star Is Born

BlacKkKlansman

Green Book

Roma

Black Panther

Bohemian Rhapsody

The Favourite

Vice

WHO CHRIS WANTS TO WIN: Roma –

Roma is a Netflix film and by association in a unique position to provide a large audience and financing for an auteur filmmaker. In this case, a black and white Spanish language story about a nanny and her 1970s middle-class Mexican family. A mastery of production Roma’s writer, director, producer, co-editor, and cinematographer, Alfonso Cuarón, has crafted a tender and authentic portrait of humanity. While Roma’s narrative is simple, it deals with immensely deep emotions and complex character relationships. Although the irony of Roma is the medium of Netflix being counterintuitive to the production level of Roma. Viewing Roma on Netflix is the cinematic equivalent of seeing Michelangelo’s Sistine Chapel through photographs. Televisions are not capable of reproducing the production level of this film with it’s clarity, depth, and scale. Roma is the best film of the year. Roma is a cinematic masterpiece.

The majority of the 2018 Best Film Nominees will swiftly be forgotten by the zeitgeist. Cinema is a reflection of society. Timeless films seep deep into our hearts, souls and minds; they speak to the larger human condition in some way. Bohemian Rhapsody is a film fueled by a nostalgic love for Queen rather then its cinematic qualities. Green Book is a feel good watch which quickly loses its impact. A Star is Born is fine. Black Panther is one of the most important films of the 21st Century whose third act falls apart. But like Roma, The Favourite, and BlacKkKlansman will all still be a part of the conversation six months after the Academy Awards.

Cinema is unique in its experience and demanding in its need. A place where a group of people can share an experience removed from all the distractions of the world. But, here we are – the best picture of the year, the most cinematic experience of the year, has mostly been watched through a streaming service, at home, while checking Twitter. The paradigm shift is upon us.

 

 

WHO RON WANTS TO WIN:  Roma.

In short, I’m choosing this film for somewhat the same reasons Chris would. But, the main reason is that it is actually the only film in the category that I have seen. This is of course because I embraced the streaming element, of the film, and felt actual guilt for doing so. Roma is a true cinematic experience. It’s a cinefile’s wet dream, really. Orson Welles would have approved, so much. This was such a beautiful film to look at, but the story was honestly boring as shit, in my opinion. The timeline of events are all over the place, and much of the story is hidden in the details. That being said, I am actually in love with the fact that this is a Netflix Original. Even if a theater experience is the obvious way to go, if people are willing to give even a couple minutes of glances between Instagram scrolling, at least pure cinematic bliss and brilliant filmmaking is being appreciated. This was a wonderful film to sit and fold a bunch of children’s socks to.

 

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Roma –

SEE ABOVE.

 

 

WHO RON THINKS WILL ACTUALLY WIN: Roma

SEE ABOVE. Also see below, because Roma is going to DOMINATE.


 

 

BEST ACTOR IN A LEADING ROLE

Christian Bale for Vice

Rami Malek for Bohemian Rhapsody

Bradley Cooper for A Star Is Born

Viggo Mortensen for Green Book

Willem Dafoe for At Eternity’s Gate

 

WHO CHRIS WANTS TO WIN: Bradley Cooper for A Star Is Born –

Christian Bale or Bradley Cooper? As Cheney the character emerges, Bale the actor is lost. Cooper radiates emotional complexity, pain, and vulnerability in his portrait of a fading rock star. Rami elevates a mediocre nostalgic fueled Queen movie. Cooper’s performance is so much about his eyes. His emotions fill the screen while his character strives to remain distance. All of these nominations are deserving of an OSCAR for their work, but Cooper’s performance is next level.

 

 

WHO RON WANTS TO WIN: Christian Bale for Vice

When it comes to politics in Oscar related films, the two have always worked will together. While the Oscar judges are known to be crusty old white dudes, and may have a problem taking down one of their own, I truly believe that Bale’s performances as Dick Cheney should/will thrive if not only to continue the discussion of just how fucking EVIL this man was, along with his puppet of a President. As time moves on, and we liberals think back fondly on the Obama years, it seems that we are more concerned about ole Dubya’s paintings of cats in bathtubs that the truly horrific shit that him and his puppet master did during their reign. Therefore, I want Bale to nab this one, if for nothing else but a “fuck you” to this former administration. Also too Oliver Stone. His dumpster-fire and opportunistic W. just about fucked up our chances of a good story being told of this era, but thankfully the man behind Step Brothers was able to save us.

 

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Christian Bale for Vice –

Bale’s performance is entrancing – supported by an outstanding makeup team. Bale is lost inside his performance. The mannerisms and cadence of Cheney are perfectly mimicked. This is not to take anything away from Bale, but he has a lot of support of a real individual to imitate his cues from as well as the OSCAR worthy makeup team. I won’t be disappointed by Bale’s win. A Cheney portrayal is more of an OSCAR winning performance.

 

WHO RON THINKS WILL ACTUALLY WIN: Christian Bale for Vice –

SEE ABOVE. Also, I commend you Chris, for going with your heart on the first choice. I know, that you know, Bradley Cooper has zero chance of winning. Fake Sam Elliott easily falls behind Freddy Mercury and The Political Penguin in the hierarchy of who could win here. You’re a good man, Chris.

 

 

BEST ACTOR IN A SUPPORTING ROLE

Mahershala Ali for Green Book

Adam Driver for BlacKkKlansman

Richard E. Grant for Can You Ever Forgive Me?

Sam Elliott for A Star Is Born

Sam Rockwell for Vice


WHO CHRIS WANTS TO WIN: Richard E. Grant for Can You Ever Forgive Me? –

Grant plays an asshole with charisma which I absolutely loved. His performance has been vastly under talked about this award season. Grant does what a best supporting role should – he elevates the film’s main conflict and the point of view of the film’s protagonist – Melissa McCarthy. To the point that Grant almost steals the movie.  

 

WHO RON WANTS TO WIN: Richard E. Grant for Can You Ever Forgive Me? –

On description alone, and not having actually seen the film, I truly believe that this will probably be my favorite film of the year when I do finally (maybe) get around to checking it out. And also by description alone, Richard E. Grant deserves this one as he is almost literally a supporting element of a film that is almost entirely about one singular individual. His character is one that goes beyond just “not being in it alot”. Also c’mon, Grant is a truly traditional actor. This is a man who has given the same amount of passion to the movie Spice World as he would (and did) give to a Robert Altman or Francis Ford Coppola project. He is an actor’s actor, a man of the theater. I’d love for him to be the victor here.

 

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Mahershala Ali for Green Book –

Mahershala Ali is one of the best actors – period. His performance elevated an, “it’s fine” film. His role is not supporting though. He is a co-lead. Green Book is told in part from Ali’s point of view. Although, I could see a Sam Elliott upset here. Green Book is a feel good watch and the film’s performances are absolutely the heart of Green Book.

 

WHO RON THINKS WILL ACTUALLY WIN: Sam Elliott for A Star Is Born

To mimic Chris a bit, I believe that Sam will come in with the upset here. Legends of yesteryear are fading away, and I believe that giving Elliot an Oscar for even a simple role is simply an homage. The man has been giving us gold for 50 years and this is first nomination. Also how fucking excited are we about The Man Who Killed Hitler and Then the Bigfoot?!

 

 

BEST ACTRESS IN A LEADING ROLE

Glenn Close for The Wife

Lady Gaga for A Star Is Born

Olivia Colman for The Favourite

Melissa McCarthy for Can You Ever Forgive Me?

Yalitza Aparicio for Roma


WHO CHRIS WANTS TO WIN: Olivia Colman for The Favourite –

The Favourite has no character who is inherently a villain, although every character has flaws. Olivia Colman, Emma Stone, and Rachel Weisz elevate each other’s performances resulting in one of the best ensembles of 2018. Colman’s performance lands the changing tones, nuances, and emotions of Queen Anne: her fears, pain, and jealous loneliness.

 

 

 

WHO RON WANTS TO WIN: Melissa McCarthy for Can You Ever Forgive Me? –

Echoing the sentiment I had for Richard Grant, I think I would really love this film. Although I am certain that the Academy is not going to give a known comedic actress an actual trophy. With the exception of Adam McKay, the brilliance of comedy writers and performers has always had a “bridesmaid, never the bride” vibe. See: Jonah Hill, Steve Carell, etc. But, McCarthy is an true gem of an actress, no matter what she does. In fact, while I absolutely despised Mike & Molly, her all of 4 ½ minutes in This is 40 is some of the most hilarious work I have ever seen. So yeah, I have to go with my heart here, even if I think there is about as much of a chance for her to win as there is of me beating out Chris this year. Almost zero chance, really.

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Glenn Close for The Wife –

Nominated seven times with no wins. Here is your OSCAR, although still deserving. Martin Scorsese received his for The Departed instead of any of his other works. What’s important is this fantastic actress should receive one of these statues. Her third act performance is a standout of the year!

 

 

WHO RON THINKS WILL ACTUALLY WIN: Glenn Close for The Wife –

Sometimes Chris and I can actually agree entirely! Of course, the reason he is a wiser man than I is that he sees films and their nominations for the cinematic quality, with the occasional political aspect sneaking in there. I on the other hand, believe it is all politics the majority of the time. Although I believe Roma is still going to be a victor for it’s cinematic quality. But it’s also a Netflix Original, so there is something political to consider. Anyway, same sentiment as Sam Elliott. The most beautiful woman to ever be named Glenn will finally get her trophy.

 

 

BEST ACTRESS IN A SUPPORTING ROLE


Regina King for If Beale Street Could Talk

Amy Adams for Vice

Emma Stone for The Favourite

Marina de Tavira for Roma

Rachel Weisz for The Favourite

WHO CHRIS WANTS TO WIN: Regina King for If Beale Street Could Talk –

Best Actress in a Supporting Role is the the most competitive category this year. With the exception of Amy Adams, who was “fine” in Vice, any one of these women deserve the OSCAR. My love for the Favourite leads me to Emma Stone and her wonderfulness, but she is a leading role along with Rachel Weisz and Olivia Colman. The Favourite is an ensemble damn it! Regina King brings so much power to her performance. She, like Richard E. Grant, elevates the narrative. Her screen time is short, but she has one of the most powerful scenes I’ve ever seen in a film.

 

WHO RON WANTS TO WIN: Regina King for If Beale Street Could Talk –

The amount of times each year that I think about the interaction between Regina King and Jennifer Connelly when they first meet in Higher Learning probably averages at least 4-5 times a quarter. Also when she calls Ice Cube a “super-duper Senior”. I love it.  I have been in love with Regina King for so long. And watching her progress from the 40 o.z. guzzling Shalika in Boyz N The Hood to the wonderful mother in Daddy Day Care, to being an Academy Awarding nominated (winning?) actress has been a real joy ride.

 

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Regina King for If Beale Street Could Talk –

SEE ABOVE.

 

 

WHO RON THINKS WILL ACTUALLY WIN: Regina King for If Beale Street Could Talk –

Again, it’s all political. The Academy needs some diversity in their recognitions, and black women have been ignored for far too long. But political or not, Regina is a goddess and I will be so happy to know that she is clutching an Oscar trophy, almost 30 years after she ran the possibility of clutching a 40 o.z. bottle in every thing she does. Hell yeah, Regina! You did it!

 

 

BEST ANIMATED FEATURE FILM

Brad Bird for Incredibles 2

Wes Anderson for Isle of Dogs

Mamoru Hosoda for Mirai

 

Rich Moore & Phil Johnston for Ralph Breaks the Internet

Bob Pesichetti, Peter Ramsey, & Rodney Rothman for Spider-Man: Into the Spider-Verse

WHO CHRIS WANTS TO WIN: Bob Pesichetti, Peter Ramsey, & Rodney Rothman for Spider-Man: Into the Spider-Verse –

The film is beautiful pop art with character motivations that are deeply emotional with real narrative weight. None of the fun jokes are ever at the cost of the storytelling feeling organic and character driven. The comedy is consistent and balances some very dramatic, and at times, deeply sorrowful moments. Into the Spider-Verse incorporates levels of creative, meta, self-aware storytelling and is a very special film for both its storytelling and unique visual approach.

