Gerald Wexler [Interview]

Welcome to Day 29 of Trainwreck’d Society’s Annual Month of Horror Showcase! We have a fully loaded month of all things horror for you fine folks! October is our favorite month for this very reason, and we are so excited to share 31 full days of film showcases and interviews with some of the finest folks from the world of horror, just as we have been doing for the last 5 years. What started as a simple 5 day showcase, has now blossomed into a full blown month long event. You’re going to love this! Enjoy!

As we enter the last few days of our Month of Horror showcase, we are going out with a bang. And today we are featuring a storyteller who impacted me in a major way, around the same time period of my life, yet for very different reasons. But, also similar reasons. Is this making sense? I could try to explain, but it probably won’t matter. Anywhodoesit, Gerald Wexler worked on two television series in the 90’s that I very much enjoyed. One of them was Nickelodeon’s Are You Afraid of the Dark, which I was definitely allowed to watch as a youth in this era. And the other was Showtime’s The Hunger, which I definitely was NOT allowed to watch, but most certainly did. In the end, I learned about David Bowie in my defiance, so I feel like I made the right call. I found that parallel between watching a show geared for younger audience and those geared towards adults. In the end, it’s all great story telling. If the writing is excellent, the art will be excellent, no matter the target audience. And Gerald Wexler is a hell of a storyteller.

And with that, I am so excited to have Gerald Wexler grace our digital pages today, so let us get right into it. Please enjoy some wonderful words from the brilliant man himself. Enjoy!

What inspired you to get into the world of film and television writing? Was it an early aspiration to do so, or did you just happen to find yourself in this world one day?

In my youth I was seriously obsessed with still photography. And in fact the first few short films I made were composed entirely of still photos and live action that would segue into still photos. Somewhere in the back of my mind, though, I knew I wanted to get into film and began absorbing everything I could about that art. I attended McGill University which is not a creative arts school. Everything was highly academic. There were no courses in film, art, photography, or creative writing. But there was a great film society and for four years I feasted on foreign and North American Films.

Despite the fact that McGill was 100% academic at the time, it’s amazing the number of creative people that emerged from there, including a number of Oscar winners and nominees and artists like Leonard Cohen.

So, photography led me into film.

After McGill I did a graduate diploma in film and TV at the Hornsey College of Art, in London, England. (Now part of Middlesex University). We were housed in the same building (a 19th century palace built by Queen Victoria) as a unit of the BBC and most of our instructors were BBC film editors who would walk around the corner to help us out. So I got into film editing after finishing my course and returning to Montreal. I was an assistant editor to Thom Noble who got the Oscar for Witness, was an assistant sound editor on the first Imax film ever