 

 

WHO RON WANTS TO WIN: Bob Pesichetti, Peter Ramsey, & Rodney Rothman for Spider-Man: Into the Spider-Verse –

Normally I would take every opportunity to put some stake in Wes Anderson and give him my support. Unfortunately, I had zero interest in his cultural appropriation stop motion nonsense that he came at us with this year. No thanks. And while I don’t entirely have much interest in Spider-Man as well, I kind of want this one to win for some of my friends. A lot of people invested in the world of comics and just plain wonderful cinema in general seem to have invested very emotionally into this film (shoutout the Super Geeky Play Date & Blue Tiger!), and for them, I may actually watch it, and because I respect their opinions on the matter, I am pulling for them and the man who would be a spider.

 

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Bob Pesichetti, Peter Ramsey, & Rodney Rothman for Spider-Man: Into the Spider-Verse –

SEE ABOVE.

 

 

 

WHO RON THINKS WILL ACTUALLY WIN: Bob Pesichetti, Peter Ramsey, & Rodney Rothman for Spider-Man: Into the Spider-Verse –

SEE ABOVE. Take a year off Disney proper, let your newly acquired company take this one, haha.

 

 

BEST CINEMATOGRAPHY

Lukas Zal for Cold War

Robbie Ryan for The Favourite

Caleb Deschanel for Never Look Away

Alfonso Cuarón for Roma

Matthew Libatique for A Star Is Born

WHO CHRIS WANTS TO WIN: Alfonso Cuarón for Roma –

Each one of these films is art. For weeks I have been going back and forth between Roma and Cold War. Both films are shot in black and white. While Roma is a pristine 65mm widescreen digital presentation, Cold War is a gritty 35mm classic square box experience harking back to independent filmmaking. Each film is beautiful in its own way. Quickly, I do want to acknowledge The Favourite’s use of natural lighting and wide lenses. I think Roma’s mastery of production is what will give it the win.

 

 

WHO RON WANTS TO WIN: Alfonso Cuarón for Roma –

I won’t pretend to know the specifics here about the visual fascination of this film. That’s more of Chris’s lane. I just know that I was absolutely fascinated watching Cuarón’s take on washing dog shit off a driveway.

 

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Alfonso Cuarón for Roma –

SEE ABOVE.

 

 

WHO RON THINKS WILL ACTUALLY WIN: Alfonso Cuarón for Roma –

Death. Taxes. The Academy’s thick and swelling hard on for Alfonso Cuarón. These are the only guarantees in life.

 

 

BEST COSTUME DESIGN

Mary Zophres for Ballad of Buster Scruggs

Ruth E. Carter for Black Panther

Sandy Powell for The Favourite

Sandy Powell for Mary Poppins Returns

Alexandra Byrne for Mary Queen of Scots


WHO CHRIS WANTS TO WIN: Ruth E. Carter for Black Panther –

 

Black Panther has a very cool and memberabale costume design. This team has created a flushed out society which feels familiar but still futuristic. Mary Queen of Scots, Mary Poppins Returns, The Favourite, Ballad of Buster Scruggs are all traditional period pieces. Black Panther created something new.

 

WHO RON WANTS TO WIN: Mary Zophres for Ballad of Buster Scruggs –

It can’t be the Oscars with some sort of Coen Brothers nomination, right? While I’m not certain that the costume design of Buster Scruggs really mattered much as it was really just an ascetic to the production design, I will again admit that I feel as though I have to choose this one, as I actually watched it. If you haven’t figured it out, I have indeed only watched the films that were available on Netflix. And if you have actually read this far and are still undecided on what team you will choose, what the hell is wrong with you?

 

 

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Ruth E. Carter for Black Panther –

SEE ABOVE.

 

 

WHO RON THINKS WILL ACTUALLY WIN: Sandy Powell for The Favourite –

I have pretty much been ignoring The Favourite as a whole, even though I do feel like this might be a period piece I would actually enjoy. That being said, British period pieces absolutely dominate this category. I think. Or maybe I am just making assumptions. No, I think I’m right. Not going to look it up though. So, The Favourite.

 

 

BEST DIRECTING

Alfonso Cuarón for Roma

Spike Lee for BlacKkKlansman

Adam McKay for Vice

Yorgos Lanthimos for The Favourite

Pawel Pawlikowski for Cold War


WHO CHRIS WANTS TO WIN: Alfonso Cuarón for Roma –

Cuarón is the definition of the auteur theory. As the film’s writer, director, producer, co-editor, and cinematographer, Alfonso Cuarón is in full control of his vision. Each element works in harmony elevating the whole of the production. This is Cuarón film.

 

 

WHO RON WANTS TO WIN: Alfonso Cuarón for Roma –

I used to really, really love Spike Lee, and I started to believe that I would throw him some love here. I haven’t seen BlacKkKlansman, but I will say that it is one of the first feature films he has done in a lot of years that I actually thought I’d try to get around to. But in the end, I have to metaphorically suck the fat D of Alfonso as I am sure that the Academy will do here, as they have done in the past. The man does EVERYTHING whilst making a film. In so many ways, the dude directs himself 5 times over. He definitely deserves the recognition, even if the film was ultimately a snooze fest set in what could have been an interesting time in which to tell a story. But, I digress.

 

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Alfonso Cuarón for Roma –

SEE ABOVE.

 

 

 

WHO RON THINKS WILL ACTUALLY WIN: Alfonso Cuarón for Roma –

SEE ABOVE. Seriously, a bound to explode at any second, erection for Alfonso is had by the Academy.

 

 

BEST DOCUMENTARY FEATURE

Jimmy Chin & Elizabeth Chai Vasarhelyi for Free Solo

RaMell Ross for County This Morning, This Evening

Bing Liu for Minding the Gap

Talal Derki for Of Fathers and Sons

Betsy West & Julie Cohen for RBG


WHO CHRIS WANTS TO WIN: Jimmy Chin & Elizabeth Chai Vasarhelyi for Free Solo –

Where is Won’t You Be My Neighbor? Where is Three Identical Strangers? These are easily the biggest snubs of these OSCARS. Documentaries just don’t make 23 million dollars at the U.S. Box Office. Free Solo explores the reasons why somebody would want to be the first person to free climb the face of El Capitan without any safety gear. This is a feat of documentary filmmaking. These camera operators had to climb alongside Alex Honnold knowing he could fall to his death at any point. Free Solo is about much more than climbing a mountain.

 

 

WHO RON WANTS TO WIN: Betsy West & Julie Cohen for RBG –

I simply cannot believe that Won’t You Be My Neighbor? wasn’t on this list. Absolute horseshit. Of course, I didn’t actually see the film, but I never heard one single negative thing about it. Anyway, Ole Ruth is a pretty bad ass old lady. I’d like to see this get the trophy. Maybe she will show up? Probably not, but that could be fun. She showed up to work recently, which she probably shouldn’t have, but as well a know, she can’t quite retire yet. We need her to live just a bit longer.

 

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Betsy West & Julie Cohen for RBG –

RBG is fine. RBG is informative. The documentary uses a this happened, then this happened, then this happened approach. Cinema is reflection of society and in the current political climate RBG is getting this statute. Although Won’t You Be My Neighbor? is a wonderful flood of happiness needed in a very frustrating time of history.

 

 

WHO RON THINKS WILL ACTUALLY WIN: Betsy West & Julie Cohen for RBG –

Seems pretty cut and dry here, Folks. It’s a documentary about a female in government, and is also one that actually appears in another category this year. I can see no other way for this to go.

 

 

BEST DOCUMENTARY (SHORT SUBJECT)

Ed Perkins & Jonathan Chinn for Black Sheep

Rob Epstein & Jeffrey Friedman for End Game

Sky Fitzgerald & Bryn Mooser  for Lifeboat

Marshall Curry for A Night at the Garden

Rayka Zehtabchi & Melissa Burton for Period. End of Sentence


WHO CHRIS WANTS TO WIN: Sky Fitzgerald & Bryn Mooser  for Lifeboat – Count it!

 

 

WHO RON WANTS TO WIN: Rob Epstein & Jeffrey Friedman for End Game –

The only one I saw. Available on Netflix. So, yeah, this one I guess.

 

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Sky Fitzgerald & Bryn Mooser  for Lifeboat – SEE ABOVE.

 

 

WHO RON THINKS WILL ACTUALLY WIN: Rob Epstein & Jeffrey Friedman for End Game –

SEE ABOVE

 

 

BEST FILM EDITING

Barry Alexander Brown for BlacKkKlansman

John Warhurst for Bohemian Rhapsody

Yorgos Mavropsaridis for The Favourite

Patrick J. Don Vito for Green Book

Hank Corwin for Vice

 

WHO CHRIS WANTS TO WIN: Barry Alexander Brown for BlacKkKlansman –

Spike Lee uses crosscutting to juxtaposing different sequences against one another while simultaneously elevating their larger connecting themes. BlacKkKlansman is an important film for our times. Spike Lee’s direction, the acting, and cinematography all elevate this film, but the piece that makes all of these elements work with such cinematic punch is the editing – balancing wonderful dark humor against the very tragic real world.

 

 

WHO RON WANTS TO WIN: Barry Alexander Brown for BlacKkKlansman –

I guess this is my shot to show some love to a Spike Lee joint. Editing has become a very singular category lately, i.e. last year’s Baby Driver win. This used to be a throw away category. And I also can’t help but notice the fact that there are no women nominated this year? Somethings seems suspicious.

 

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Barry Alexander Brown for BlacKkKlansman –

SEE ABOVE.

 

 

WHO RON THINKS WILL ACTUALLY WIN: Barry Alexander Brown for BlacKkKlansman –

SEE ABOVE

 

 

BEST FOREIGN LANGUAGE FILM

Cold War (Poland)

Roma (Mexico)

Shoplifters (Japan)

Capernaum (Lebanon)

Never Look Away (Germany)

 

WHO CHRIS WANTS TO WIN: Cold War (Poland) –

This, again, is a very difficult category – Roma or Cold War? Cold War must get some love. If Roma is going to win the best picture, it is very possible Cold War will receive this award. They are so different but so similar.

 

 

WHO RON WANTS TO WIN: Cold War (Poland) –

I have expressed my opinion on Roma enough, I believe. It would be a rarity for a Best Picture winner that is foreign in nature to not win this category as well. But, I sincerely believe that is what is going to happen here. And since I really don’t have a dog in the fight here, Cold War is the second of the category that I am even remotely interested in watching.

 

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Cold War (Poland) –

SEE ABOVE.

 

 

WHO RON THINKS WILL ACTUALLY WIN: Cold War (Poland) –

I can’t believe I’m going with it, but alas, here we are!

 

 

BEST MAKEUP AND HAIRSTYLING

Goran Lundstrom & Pamela Goldammer for Border

Jenny Shircore, Marc Pilcher, & Jessica Brooks for Mary Queen of Scots

Greg Cannom, Kate Biscoe, & Patricia DeHaney for Vice

 

WHO CHRIS WANTS TO WIN: Greg Cannom, Kate Biscoe, & Patricia DeHaney for Vice –

Bale is lost inside this absolutely perfect makeup work. Bale’s performance is elevated because of this amazing work. I cannot imagine how much time each morning Bale had to sit in the chair so this team could create this character.

 

 

WHO RON WANTS TO WIN: Greg Cannom, Kate Biscoe, & Patricia DeHaney for Vice –

There isn’t a chance in sweet sweet hell that Vice doesn’t win this award. I’d bet my favorite child on it.

 

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Greg Cannom, Kate Biscoe, & Patricia DeHaney for Vice –

SEE ABOVE.

 

 

WHO RON THINKS WILL ACTUALLY WIN: Greg Cannom, Kate Biscoe, & Patricia DeHaney for Vice –

SEE ABOVE

 

 

BEST MUSIC (ORIGINAL SCORE)

Ludwig Goransson for Black Panther

Terence Blanchard for BlacKkKlansman

Nicholas Britell for If Beale Street Could Talk

Alexandre Desplat for Isle of Dogs

Scott Wittman for Mary Poppins Returns

 

WHO CHRIS WANTS TO WIN: Nicholas Britell for If Beale Street Could Talk –

If Beale Street Could Talk is a beautiful tragedy to which Nicholas Britell’s score adds the emotional punch to the face. If Beale Street Could Talk is such a stylized film which quietly lingers on beautiful moments of pure honest human emotions and connection. Whimsical and very melancholy, Britell score lets the audience know things are not going to end well but still manages to leave some sense of hope in the world. If Beale Street Could Talk would be a different movie without Britell’s music and of lesser quality for its absences.

 

 

WHO RON WANTS TO WIN: Terence Blanchard for BlacKkKlansman –

This is just me going with heart for a film that I haven’t seen. Again, I love Spike Lee, but it’s the people that he surrounds himself that do the best work. Maybe you shouldn’t have talked so much shit about Quentin, eh Spike? I honestly don’t believe this will go my way, but I have to be honest.

 

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Nicholas Britell for If Beale Street Could Talk –

SEE ABOVE.

WHO RON THINKS WILL ACTUALLY WIN: Ludwig Goransson for Black Panther –

Even the snootiest of film goers have to admit that Marvel films have some tremendous original scores. Maybe they aren’t always “original” by some means, but they are very good. And Black Panther is the only other Best Picture nominee to be in this category, so I think I will just hedge my bets here a bit.

 

 

BEST MUSIC (ORIGINAL SONG)

Kendrick Lamar, Anthony Tiffith, & Solana Rowe for “All the Stars” from Black Panther

Diane Warren & Jennifer Hudson for “I’ll Fight” from RBG

Marc Shairman & Scott Wittman for “The Place Where Lost Things Go” from Mary Poppins Returns

Lady Gaga, Mark Ronson, Anthony Rossomando, Andrew Wyatt, & Benjamin Rice for “Shallow” from A Star Is Born

David Rawlings & Gilian Welch for “When a Cowboy Trades His Spurs for Wings” from The Ballad of Buster Scruggs

 

WHO CHRIS WANTS TO WIN: Lady Gaga, Mark Ronson, Anthony Rossomando, Andrew Wyatt, & Benjamin Rice for “Shallow” from A Star Is Born –

A great song from one of the best Pop Music Artists. This song would have been a hit regardless of being in the movie or on her next album.

 

 

WHO RON WANTS TO WIN: Kendrick Lamar, Anthony Tiffith, & Solana Rowe for “All the Stars” from Black Panther –

I am certain that this will not win, but again, I have to go with my heart. I fucking love Kendrick Lamar, and will be perfectly happy to know that he can be considered a Pulitzer Prize Winning, Oscar nominated artist. Hip Hop is getting the love it deserves! Of course, Lady Gaga is going to outshine it in the moment, but alas, I take some solace in Kendrick being amongst the nominees.

 

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Lady Gaga, Mark Ronson, Anthony Rossomando, Andrew Wyatt, & Benjamin Rice for “Shallow” from A Star Is Born –

SEE ABOVE.

 

 

WHO RON THINKS WILL ACTUALLY WIN: Lady Gaga, Mark Ronson, Anthony Rossomando, Andrew Wyatt, & Benjamin Rice for “Shallow” from A Star Is Born –

Whatever. Long live Kendrick.

 

 

BEST PRODUCTION DESIGN

Hannah Beachler & Jay Hart for Black Panther

Fiona Crombie & Alice Felton for The Favourite

Nathan Crowley & Kathy Lucas for First Man

John Myhre & Gordon Sim for Mary Poppins Returns

Eugenio Caballero & Barbara Enriquez for Roma

 

WHO CHRIS WANTS TO WIN: Eugenio Caballero & Barbara Enriquez for Roma –

This is a competitive category. Black Panther, The Favourite, and Roma are the standouts. Roma and The Favourite are so tied to their worlds. For Roma, every little detail is accounted for on screen. The Favourite recreates the eighteenth century with a whimsical modern twist. Black Panther built a new world.

 

 

WHO RON WANTS TO WIN: Eugenio Caballero & Barbara Enriquez for Roma –

Seriously, dog shit never looked so elegant.

 

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Fiona Crombie & Alice Felton for The Favourite –

This is more of a political prediction. The Academy in general terms wants to give this movie a few awards.

 

 

WHO RON THINKS WILL ACTUALLY WIN: Eugenio Caballero & Barbara Enriquez for Roma –

A steaming. pile. of. shit.

 

 

BEST SHORT FILM (ANIMATED)

Alison Snowden & David Fine for Animal Behaviour

Domee Shi & Becky Neiman-Cobb for Bao

Louise Bagnall & Nuria Gonzalez Blanco for Late Afternoon

Andrew Chesworth & Bobby Pontillas for One Small Step

Trevor Jimenez for Weekends

 

WHO CHRIS WANTS TO WIN: Domee Shi & Becky Neiman-Cobb for Bao –

Sadly, like most people, I was only able to see Bao. The power of Pixar and placing their short films at the beginning of their feature films – Incredibles 2. Bao is a wonderful short film on its own narrative weight. That Pixar playfulness with a mix of hard emotional impact.

 

 

WHO RON WANTS TO WIN: Domee Shi & Becky Neiman-Cobb for Bao –

Pixar is going to continue to be a dominating presence in this small category. And to be honest, I could truly care less. They can have it.

 

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Domee Shi & Becky Neiman-Cobb for Bao –

SEE ABOVE.

 

 

WHO RON THINKS WILL ACTUALLY WIN: Domee Shi & Becky Neiman-Cobb for Bao –

SEE ABOVE.

 

 

 

BEST SHORT FILM (LIVE ACTION)


Vincent Lambe & Darren Maho for Detainment

Jeremy Cornte & Maria Gracia Turgeon for Fauve

Rodrigo Sorogoyen & Maria del Puy Alvarado for Mother

Marianne Farley & Marie-Helen Panisset for Marguerite

Guy Nattiv & Jaime Ray Newman for Skin

 

WHO CHRIS WANTS TO WIN: Jeremy Cornte & Maria Gracia Turgeon for Fauve –

In general terms all of these films are very depressing. That is not to say they are bad, quite the opposite for most of them, but they do not give an audience any sense of hope upon their conclusion. Frauve worked the best for me as a short film with characters who are set up, deal with a conflict, and have a conclusion. Although again depressing.

 

 

WHO RON WANTS TO WIN: Guy Nattiv & Jaime Ray Newman for Skin –

This is the one I heard of in the slightest. That’s usually a good sign for me in this category.

 

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Jeremy Cornte & Maria Gracia Turgeon for Fauve –

SEE ABOVE.  

 

 

 

WHO RON THINKS WILL ACTUALLY WIN: Guy Nattiv & Jaime Ray Newman for Skin –

SEE ABOVE

 

 

BEST SOUND EDITING

Benjamin A. Burtt & Steve Boeddeker for Black Panther

John Warhurst & Nina Hartstone for Bohemian Rhapsody

Ai-Ling Lee & Mildren Iatrou Morgan for First Man

Ethan Van der Ryn & Erik Aadahl for A Quiet Place

Sergio Diaz & Skip Lievsay for Roma


WHO CHRIS WANTS TO WIN: Sergio Diaz & Skip Lievsay for Roma –

Roma is rich in sound from the more intimate moments inside the home to all the details of the surrounding city. Cuaron will begin a scene off camera though sound allowing it to play for a few moments before panning the camera into the already progressing action. The sound and camera work in unison as the piece de resistance. There is no little detail in sound that is over look with every piece reminding the audience of this larger world of Roma. First Man did much the same for me in regards to the spaceship sequences. Although, First Man fell from the general conversation very quickly and although still deserving, Roma’s whole film is about how sound plays.

 

 

WHO RON WANTS TO WIN: Sergio Diaz & Skip Lievsay for Roma –

Technically speaking, Roma was pretty perfect. Only lacking in a good story. But, looked and sounded fantastic!

 

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Sergio Diaz & Skip Lievsay for Roma –

SEE ABOVE.

 

 

WHO RON THINKS WILL ACTUALLY WIN: Sergio Diaz & Skip Lievsay for Roma –

SEE ABOVE

 

 

BEST SOUND MIXING

Steve Boeddeker, Brandon Proctor, & Peter Devlin for Black Panther

Paul Massey, Tim Cavagin, & John Casali for Bohemian Rhapsody

Jon Taylor, Frank A. Montano, Ai-Ling Lee, & Mary H. Ellis for First Man

Skip Kuevsay, Craig, Henighan, & Jose Antonio Garcia for Roma

Tom Ozanich, Dean Zupancic, Jason Ruder, & Steve Morrow for A Star Is Born

 

WHO CHRIS WANTS TO WIN: Skip Kuevsay, Craig, Henighan, & Jose Antonio Garcia for Roma –

SEE ABOVE.

 

 

WHO RON WANTS TO WIN: Skip Kuevsay, Craig, Henighan, & Jose Antonio Garcia for Roma –

SEE ABOVE.

 

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Skip Kuevsay, Craig, Henighan, & Jose Antonio Garcia for Roma –

SEE ABOVE.

 

 

WHO RON THINKS WILL ACTUALLY WIN: Skip Kuevsay, Craig, Henighan, & Jose Antonio Garcia for Roma –

SEE ABOVE. (Because I honestly don’t know what the difference is, I’ll admit it)

 

 

BEST VISUAL EFFECTS

Dan DeLeeuw, Kelly Port, Russell Earl, & Dan Sudick for Avengers: Infinity War

Christopher Lawrence, Michael Earnes, Theo Jones, & Chris Corbould for Christopher Robin

Paul Lambert, Ian Hunter, Tristan Myles, & J.D. Schwalm for First Man

Roger Guyett, Grady Cofer, Matthew E. Butler, & David Shirk for Ready Player One

Rob Bredow, Patrick Tubach, Neal Scanlan, & Dominic Tuohy by Solo: A Star Wars Story

 

WHO CHRIS WANTS TO WIN: Dan DeLeeuw, Kelly Port, Russell Earl, & Dan Sudick for Avengers: Infinity War –

SOLO was a very dark rendered film and Ready Player One felt very flat in its CGI. Big CGI is not exciting anymore. Every film has big CGI. Infinity War itself has very similar big CGI. What makes Infinity War special is Thanos being a complex understandable villain created through motion capture. Like Ceaser from The Planet of the Apes films – complex motion captured characters continue to fascinate me as they are created in a very symbiotic way in the actores performance and the artist who render the character. Thanos is another step forward towards escaping the uncanny valley. Also, where is that damn Paddington Bear at?!

 

 

WHO RON WANTS TO WIN: Christopher Lawrence, Michael Earnes, Theo Jones, & Chris Corbould for Christopher Robin –

I actually saw this one, Guys! Not sure if that is really a good enough reason to pick it, but it is the one I am going to give. So, eat your heart out Winnie the Pooh, you beautiful lady! Don’t let that toxic male Paddington take away your shine, gurl!

 

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Dan DeLeeuw, Kelly Port, Russell Earl, & Dan Sudick for Avengers: Infinity War – SEE ABOVE.

 

 

SEE ABOVE.

WHO RON THINKS WILL ACTUALLY WIN: Paul Lambert, Ian Hunter, Tristan Myles, & J.D. Schwalm for First Man –

Space movies always win this shit. Let’s not revisit that Gravity conundrum here. God I hated that movie.

 

 

BEST ADAPTED SCREENPLAY

Joel Cohen & Ethan Cohen for The Ballad of Buster Scruggs

Charlie Wachtel, David Rabinowitz, Kevin Willmott, & Spike Lee for BlacKkKlansman

Nicole Holofcener and Jeff Whitty for Can You Ever Forgive Me?

Barry Jenkins for If Beale Street Could Talk

Cradley Booper & Will Fetters for A Star Is Born

 

WHO CHRIS WANTS TO WIN: Barry Jenkins for If Beale Street Could Talk –

If Beale Street Could Talk is a beautiful tragedy of black love which has sparsley been featured in Hollywood. Each character is incredibly complex and realized. The structure crosscuts the present conflict while informing the audience of the loving backstory. There is no wasted moment as every piece of the story informes the greater themes. This is the power of this screenplay, in feeling so intimate while simultaneously being a part of a much larger issue.

 

 

WHO RON WANTS TO WIN: Nicole Holofcener and Jeff Whitty for Can You Ever Forgive Me? –

The story behind Can You Ever Forgive Me? Simply screams Oscar contender. There has been a trend over the last few years of quirky dramas excelling in the Screenplay categories. Of course, I wouldn’t be upset if Barry Jenkins took it too, even if it means losing here.

 

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Barry Jenkins for If Beale Street Could Talk –

SEE ABOVE.

 

 

WHO RON THINKS WILL ACTUALLY WIN: Nicole Holofcener and Jeff Whitty for Can You Ever Forgive Me? –

SEE ABOVE

 

 

BEST ORIGINAL SCREENPLAY

Deborah Davis & Tony McNamara for The Favourite

Paul Schrader for First Reformed

Nick Vallelonga, Brian Currie, & Peter Farrelly for Green Book

Alfonso Cuarón for Roma

Adam McKay for Vice

WHO CHRIS WANTS TO WIN: Deborah Davis & Tony McNamara for The Favourite –

The Favourite is, in the best possible way, a unique, weird and bizarre film elevated through the use of contemporary dialogue within a period drama – full of wit and humor playing out as a drama-comedy. Modern elements are sprinkled throughout the production playing out in unique, hilarious, and fascinating ways. As a dark comedy, the jokes land, and as character driven drama the story is intriguing and interesting. The Favourite is refreshing with great rewatchability.

 

 

WHO RON WANTS TO WIN: Adam McKay for Vice –

Seriously the dude behind Step Brothers could possibly have two Oscars? Although it is weird that a biopic is making an Original Screenplay category. I guess it is possible though. There was indeed an actual Green Book out there as well. So, I’m not quite sure how to call this one. It’s my favorite category of the entire ceremony, but I’ve never been so uncertain before. I will say that it is fucking appalling to me that this is Paul Schrader’s first nomination! How did that shit slip by me? The dude who brought Scorsese’s best work to life is only now getting a nod. And worse of, he’s a shoe-in to lose! Breaks my god damned heart, I tell you.

 

 

WHO CHRIS THINKS WILL ACTUALLY WIN: Deborah Davis & Tony McNamara for The Favourite –

SEE ABOVE.

 

 

WHO RON THINKS WILL ACTUALLY WIN: Nick Vallelonga, Brian Currie, & Peter Farrelly for Green Book –

I’m betting on the idea that all the early Oscar love that Green Book received is going to simply be boiled down to this one single win. A respectable one of course, but I have heard nothing but terrible things about this film, and would really like to be wrong here. But, a “White Guy Savior” film doesn’t seem like too far of a stretch for the Academy. But get this: Academy Award winning writer/director of Dumb & Dumber, Peter Farrelly. Yes, the dude who once wrote cum into a woman’s hair…getting an Oscar. What a world we live in.

 

 

Trainwreck’d Society’s Top 20 Films of 2018 [Exclusive!]

When it came to films in 2018, the possibilities were almost too vast, in my humble opinion. There were so damn many movies that I “wanted to see” but just couldn’t quite find the time to get to them all. With that being said, the titles below were absolutely my favorite of the couple hundred I was able to sneak in. And I think we have a nice collection to share with you all.

But, remember, if you want to check out some true and concise reviews of some of the hottest films of the year, you can always check out Micro Reviews with Eaves, from our resident film expert here at Trainwreck’d Society. Where I saw precisely 2 films (Christopher Robin and The Grinch, because I have children) in an actual theatre in 2018, one of which did indeed make the list, Chris made it a habit to see just about every damn movie that was released theatrically this year. And he was probably close!

So folks, please check out the list below, support the world of film in all realms. Of course, I would put an emphasis on independent films, but I just want people to appreciate film a bit more these days. And 2018 offered up a selection of titles to choose from, and here are the favorites of Trainwreck’d Society. Enjoy!

20. Don’t Worry, He Won’t Get Far on Foot
Written by: Gus Van Sant
Directed by: Gus Van Sant
Starring: Joaquin Phoenix, Jonah Hill, Roomey Mara

 

19. Christopher Robin
Written by Allison Schroeder, Tom McCarthy, & Alex Ross Perry
Directed by Marc Foster
Starring Ewan McGregor, Ronke Adekoolujeo, Jim Cummings

18. The Jurassic Games
Written by Ryan Belgardt & Galen Christy
Directed by Ryan Belgardt
Starring Katie Burgess, Perrey Reeves, Tiger She

17. The Forest of the Lost Souls
Written by Jose Pedro Lopes
Directed by Jose Pedro Lopes
Starring Daniela Love, Jorge Mota, Mafalda Banquart

16. Fear, Love, and Agoraphobia
Written by Alex D’Lama
Directed by Alex D’Lama
Starring Doug Haley, Linda Burzynski, Lori Petty

15. Entanglement
Written by Jason Filiatraut
Directed by Jason James
Starring Thomas Middleditch, Jess Weixer, Diana Bang

14. Trust Machine: The Story of Blockchain
Written by Alex Winter
Directed by Alex Winter
Starring Rosario Dawson, Gramatik, Imogen Heap

13. A Futile and Stupid Gesture
Written by Michael Colton & John Aboud
Directed by David Wain
Starring Will Forte, David Krumholtz, Liz Femi

12. King Cohen
Written by Steve Mitchell
Directed by Steve Mitchell
Starring Larry Cohen, Yaphet Koto, Fred Williamson

11. Dumplin’
Written by Ann Fletcher
Directed by Kristin Hahn
Starring Danielle MacDonald, Odeya Rush, Jennifer Aniston

10. The Basement
Written by Brian M. Conley, Nathan Ives, & Sean Decker
Directed by Brian M. Conley & Nathan ives
Starring Cayleb Long, Jackson Davis, Tracie Thoms

9. The Workers Cup
Written by Adam Sobel
Directed by Adam Sobel

8. The Heretics
Written by Jayme Laforest & Chad Archibald
Directed by Chad Archibald
Starring Nina Kiri, Jorja Cadence, Karen Scobie

7. Sacred Heart
Written by Kosta Nikas
Directed by Kosta Nikas
Starring David Field, Kipan Rothbury, Lizzie Schebesta

6. Revenge
Written by Kjersti Steinsbø & Ingvar Ambjørnsen
Directed by Kjersti Steinsbø
Starring Siren Jørgensen, Trond Espen Seim, Anders Baasmo Christiansen

5. Dead Love
Written by Emanuel Isler & Chad Israel
Directed by Colin Floom & Greg Nemer
Starring Nicole Elizabeth Olson, Elias Harger, Kate Linder

4. Strawberry Flavored Plastic
Written by Colin Bemis
Directed by Colin Bemis
Starring Aidan Bristow, Andres Montejo, Bianca Soto

3. Clickbait
Written by Michael J. Epstein & Jeremy Long
Directed by Sophia Cacciola & Michael J. Epstein
Starring Amanda Colby Stewart, Brandi Aguilar, & Seth Chatfield

2. 1/1
Written by Jeremy Phillips
Directed by Jeremy Phillips
Starring, Lindsey Shaw, Dendrie Taylor, Judd Nelson

1. The Lighthouse
Written by Paul Bryant, Chris Crow, & Michael Jibson
Directed by Chris Crow
Starring Mark Lewis Jones, Michael Jibson, David Lloyd

Trainwreck’d Society’s Top 25 Albums of 2018 [Exclusive!]

 

I have to forewarn you dear regular readers, there may be a bit of deja vu happening here. If you checked in for our Top 40 Singles list that went live yesterday, it’s going to be a bit similar. But, we do have a fun additions to the list of albums that may have been solid altogether, but didn’t quite have single tracks that warranted being on our previous list. Which is actually sort of a good thing, sometimes. It seems as though the days of having an entire album of bangers and/or pleasant tracks is not entirely necessary. Which is completely understandable in the new digital age, but for some of us more nostalgic old bastards, it’s nice to have a solid album every once in a while. And I dare say that we have managed to list together a solid batch of albums for you all to enjoy. So how about we get right into it, shall we?

Folks, please enjoy Trainwreck’d Society’s Top 25 Albums of 2018!

 

 

25. DEATH CAB FOR CUTIE – THANK YOU FOR TODAY

 

24. CHRIS GARNEAU – YOURS

 


23. BEANS ON TOAST – A BIRD IN THE HAND

 

 

22. JANELLE MONAE – DIRTY COMPUTER

 

21. DRAKE – SCORPION

 

20. THE MIDNIGHT VEIN – THE MIDNIGHT VEIN

 

 

19. YOB – OUR RAW HEART

 

18. THURSTON MOORE – KLANGFARBENMELODIE.. AND THE COLORIST STRIKES PRIMITIV

 

17. URAL THOMAS & THE PAIN – NO DISTANCE

 

16. MOIST – LAVINE

 

 

15. LIL WAYNE – THE CARTER V

 

14. A FLOCK OF SEAGULLS WITH THE PRAGUE PHILHARMONIC OPERA – ASCENSION

 

13. JUDAS PRIEST – FIREPOWER

 


12. REEL BIG FISH – LIFE SUCKS, LET’S DANCE

 

11. EMINEM – KAMIKAZEE

 

10. THE SEA THE SEA – FROM THE LIGHT

 

9. SADISTIK – SALO SESSIONS II

 

 

8. MANIAC – DEAD DANCE CLUB

7. GARY SPEHAR – ANGER MANAGEMENT

 

6. ANDREW SHEPPARD – STEADY YOUR AIM

 

5. ROCKET 3 – WHAT’S THE FREQUENCY?

 

4. POST MALONE – BEERBONGS & BENTLEYS

 

3. LOTTE KESTNER – OTHER VERSIONS

 

2. EZRA BELL – EZRA BELL

 

 1. JUSTIN NOZUKA – RUN TO WATERS

Trainwreck’d Society’s Top 40 Singles of 2018 [Exclusive]

2018 was another year that really didn’t seem to lend itself to a plethora of great singles while the year was on going. But, when I sat down to compile a list to finish up the year, I discovered that I was able to pull about 50 tracks just from memory alone. And then with a bit more research to jog my brandy soaked memory, the list went to over 100. So, it most have actually been a pretty good year.

For those of you who have been following us here at Trainwreck’d Society, you may see a bit of a shift in sound than there was in previous years. And that is strictly personal, and on me. I’ve found myself to be interested in a bit more modern hip hop and R&B. This year’s list may be a bit more “mainstream” than in previous years. Although a few familiar faces did show up, and of course they were near the top of the list. But, I couldn’t help getting sucked into the modern web of autotuned madness that has become quite popular. In fact, 2018 was the year that I finally got into a cat that I knew by name, but never really gave him a listen. His name is Post Malone, and yes, he shows up a few times. This was also the year that my favorite rapper of all time dropped his best album in 17 years. We even dipped into the metal genre thanks to some influence by our dear friend Adam Mattson. Sprinkle in some good old fashion folk joints, and I believe you will find a pretty solid list of tracks below.

Or not. Either way, these are the official picks for Trainwreck’d Society’s Top 40 Singles of 2018. Enjoy!

40.The Weeknd (feat. Kendrick Lamar) – Pray For Me

 

39. Grave Danger – Let ‘Er Rip


38. Childish Gambino – This Is America

37. Judas Priest – No Surrender

36. Machine Gun Kelly – Rap Devil

35. The Dandy Warhols – Forever

34. Hozier – Movement

33. Bebe Rexha – I’m A Mess


32. Tiësto & Dzeko (feat. Preme & Post Malone – Jackie Chan

31. Yob – Original Face

30. Juice Wrld – Lucid Dreams

29. Kanye West – Violent Crimes

28. Black Eyed Peas – Get It

27. Soft People – The Absolute Boy

26. Drake – I’m Upset

25. Lil Wayne – Uproar

24. The Midnight Vein – The Likes of Me

23. Halsey – Without Me

22. Eminem (feat. Joyner Lucas) – Lucky You

21. Moist – Traces

20. Post Malone – Better Now

19. A Flock of Seagulls with The Prague Philharmonic Orchestra – I Ran

18. Seth Walker – Giving It All Away

17. Avalanche City – Prayed For Love

16. Eminem – Fall

15. Maniac – Children of the Dirt

14. Andrew Sheppard – Lies As Cheap As Whiskey

13. Sadistik – Yokai

 

12. Reel Big Fish – Pissed Off

 

11. The Sea The Sea – Everybody

10. Gerry Spehar – Thank You Donald

9. Post Malone – Candy Paint

8. Lotte Kestner – You’re In My Head (Guitar Version)

7. Y La Bamba – Mujenes

6. Rocket 3 – Hip Shot

5. Blitzen Trapper – Heroes of Doubt

4. Benny Blanco (feat. Halsey & Khalid) – Eastside

3. Elsa Faith – Tattoo

2. Ezra Bell – Tourist


1. Justin Nozuka – Warm Under the Light

New Music Tuesday: Comedy Podcast Intros [Exclusive!]

Hello Folks! Welcome to another edition of New Music Tuesday during our Comedy Showcase. Today I wanted to talk about one of my biggest obsessions of the last few years, and that would be the amazing world of podcasts! It’s a sensational medium that I am so happy that has flourished over the years. I have a batch of podcasts that I listen to as regularly as they come out, and big surprise, they are all done by very funny people. They may not all be actual comedians by trade (sorry Kevin Smith, love you Sir, but you know how it is), but they are al VERY funny.

And since this is our music segment of Trainwreck’d Society, I thought I would find a way to share with you fine folks some of my favorite podcasts by showcasing one very specific segment that shows ups in some podcasts, but not all. And with that being said, this is not an all-inclusive list of my favorite podcasts. That list would actually be entirely too long and probably wear itself out. So, I decided I would take this opportunity to share some of these amazing podcasts by showcasing them via their very cool intro music. And Folks, these are absolutely some of the best!

Each of the podcasts I listed below have been chosen for so many different reasons. Each one is very unique in its own right, and all of them are actually very different from each other. Hell, some of them are more about the hilarious dialogue that is simply backed up by music. But for whatever reason we love them, we absolutely love them! Everything from just a whistle a smile type tune, to a full on white-boy rap mantra, to legends like MC Chris also doing a white-boy rap mantra. There’s a lot going on here folks. And I’m not exactly able to share the intros, but I recommend that you take a listen to at least one episode of each of these podcasts, and I am willing to guarantee that if you don’t love each and every single one of these shows….you need to check your idea of comedy! These are all very uniquely different from one another, but all very uniquely hilarious in their own way! I love them all equally, and for exactly what they stand for.

Also Who’s Your God samples the move Major League??? Who the FUCK does that? Genius.

Alright, so please, please, please!!! Check out each and every one of these amazing podcasts I am featuring below. Get on their Patreons, buy whatever mattress or subscription razor products they are trying to pimp out…..just please keep these podcast things a substantial form of entertainment and help some of the funniest people in the world giving away free entertainment!

So yeah…I love my podcasts. And here are some of my favorites that happen to have really cool intros. So please enjoy!!

STAND BY YOUR BAND
Hosts: Tom Thakkar and Tommy McNamara
Network: self-released

 

 

WHO’S YOUR GOD
Hosts: Amy Miller, John Michael Bond, and Steve Hernandez
Network: self-released

 

 

DUMB PEOPLE TOWN
Hosts: The Sklar Brothers and Daniel Van Kirk
Network: Starburns Audio

 

 


THE DOLLOP
Hosts: Dave Anthony and Gareth Reynolds
Network: All Things Comedy

 

SUPER GEEKY PLAYDATE
Hosts: Brady Berserker, Big Sexy Bry Firei, and Metal Mattson
Network: Gonna Geek

 

TUESDAYS WITH STORIES!
Hosts: Mark Normand and Joe List
Network: self-released

 

DOUG LOVES MOVIES
Host: Doug Benson
Network: self-released

 

PEN PALS
Hosts: Rory Scovel and Daniel Van Kirk
Network: Starburns Audio

 

DO YOU KNOW WHO JASON SEGEL IS?
Host: Nick Thune and Brendon Walsh
Network: All Things Comedy

 

SMODCAST
Hosts: Kevin Smith and Scott Mosier
Network: Smodco Internet Radio


PUNCH UP THE JAM
Hosts: Miel Bredouw and Demi Adejuyigbe
Network: Headgum

Sunday Matinee: Netflix Is A Joke [Stand Up Comedy]

Hello Dear Readers! Welcome to the first ever Stand Up Comedy showcase here at Trainwreck’d Society.  Over the last couple of years, we have had the privilege of sharing some pretty amazing interviews with some of our favorite folks in the world of stand up comedy. As regular readers would notice, we tend to grab onto certain themes or genres or niche ideas, and just run wild with them. And I am personally so happy to say that stand up comedy has been one form of artistic expression that we have truly embraced as one of the best to have ever existed. And we hope to keep having these amazing performers on the site for foreseeable future.

We also understand that the world of stand up comedy is a vast and ever-expanding world to say the least. There are just SO MANY talented folks out there with their own personal styles of comedy. And for the average viewer/listener/show goer out there, it can be hard as shit to keep up. And in the end, being creatures of habit, we tend to just stick to what we know. The idea of searching out certain comedy specials or albums to hear something for the very first time can seem mentally taxing, I get it. That is why I created this list for today’s Sunday Matinee that truly makes it easy to see some absolutely hilarious comedy without leaving your comfort zone.

Now, full disclosure: Being obsessed with stand up comedy, I am one of those people who will definitely seek out different avenues to watch hilarious people. There are still so many options out there to watch stand up comedy (the best being live and in person, but some of us live in places like Mitchell, South Dakota or the East Anglian farmlands of the UK, so that can be troublesome). Whether they are finding themselves on cable networks like Showtime, Comedy Central, Amazon Prime, HBO, etc. or simply taping specials and releasing them via their own websites (i.e.: Emma Arnold, of the best out there!) or just giving them away directly to YouTube….I do recommend digging deeper into the vast “underworld” of stand up comedy.

But, hey, I get it. You can guess by the title of this post that we are discussing comedy that revolves around Netflix. The whole world has Netflix, and the whole world loves the convenience. And there seems to be a new comedy special coming out on Netflix each week, so it’s almost just too easy. I will admit, there are long stretches of time where I really almost exclusively on this subscription service to get visual laughs. And part of that is because they sometimes do it SO well! They do put out some amazing specials. Some damn fine comics have had some specials on Netflix, and I am excited to talk about them specifically with you all today.

And as a final note: I want to strongly state that THIS IS NOT A BEST OF LIST!!! I am under the firm belief that comedy is very subjective to the viewer or listener. What is funny to some may not be funny to others. While I can’t stand the recent debates about “What is a comedy special?”, I always try to keep it in my mind, that there are different comedians for different people. While I may stare blankly at any member of The Blue Collar Comedy Tour, others truly enjoy them, and it makes them happy. So what the hell is wrong with that? So, just to reiterate: THIS IS NOT A BEST OF LIST!!! This list does not even reflect the opinions of the entire cast of weirdos who have contributed to Trainwreck’d Society in one form or another. This my (Ron Trembath) collection of some of my favorite stand up specials that are available on Netflix as of this date, August 5th, 2018. It’s also worth noting that some of these specials have been around for a while. And some of the artists we mention in this collection have even had more recent specials come out (some of them on Netflix!). But, I went with my heart on this one, folks. I simply found a few specials that I tend to go back to from time to time because I know they are going to make me smile when I need it the most. Also, I throw in an honorable mention at the end because it’s more of a “production” than a comedy special, but it is available on Netflix, and I like to talk about it whenever possible.

Also quick note: When I have been watching these specials, it has been exclusively out of the U.S. I’m not quite sure how much it matters, but viewing has taken place with IP addresses in both Spain and the United Kingdom. So, if so if you can’t find some of these any more, my apologies. Also, please don’t come at me with the “What about (insert special) here”. It’s possible that I have not been privy to such hilarity, and in the end, it’s all subjective.

So Folks, please enjoy this quick list of some of my personal favorite specials available on the subscription service known as Netflix. And after you have check them all out, watch MORE! And if you are geographically able, go see some live comedy! It’s an experience you won’t soon forget! So here we go…..

 

ALI WONG: BABY COBRA

 

As I prefaced before, this is not a particularly “new” special. Ali Wong has had a more recent comedy special on Netflix since Baby Cobra was released. In fact, this isn’t even Ali’s only comedy special on Netflix where she is very pregnant! This is only the first one! I love her new one, but I over the last two years, I have gone back and watched Baby Cobra just so many damn times. Ali is brutally honest and is simply one of the best in the game!

 

NATASHA LEGGERO & MOSHE KASHER: THE HONEYMOON STAND UP SPECIAL

 

I promise you that pregnancy is not a theme here, it’s honestly a coincidence. There just happens to be two truly original and hilarious human beings who had specials on Netflix who were in the process of creating life. And plus, this very different. The partnership between Moshe & Natasha is a well known and beloved one in the world of comedy, and it was so amazing to see them on stage together. This is technically three specials: a solo set each, and then one together with some wonderful crowd work. I love both of these comics separately, and I strongly suggest you check them out individually. But, I would be lying if I said I wasn’t extremely excited to see them working together!

 

ARI SHAFFIR: DOUBLE NEGATIVE

 

There is no denying that sometimes Ari Shaffir can be a very controversial figure on the world of comedy. For folks who are more into the “PC friendly” era of comedy, he is definitely a figure who may not enjoy. But, you simply cannot deny is unfathomable ability to write a wonderful set of comedy. Or two of them even! While he sounds mild mannered and low energy (probably the shrooms), he is also a wildly unpredictable comic who is just so damn funny. Double Negative is a wonderful experiment in comedy as well. It’s a two-parter, which literally means it has double the laughs! And who doesn’t love that!

THE COMEDY LINE UP: IAN KARMEL

 

As Netflix continues to experiment with the world of comedy and putting out a plethora of different options for comedy viewing, they are, at times, hitting metaphorical home runs. They definitely did so when they included one of the best stand up comedians of our time, Ian Karmel, in their original series The Comedy Line Up. I came into this brilliant 15 minute special already a huge fan of Ian Karmel. In fact, this special is the only one on this list in which I have actually seen portions of it performed in real time! It is an absolutely perfect 15 minutes of comedy that you can go back to over, and over again. Also you are NEVER going to watch The Lion King without remembering this delightful person. I also recommend each and every comedian featured on The Comedy Line Up while you are at it. And then go back and watch Ian’s again!

NICK THUNE: FOLK HERO

 

This one falls into the category of not being very new, and definitely not the latest from a truly genius comic. Nick Thune actually had an amazing special come out in 2018 that wasn’t on Netflix. But, again, this is for all of you creatures of habit out there! Folk Hero is without a doubt my go to special when I just want to smile. I honestly couldn’t tell you how many times I have gone back and watched Thune’s brilliant execution of puns and truly original take on storytelling. If Buzzfeed or Now This or something like that, were to do a short list of “Nice Guys of Comedy”, I have a strong feeling that Nick would be right near the top.

WYATT CENAC: BROOKLYN

 

Overall, Wyatt Cenac’s Brooklyn is simply hilarious in its own right. But what really intrigued me about this awesome special was how Wyatt used his genius writing ability to put a truly original spin on a topic that has been discussed a million times over in the world of comedy. And that topic would be New York City. Everyone knows that NYC is the epicenter of stand up comedy. So many comics have touched on it, and have done will in doing so. But, Wyatt Cenac’s just does something to the topic that is actually sort of hard to explain. it’s just original in its own way. Which I would hope would come off as a testament to Cenac’s amazing ability as a joke writer and stand up. He manages to take fairly common thoughts and ideas and still make you reevaluate what you originally thought. It’s pure genius!

THE STANDUPS: JOE LIST

 

In another great attempt bring the world even more stand up comedy, Netflix has created The StandUps, and absolutely nailed it in their choices of comics! Not the least of which is one of my favorite comedians out there today, the wonderful Joe List. Self-deprication has always been a reoccurring theme in the world of comedy, and I truly believe that Joe List is an expert at it. In this half hour special, he strangely shits on himself a lot, but tends to do it in such a strong and confident manner. As an outsider looking into the world of comedy, I simply can’t understand how Joe manages to pull it off. But, I am so happy that he does!

CHRISTINA P: MOTHER INFERIOR

 

Christina Pazsitzky has built an enormous cult following in the world of comedy. A following that I am very happy to be a part of actually. So, when Mother Inferior dropped, I was just so damn stoked. And of course, she crushed it for the “Mommies” out there. But what made it so great was that she managed to appeal not only to those of us who enjoy listening to her talk about her browns and vag blasting, but to everyone. And, at least in my own world, it sparked a lot of conversations with people who were first learning about Christina from this special, which would then convert them into the Cult of Jeans that is the Your Mom’s House Podcast that she hosts with some other dude who may or may not be on Netflix as well, but is 100% fatter than Bert Kreischer.

 

HANNAH GADSBY: NANETTE

 

I’m going to preface this by paraphrasing something said by my favorite comedian, Amy Miller, and hopefully I don’t misquote her too much: You don’t get to decide “what is” a comedy special. I agree 100% with this statement (if I got it right). I’m not entirely sure why this is a real debate. I feel like Hannah Gadsby should be commended for adding to a conversation that needs to happen, and used a wonderful setting like a comedy special to get her message out there. And plus, she is REALLY funny in it, when it was time to do so. Being somewhat reasonable, I can understand some people’s chief arguments, but I mean, c’mon? What does that do for anyone? Why can’t we just enjoy the amazing work that Hannah Gadsby has given the world without trying to be snarky about it? And if you don’t want to watch, don’t! I highly recommend that you do, but nobody should force you! Just enjoy Nanette for what it is…a wonderful experience that you can also learn a bit from!

 

MICHAEL CHE MATTERS

 

I seriously cannot get enough of Michael Che. It is with good reason that he has become of the most celebrate comedians of this day and age. And watching the evolution of his television work has been some phenomenal. I clearly remember his first appearance on The Daily Show, and his last that would be just a month later. And I was actually pretty damn bummed! But, then he went on to be the best Weekend Update host since Norm McDonald, so there you go. And Michael Che Matters is a wonderful and some what light hearted look at the world today that I can still go back to at any given time. And while it is very topical, the most important part is that it is so damn hilarious!

 

HONORABLE MENTION: OH HELLO! ON BROADWAY

 

As I mentioned before, this is not actually a comedy special. And I don’t mean that in the bullshit Nanette conversation we discussed earlier…I mean this is an actually production. It’s a scripted Broadway performance, that just happens to feature two of the most hilarious people on the planet playing such hilarious characters. John Mulaney has, with good reason, become one of the most beloved comedians around. For the sake of brevity, he’s not listed above but most likely should have been. Watch is own specials after delving into Oh Hello! And Nick Kroll, well, he’s another god damned genius in the world of comedy that everyone knows and loves. He may not technically be a stand up comedian, I will be god damned if he doesn’t light up a stage and bring on the funny in Oh Hello!, and in just about everything he ever does. This satirical take on old timers living it up in the Big Apple is seriously one of the best things you are going to find on Netflix. Hand’s down, no questions.

2018 Oscar Preview with Chris & Ron [Exclusive]

On March 4th the 90th Academy Awards Ceremony, presented by the Academy of Motion Pictures Arts and Sciences (AMPAS), will broadcast out from the Dolby Theater in Hollywood to an estimated 35 million viewers in the United States. The first Academy Awards were a private event hosted by Douglas Fairbanks and William C. deMille on May 16th, 1929 which lasted fifteen-minute to an audience of around 270 guests. William A. Wellman’s film “Wings” (1928) won the Academy’s first Best Picture award. By 1929, filmmaking had become an established industry and a profitable artform. Although, this was not the case initially. Film has existed for 122 years so far and will still exist for years beyond. Nearly every aspect of the film business has changed over those 122 years apart from one entrenched traditional element – the voting members of the industry’s most “prestigious” award ceremonies.

The brothers Auguste and Louis Lumiere held the world’s first screening of projected motion on December 28th, 1895 in Paris, France. This event included the brother’s first film “Workers Leaving the Lumiere Factory” (1895), a 50 second micro documentary of, workers leaving the Lumiere Factory. Fascinating, I know, but revolutionary for its time. While this video would be lucky to receive 100 views on YouTube today, that screening represents a paradigm shift in art for the 20th century. Early on film was considered radical by established artists. It would take many years for film to be recognized, let alone legitimized by a critical body. The Academy Awards remain the oldest film award ceremony beginning 34 years after the brothers Lumiere’s first screening.

The Lumiere Brothers

The technology used by 1895 filmmakers would not be recognizable by modern creators. The use of sound, the standardization of film rate, the use of widescreen in amazing Cinemascope, the addition of Technicolor, 3D, intercutting, the 180-degree rule, etcetera. All these advancements in technology pushed the boundaries of what film could be, a limitless possibility of imaginative storytelling.

The Academy of Motion Pictures Arts and Sciences has just over 6,000 voting members. Twenty-two percent of those voters are held by actors. Additionally, 91 percent of the members are white and 76 percent male. The average age of a voting member is 63 years of age. To simplify, the Academy voters who decided the “best” in a year’s film releases are old white guys. This is the problem of the Oscars.
Art is a living entity and reflection of the current generation. Art should push boundaries and brake established models. Artists should be recognized for experimentation and advancements in their craft.

The Academy is not designed to give this by its own limiting demographics. Superhero films get no love. Comedic actors are never recognized. Best Picture cannot be an animated film. Sean Bakers “The Florida Project” (2017) gets little recognition for its unique composition. I imagine Steven Soderbergh’s 2018 film “Unsane”, shot completely on an iPhone, will receive little acknowledgment from the Academy in 2019.The 90th Academy Awards represents great films. But they don’t represent everything cinematic for the year. The Oscars are very narrow and minuet in their reach. Many of our modern works are left behind. New approaches to film creation and narrative structure take a generation to be recognized. The best of year does not have to be a gritty drama. While I enjoy the Oscars, I understand that these few selected films are the cumulative “Best” of what film has to offer an audience.

*****

 

So here is what you do folks: Head on over to our FACEBOOK EVENT PAGE from the Trainwreck’d Society Facebook page, and leave a simple reply anywhere stating that you are on “Team Chris” or “Team Ron” when you have decided who you believe made the best choice. The pointing system works as follows:

Correct “Want to Win” = 0.5 points

Correct “Going to Win” = 1.0 points

So tell us what you think, and if you choose the winner, you are entered into a pool to win an exceptionally mediocre prize of the finest Korean bootlegs from 2012-2013 (and before), a copy of Children of Mercy: Tales and Teachings From the World of Independent Music, and more!

So let’s have some fun!

*****

BEST PICTURE

CALL ME BY YOUR NAME
DARKEST HOUR
DUNKIRK
GET OUT
LADY BIRD
PHANTOM THREAD
THE POST
THE SHAPE OF WATER

WHO CHRIS WANTS TO WIN: The Shape of Water. Guillermo Del Toro’s “The Shape of Water” is an experience in all the elements of filmmaking: story, character, cinematography, technical achievements, etcetera.  This is a theatrical film to be experienced using old Hollywood B Film tropes mixed with a modern context. There is a fascinating juxtaposition to the “classic” monster archetype and who the world’s monster are lurking in suits. “The Shape of Water” is a beautiful work of art. And fun. Fun is important too.

WHO RON WANTS TO WIN: Get Out. Honestly, I’m certain that it will not win in this category, but in my heart of hearts, I truly loved this very original film.

WHO CHRIS THINKS WILL ACTUALLY WIN: SAME.
Guillermo Del Toro’s The Shape of Water.

WHO RON THINKS WILL ACTUALLY WIN: The Shape of Water. I believe there may be some history made in this year’s Oscars, but not so much so that it will deviate from the long standing coalition with the DGA that has determined the winner 95% of all years since 1948. So, yeah, good job del Toro, I guess, with your fish fucking film.


BEST ACTOR IN A LEADING ROLE

Timothee Chalamet for CALL ME BY YOUR NAME
Daniel Day-Lewis for PHANTOM THREAD
Daniel Kaluuya for GET OUT
Gary Oldman for DARKEST HOUR
Denzel Washington for ROMAN J. ISRAEL, ESQ.

WHO CHRIS WANTS TO WIN: Daniel Day Lewis for Phantom Thread. Daniel Day-Lewis is the greatest actor who has ever lived. My concrete answer. This is his final role before retirement. Daniel Day-Lewis has already won an Oscar before his “Phantom Thread” nomination. Like all his prior works, this is an amazing character analysis beautifully constructed. His characters are always complicated real people. There is little chance of this award going to Daniel Day-Lewis, but a nomination is a nice thank you for a body of work.

WHO RON WANTS TO WIN: Daniel Kaluuya for Get Out. Again, not very confident that Daniel will win, or that he even deserves it more than the others. But, dammit, this was a great film.

WHO CHRIS THINKS WILL ACTUALLY WIN: Gary Oldman for The Darkest Hour (imaging me yelling his name like a Gary Oldman character would do). Oldman has been making films since 1986 with his portrayal of Sid Vicious in “Sid and Nancy” (1986). Oldman has been nominated only once before in “Tinker, Tailor, Soldier, Spy” (2012). This win will be for his body of work. A lifetime achievement award but for Best Actor. Deserving for so many great characters. But Daniel Day-Lewis had already won one.

WHO RON THINKS WILL ACTUALLY WIN: Gary Oldman for Darkest Hour. I believe that Oldman is probably rightfully poised to sweep the acting category this year, if not only for his contributions over the last 30 years or so. He may be the 2nd best character actor we have, but I don’t think he is going to the 1st this time around, in the hopes of ruining DDL’s plans of becoming a cobbler or some shit.


BEST ACTOR IN A SUPPORTING ROLE

Willem Dafoe for THE FLORIDA PROJECT
Woody Harrelson for THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
Richard Jenkins for THE SHAPE OF WATER
Christopher Plummer for ALL THE MONEY IN THE WORLD
Sam Rockwell for THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

WHO CHRIS WANTS TO WINSam Rockwell for Three Billboards Outside Ebbing, Missouri. This category is a very tight affair. Although Christopher Plummer was added as a fuck you to Kevin Spacey which is a fine reason in my book. While tough to decide, I must go with Sam Rockwell. Another actor who has never won an Oscar but has already won all the other awards for this category this year. Rockwell is great actor and deserving of the award even though this is not his best performance in long great career
Sam Rockwell for Three Billboards Outside Ebbing, Missouri

WHO RON WANTS TO WIN: Sam Rockwell for Three Billboards Outside Ebbing Missouri. Rockwell may be one of the greatest supporting actors we’ve had since Robert Duvall in his prime. Also I always think he is Giovanni Ribisi, so I feel kind of bad about that.

WHO CHRIS THINKS WILL ACTUALLY WIN: SAME.
Sam Rockwell for Three Billboards Outside Ebbing, Missouri.

WHO RON THINKS WILL ACTUALLY WIN: Sam Rockwell for Three Billboards Outside Ebbing Mossouri. Three Billboards has received a lot of flack for being somewhat overrated, but the acting is always praised heavily. Sam and Francis are going to be the only winners for the film.


BEST ACTRESS IN A LEADING ROLE

Sally Hawkins for THE SHAPE OF WATER
Frances McDormand for THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
Margot Robbie for I, TONYA
Saoirse Ronan for LADY BIRD
Meryl Streep for THE POST

WHO CHRIS WANTS TO WINSally Hawkins for The Shape of Water. Sally Hawkins deserves the win for her perfect performance. She speaks only seven words in the entire film due to her character being mute. Everything she does is through body expression and her eyes. I need to give Margot Robbie credit though. I saw “I, Tonya” very recently and her abilities to take on a role is also incredible. I forgot Margot Robbie was an actor portraying Tonya Harding.

WHO RON WANTS TO WIN: Margot Robbie for I, Tonya. Being a Northwest kid, I feel obligated to support anything about the bad girl of competitive ice-skating, the great Tonya Harding.

WHO CHRIS THINKS WILL ACTUALLY WIN: SAME.
Sally Hawkins for The Shape of Water

WHO RON THINKS WILL ACTUALLY WIN: Frances McDormand for Three Billboards Outside Ebbing, Missouri. McDormand has been poised to win for quite a while, and I really don’t believe that the Academy will deviate from the plan.

BEST ACTRESS IN A SUPPORTING ROLE

Mary J. Blige for MUDBOUND
Allison Janney for I, TONYA
Lesley Manville for PHANTOM THREAD
Laurie Metcalf for LADY BIRD
Octavia Spencer for THE SHAPE OF WATER

WHO CHRIS WANTS TO WINLaure Metcalf for Lady Bird. I grew up watching Jackie on the show “Roseanne”. She played a mom then too. In “Lady Bird”, taking place in 2002 with her 17-year-old daughter Lady Bird, Lesley’s portrayal of a struggling lower middle-class family is so subtle and true and real and most importantly authentic. I don’t know of another actress who could have performed this character with so much care and understanding.

WHO RON WANTS TO WIN: Laure Metcalf for Lady Bird. I know I literally just said I was obliged to choose all things Tonya Harding, but I really just meant Margot’s portrayal specifically. Metcalf is one of the most underrated actress of our time. She’s celebrated on the stage and on television, it’s time to round it all off!

WHO CHRIS THINKS WILL ACTUALLY WIN: Allison Janney for I, Tonya. Allison Janney is a nasty villain. A nomination for best villain monologue “You think Sonja Henie’s mother loved her? Poor fuckin’ you. I didn’t stay home making apple brown bettys. No, I made you a champion knowing you’d hate me for it. That’s the sacrifice a mother makes. I wish I had a mother like me instead of nice. Nice gets you shit. I didn’t like my mother either, so what? I fucking gave you a gift”. Allison portrayal of this nasty woman makes you, as an audience member, chest tighten. A villain who believes she is right in her actions. A Villain of epic performance. Also comedic in a dark comedy kind of way. Weird contradiction feeling from Janney’s acting.

WHO RON THINKS WILL ACTUALLY WIN: Laurie Metcalf for Lady Bird. I really need to see Lady Bird, but I’m sure she was great. This will essentially be a lifetime achievement award for an actress who will probably never receive an actual lifetime achievement award for film work


.

BEST ANIMATED FEATURE FILM

The BOSS BABY
THE BREADWINNER
COCO
FERDINAND
LOVING VINCENT

WHO CHRIS WANTS TO WIN: Coco from Pixar. This was one of their lowest performing films at the box-office. But the competition is not very good this year. Fuck you Boss Baby.

WHO RON WANTS TO WIN: Coco. I really don’t have a dog in the race, but I’m certain it doesn’t matter. I’d like to be cool and say that Van Gogh thing, but I’d honestly never watch that. And with Trump in office, I’d say a win for our friends to the south is in order. So, “Coco”.

WHO CHRIS THINKS WILL ACTUALLY WIN: SAME.
Coco

WHO RON THINKS WILL ACTUALLY WIN: Coco.


BEST CINEMATOGRAPHY

Roger A. Deakins for BLADE RUNNER 2049
Bruno Delbonnel for DARKEST HOUR
Hoyte van Hoytema for DUNKIRK
Rachel Morrison for MUDBOUND
Dan Laustsen for THE SHAPE OF WATER

WHO CHRIS WANTS TO WINRoger A. Deakins for Blade Runner 2049. If Roger Deakins does not win, this year, yet again, this will be a tragedy. This is Deakin’s 14th nomination for Best Cinematography going all the way back to 1994 with “The Shawshank Redemption”. Deakin’s body of work is a top contender for best DPs who have ever worked. Every shot composition is unique and gorgeous. “Blade Runner 2049” is a gorgeous film like all Deakins prior work. Deakins should win for his body of work and for this film. Deakins should have won 7 of these awards already.

WHO RON WANTS TO WIN: Roger A. Deakins for Blade Runner 2049. Even though Deakins is on his 14th nomination, I feel like I would be pleasantly surprised if he won this one. But, I believe he is the most deserving of the bunch.

WHO CHRIS THINKS WILL ACTUALLY WIN: SAME.
Roger A. Deakins for Blade Runner 2049.

WHO RON THINKS WILL ACTUALLY WIN: Hoyte van Hoytema for Dunkirk. A big ass war movie that was meant to be side on a super wide screen, in theatres that is also nominated for best picture? Seems obvious! Or not.


BEST COSTUME DESIGN

Jacqueline Durran for BEAUTY AND THE BEAST
Jacqueline Durran for DARKEST HOUR
Mark Bridges for PHANTOM THREAD
Luis Sequeira for THE SHAPE OF WATER
Consolata Boyle for VICTORIA & ABDUL

WHO CHRIS WANTS TO WINMark Bridges for Phantom Thread. “Phantom Thread” is about fashion and creating clothes. Yes, an extremely simple read of the film and a satirical comment, but come on now, the movie is about clothing and fashion and control, but not really. Please check out Paul Thomas Anderson’s work. This filmmaker is amazing. Just not “Inherent Vice” (2014).

WHO RON WANTS TO WIN: Jacqueline Durran for Beauty And The Beast. As a general rule, I like to choose a film I have seen. And I thought everyone looked pretty cool.

WHO CHRIS THINKS WILL ACTUALLY WINLuis Sequeira for The Shape of Water. “The Shape of Water” is going to clean up at the Oscars. No more live action Disney remakes. Stop it. “Beauty and the Beast” better not win!

WHO RON THINKS WILL ACTUALLY WIN: Luis Sequeira for The Shape Of Water. It’s the Oscar way: nominate a female twice, and still pick a male. It’s basically a throw away award to them. I can’t wait for the internet controversy about a film about making clothes not winning the clothing category. Or I will just be extremely wrong on all counts.

BEST DIRECTING

Christopher Nolan for DUNKIRK
Jordan Peel for GET OUT
Greta Gerwig for LADY BIRD
Paul Thomas Anderson for PHANTOM THREAD
Guillermo del Toro for THE SHAPE OF WATER

WHO CHRIS WANTS TO WINGuillermo del Toro for The Shape of Water. Guillermo Del Toro should win for reason I spoke of for Best Picture. I believe these top awards are all going to be split up in a very rare action. “The Shape of Water” is not the same movie without del Toro’s direction.

WHO RON WANTS TO WIN: Jordan Peele for Get Out. Same sentiment as before. Not even sure if you really deserves it more than the others, I just thought it was such an original and creative idea for a film, and hit all the right notes for me.

WHO CHRIS THINKS WILL ACTUALLY WINChristopher Nolan for Dunkirk. Christopher Nolan will finally get an Oscar. “Dunkirk” in my opinion is phenomenal movie breaking some of the traditional approaches to film making like not having characters. Which I appreciated. Finally, “The Dark Knight” will get its best direct award. Superhero movies don’t get love.

WHO RON THINKS WILL ACTUALLY WIN: Guillermo del Toro for The Shape Of Water. Because apparently people like fish fucking films.

BEST DOCUMENTARY FEATURE

ABACUS: SMALL ENOUGH TO JAIL
FACES PLACES
ICARUS
LAST MEN IN ALEPPO
STRONG ISLAND

WHO CHRIS WANTS TO WINFaces Places. French..? French Countryside? French New Wave. Ninety-five percent of people have not seen any of these films.

WHO RON WANTS TO WIN: Faces Places. No dog in the race, really. I just like rural France. It’s pretty.

WHO CHRIS THINKS WILL ACTUALLY WIN: SAME.
Faces Places

WHO RON THINKS WILL ACTUALLY WIN: Faces Places. The praise has been tremendous (by the 6 people who have seen it).


BEST DOCUMENTARY (SHORT SUBJECT)

EDITH+EDITH
HEAVEN IS A TRAFFIC JAM ON THE 405
HEROIN(E)
KNIFE SKILLS
TRAFFIC STOP

WHO CHRIS WANTS TO WINHeroin(e). Did not get a chance to see any of these films. Guess Time. Just like a lot of the Academy 6,000 members!

WHO RON WANTS TO WIN: Heroin(e). No reason really, I just like stuff about heroin. Is that weird?

WHO CHRIS THINKS WILL ACTUALLY WINKnife Skills. Did not get a chance to see any of these films. Guess Time. Just like a lot of the Academy 6,000 members!

WHO RON THINKS WILL ACTUALLY WIN: Heroin(e). Same.


BEST FILM EDITING

Paul Machliss and Jonathan Amos for BABY DRIVER
Lee Smith for DUNKIRK
Tatiana S. Riegel for I, TONYA
Sidney Wolinsky for THE SHAPE OF WATER
Jon Gregory for THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

WHO CHRIS WANTS TO WINLee Smith for Dunkirk. “Dunkirk” is not an ordinary film. It does not rely on characters and narrative to tell its story. “Dunkirk” is more a kick to the stomach of raw feeling. This is accomplished through Hans Zimmer’s relentless score and the incredible editing of the film. The Film must balance three storylines taking place at three different times building towards a cumulative moment. “Baby Driver” would be a good win here for the same reasons. “Baby Driver” just had better use of characters and pop, and honestly, is a much more fun time at the theaters. “Dunkirk” makes you want to sit in dark room for an hour while “Baby Driver” makes you want to high five.

WHO RON WANTS TO WIN: Paul Machliss and Jonathan Amos for Baby Driver. This film was just so damn COOL! I would give every award for sound and editing to them, hands down. It wasn’t a better film than others, but it was extremely cool to watch. And that takes some damn fine editing.

WHO CHRIS THINKS WILL ACTUALLY WINPaul Machliss and Jonathan Amos for Baby Driver. “Baby Driver’s” editing is very tight but still naturally fluid. The way the editing plays into the music, or the music plays into the editing. I don’t know. It is just a magical fun movie.

WHO RON THINKS WILL ACTUALLY WIN: Sidney Wolinsky for The Shape Of Water. Old school mentality that film editing coincides with the Best Picture win.

BEST FOREIGN LANGUAGE FILM

A FANTASTIC WOMAN (Chile)
THE INSULT (Lebanon)
LOVELESS (Russia)
ON BODY AND SOUL (Hungary)
THE SQUARE (Sweden)

WHO CHRIS WANTS TO WINThe Square. The Swedes have come to town in this satirical comedy “The Square”. If you want to watch something with subtitles, make it this film. Although, I didn’t see any of the other films here.

WHO RON WANTS TO WIN: The Square. I watched a shit ton of great films from all over the world (as reflected in our Top 20 Films of 2017 feature) but sadly, it was absolutely none of these. So, I like Sweden.

WHO CHRIS THINKS WILL ACTUALLY WIN: SAME. The Square.

WHO RON THINKS WILL ACTUALLY WIN: SAME. The Square.

BEST MAKEUP AND HAIRSTYLING

Kazuhiro Tsuji, David Malinowski, and Lucy Sibbick for DARKEST HOUR
Daniel Phillips and Lou Sheppard for VICTORIA & ABDUL
Arjen Tuiten for WONDER

WHO CHRIS WANTS TO WINKazuhiro Tsuji, David Malinowski, and Lucy Sibbick for Darkest Hour. Gary Oldman’s transformation into Winston Churchill was twofold. One, Oldman’s amazing acting ability and two, his prosthetic makeup is amazing! When dealing with celebrity, it is hard to forget about the actor playing the role. Oldman has made over 30 films and stands out as Oldman playing _______. In this case, thanks to amazing makeup, Gary Oldman gets lost and Winston Churchill comes to life. Amazing.

WHO RON WANTS TO WIN: Kazuhiro Tsuji, David Malinowski, & Lucy Sibbick for Darkest Hour. They recreated Winston Churchill to be even more frightening. Enough said.

WHO CHRIS THINKS WILL ACTUALLY WIN: SAME.
Kazuhiro Tsuji, David Malinowski, and Lucy Sibbick for Darkest Hour.

WHO RON THINKS WILL ACTUALLY WIN: Kazuhiro Tsuji, David Malinowski, & Lucy Sibbick for Darkest Hour. Hint: It’s in the Best Picture category.

BEST MUSIC (ORIGINAL SCORE)

Hans Zimmer for DUNKIRK
Jonny Greenwood for PHANTOM THREAD
John Williams for STAR WARS: THE LAST JEDI
Carter Burwell for THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

WHO CHRIS WANTS TO WINJonny Greenwood for Phantom Thread. Hans Zimmer and John Williams have been nominated a lot. This is John Williams 51st nomination. His music defines multiple generations. Who I would like to see win this category is Jonny Greenwood from Radiohead. His music compositions intrigue me. I can listen to his scores continuous without getting bored. Greenwood’s themes for the characters of “Phantom Thread” elevate the emotional element of the film.

WHO RON WANTS TO WIN: Jonny Greenwood for Phantom Thread. I want something FRESH! I’m an established “Radiohead is overrated” kind of guy, but I’d still like to see Jonny get the W. I think we are done with John Williams, right? And Zimmer?

WHO CHRIS THINKS WILL ACTUALLY WINHans Zimmer for Dunkirk. Hans Zimmer will win this year for “Dunkirk”. The score is what drives that film and makes it work. Zimmer’s work builds through the entire film continually adding dread being felt by the audience. That is the singular goal of this film, to make the audience’s’ heart tighten. This movie had to have been seen in theaters to understand that build up. Home Theater does not work for this movie.

WHO RON THINKS WILL ACTUALLY WIN: Jonny Greenwood for Phantom Thread. I really think this is going to happen. I think the Academy is a group of old rich white dudes who probably think that voting for Radiohead will make them seem pretty darned cool, as they would probably say.


BEST MUSIC (ORIGINAL SONG)

Mary J. Blige, Raphael Saadiq, and Taura Stinson for “Mighty River” from MUDBOUND
Sufjan Stevens for “Mystery of Love” from CALL ME BY YOUR NAME
Kristen-Anderson-Lopez and Robert Lopez for “Remember Me” from COCO
Diane Warren and Lonnie R. Lynn for “Stand Up for Something” from MARSHALL
Benj Pasek and Justin Paul for “This Is Me” from THE GREATEST SHOWMAN

WHO CHRIS WANTS TO WINSufjan Stevens for “Mystery of Love” from Call Me by Your Name. Give Sufjan Stevens love!

WHO RON WANTS TO WIN: Mary J. Blige, Raphael Saadiq, and Taura Stinson for “Mighty River” from Mudbound. M.J. and the dude from Tony, Toni, Tone!? Oh hell yeah, give me that!

WHO CHRIS THINKS WILL ACTUALLY WIN: SAME.
Sufjan Stevens for “Mystery of Love” from Call Me by Your Name.

WHO RON THINKS WILL ACTUALLY WIN: Sufjan Stevens for “Mystery of Love” from Call Me by Your Name. #OscarSoWhite


BEST PRODUCTION DESIGN

Sarah Greenwood & Katie Spencer for BEAUTY AND THE BEAST
Dennis Gassner & Alessandra Querzola for BLADE RUNNER 2049
Sarah Greenwood & Katie Spencer for DARKEST HOUR
Nathan Crowley & Gary Fettis for DUNKIRK
Paul Denham Austerber & Shane Vieau & Jeff Melvin for THE SHAPE OF WATER

WHO CHRIS WANTS TO WIN:Dennis Gassner & Alessandra Querzola for Blade Runner 2049. “Blade Runner 2049” was world building at its finest. An incredible achievement, but “The Shape of Water” is going to clean up this year.  The finest and most minute details in “Blade Runner 2049” were never overlooked.

WHO RON WANTS TO WIN: Dennis Gassner & Alessandra Querzola for Blade Runner 2049. From what I have seen, this whole damn film was JUST a huge production design. And for a 13 hour long movie, that takes some serious work!

WHO CHRIS THINKS WILL ACTUALLY WINPaul Denham Austerber & Shane Vieau & Jeff Melvin for The Shape of Water. “The Shape of Water” will dominate this year. 1950s Americana Cold War B movie monster film is modernized. It’s also a fairytale. The movie just works damn it.

WHO RON THINKS WILL ACTUALLY WIN: Paul Denham Austerber & Shane Vieau & Jeff Melvin for The Shape Of Water. I’d like to say that the production design category is separating itself from other throwaway awards, but Wes Anderson didn’t have a film this year, so back to fish fucking.


BEST SHORT FILM (ANIMATED)

DEAR BASKETBALL
GARDEN PARTY
LOU
NEGATIVE SPACE
REVOLTING RHYMES

WHO CHRIS WANTS TO WINGarden Party. Did not see any of these films, but voting nonetheless, just like the Academy 6,000 members.

WHO RON WANTS TO WIN: Dear Basketball. I honestly don’t even care what the other nominees are. I’m sure they are great, but…. ACADEMY AWARD WINNER KOBE BRYANT???

WHO CHRIS THINKS WILL ACTUALLY WINNegative Space. Did not see any of these films, but voting nonetheless, just like the Academy 6,000 members.

WHO RON THINKS WILL ACTUALLY WIN: Dear Basketball. ACADEMY AWARD WINNER KOBE BRYANT!!!!


BEST SHORT FILM (LIVE ACTION)

DEKALB ELEMENTARY
THE ELEVEN O’CLOCK
MY NEPHEW EMMETT
THE SILENT CHILD
WATU WOTE/ALL OF US

WHO CHRIS WANTS TO WINThe Eleven O’ Clock. Did not see any of these films, but voting nonetheless, just like the Academy 6,000 members.

WHO RON WANTS TO WIN: DeKalb Elementary. Sure.

WHO CHRIS THINKS WILL ACTUALLY WINThe Silent Child. Did not see any of these films, but voting nonetheless, just like the Academy 6,000 members.

WHO RON THINKS WILL ACTUALLY WIN: DeKalb Elementary. Go big or go home on a guess, I guess.


BEST SOUND EDITING

Julian Slater for BABY DRIVER
Mark Mangini and Theo Green for BLADE RUNNER 2049
Richard King and Alex Gibson for DUNKIRK
Nathan Robitaille and Nelson Ferreira for THE SHAPE OF WATER
Matthew Wood and Ren Klyce for STAR WARS: THE LAST JEDI

WHO CHRIS WANTS TO WINNathan Robitaille and Nelson Ferreira for The Shape of Water. Sound editing is the creation of sound effects. The award is usually received by the Supervising Sound Editors of the film, sometimes accompanied by the Sound Designers. I am torn between “Blade Runner 2049” and “The Shape of Water”. Both films approach to sound editing help to build their interesting worlds. I want to see “Blade Runner 2049” win some awards, but I still feel “The Shape of Water” did it better with more nuance. The creature sounds and use of water as both a pool and rain were just amazing to experience in a theater.

WHO RON WANTS TO WIN: Julian Slater for Baby Driver. They synchronicity was absolutely brilliant!

WHO CHRIS THINKS WILL ACTUALLY WIN: SAME.
Nathan Robitaille and Nelson Ferreira for The Shape of Water.

WHO RON THINKS WILL ACTUALLY WIN: Nathan Robiataille and Nelson Ferreira for The Shape Of Water. I have a feeling that Dunkirk probably deserves the technical awards more, but may be largely ignored. Or I could be wrong.


BEST SOUND MIXING

Mary H. Ellis, Julian Slater, & Tim Cavagin for BABY DRIVER
Mac Ruth, Ron Bartlett, & Doug Hephill for BLADE RUNNER 2049
Mark Weingarten, Gregg Landaker, & Gary A. Rizzo for DUNKIRK
Glen Gauthier, Christian Cooke, & Brad Zoem for THE SHAPE OF WATER
Stuart Wilson, Ron Klyce, David Parker, & Michael Semanick for STAR WARS: THE LAST JEDI

WHO CHRIS WANTS TO WINMark Weingarten, Gregg Landaker, & Gary A. Rizzo for Dunkirk. Sound Mixing is the best overall mixing or recording of a film and is generally awarded to the production sound mixers and re-recording mixers. I love the sound design on both “Blade Runner 2049” and “Dunkirk”. Both films were scored by Hans Zimmer. Both films are very loud with the use of their score. In the case of “Dunkirk”, Zimmer’s score builds so much tension through the film you think you will explode while Zimmer’s score in “Blade Runner 2049” helps build a dystopian future of long shots. I appreciated both approaches, but “Baby Driver” will come up on top. All the sound elements are mixed in such a fluid way that adds to the storytelling as if it was a character on set in its own terms.

WHO RON WANTS TO WIN: Mary H. Ellis, Julian Slater, & Tim Cavagin for Baby Driver. Same sentiment as the Sound Editing category because I’m not really smart enough on the technicalities to really know what the difference is, but I am willing to admit that openly so it’s cool, right?

WHO CHRIS THINKS WILL ACTUALLY WINMary H. Ellis, Julian Slater, & Tim Cavagin for Baby Driver. The “Baby Driver” mix is just so perfect and balanced blending so many elements tighter to which all those pieces inform the story.

WHO RON THINKS WILL ACTUALLY WIN: Glen Gauthier, Christian Cooke, & Brad Zoem for The Shape Of Water. Same sentiment as the Sound Editing category.


BEST VISUAL EFFECTS

John Nelson, Paul Lambert, Richard R. Hoover, & Gerd Nefzer for BLADE RUNNER 2049
Christopher Townsend, Guy Williams, Jonathan Fawkner, & Dan Suddick GUARDIANS OF THE GALAXY VOL. 2
Stephen Rosenbaum, Jeff White, Scott Benza, & Mike Meinardus for KONG: SKULL ISLAND
Ben Morris, Mike Mulholland, Chris Corbould, & Neal Scanlan for STAR WARS: THE LAST JEDI
Joe Letteri, Dan Lemmon, Daniel Barrett, & Joel Whist for WAR FOR THE PLANET OF THE APES

WHO CHRIS WANTS TO WINJohn Nelson, Paul Lambert, Richard R. Hoover, & Gerd Nefzer for Blade Runner 2049. I want “Blade Runner 2049” to win a few awards. That film should have done better than it did. The visuals are gorgeous and photo real. There are several story elements which require the use of composition for other actors in interesting ways that expand the story. This is a bias choice.

WHO RON WANTS TO WIN: John Nelson, Paul Lambert, Richard R. Hoover, & Gerd Nefzer for BLADE RUNNER 2049. Less CGI, the better in my opinion.

WHO CHRIS THINKS WILL ACTUALLY WINJoe Letteri, Dan Lemmon, Daniel Barrett, & Joel Whist for War for the Planet of the Apes. There is no competition for this motion capture work. This team created photo real animals. It is incredible work. The eyes are what sell these creatures. It is a shame Andy Serkis was never nominated for any of his motion capture work. It is both his performance and this team which combined in such a way it is impossible to see where one part starts and the other ends. This is the same for costume and makeup people, here they are just working digital rather than practical.

WHO RON THINKS WILL ACTUALLY WIN: John Nelson, Paul Lambert, Richard R. Hoover, & Gerd Nefzer for Blade Runner 2049. It’s the only “film” on this list of “movies”.

BEST ADAPTED SCREENPLAY

James Ivory for CALL ME BY YOUR NAME
Scott Neustadter & Michael H. Weber for THE DISASTER ARTIST
Scott Frank, James Mangold, & Michael Green for LOGAN
Aaron Sorkin for MOLLY’S GAME
Virgil Williams & Dee Rees for MUDBOUND

WHO CHRIS WANTS TO WINScott Frank, James Mangold, & Michael Green for Logan. “Black Panther” released on February 16th, 2018 and is the MCU’s 18th film. That number does not reflect any Fox Marvel films, Sony Marvel Films, DC films and etcetera. Superhero movies represent an absorbent amount of the yearly box-office but receive little recognition for what they accomplish in narrative storytelling. They are tentpole films of the modern age. “Logan” takes this modern genre and throws it back to the classic American Western. It is time for Superhero films to receive some credit for their accomplishments. Yeah, I cried at the end of this film. Because it’s good!

WHO RON WANTS TO WIN: Scott Neustadter & Michael H. Weber for The Disaster Artist. The hype sort of came and went for this one, but I am genuinely intrigued by the events that took place in making the well deservingly titled “worst film of all time”, The Room.

WHO CHRIS THINKS WILL ACTUALLY WIN: SAME.
Scott Frank, James Mangold, & Michael Green for Logan

WHO RON THINKS WILL ACTUALLY WIN: James Ivory for Call Me By Your Name. It was an insanely weak year for the adapted screenplay world. So, I truly believe that Ivory will sneak his way in through the back door on this one.

BEST ORIGINAL SCREENPLAY

Emily V. Gordon & Kumail Nanjiani for THE BIG SICK
Jordan Peele for GET OUT
Greta Gerwig for LADY BIRD
Guillermo del Toro & Vanessa Taylor for THE SHAPE OF WATER
Martin McDonagh for THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

WHO CHRIS WANTS TO WINGreta Gerwig for Lady Bird. To be honest, I have had a celebrity crush on Greta Gerwig for a long time. Both her and Jordan Peele are first time directors and filmmakers this year, although Greta has collaborated in the writing process for a few films now. Jordan Peel also has a long history of writing. Guillermo del Toro is going to clean up in most other categories but for this case Greta is my writer!

WHO RON WANTS TO WIN: Jordan Peele for Get Out. I am honestly saddened by the fact that The Big Sick and Get Out were released in the same year, and both nominated. It was like choosing my favorite kid, you know? Except choosing a kid would be easier. These two film s were wildly different, but both oh so original, and I loved them so much. But in the end, Get Out Just stuck with me a bit more. Either way, I’m just happy to see that comedy people are raking in some serious dough/awards.

WHO CHRIS THINKS WILL ACTUALLY WINJordan Peele for Get Out. “Get Out” found its way into the zeitgeist and stayed there. Most films which come out in the first half of the year are forgotten about when award seasons begins. “Get Out” has stayed relevant for a long time. Jordan Peele must win for something. Why not an amazing narrative which takes genre and has fun with it. Also, social commentary is a thing for the Academy.

WHO RON THINKS WILL ACTUALLY WIN: Jordan Peele for Get Out. Jordan Peele has done something no one has managed to do with a film. He told a brilliant story that mixed social commentary with just the right amount of suspense & comedy to tap into every human emotion possible to bring a very serious bit of subject matter out into the world. He deserves this so damn much.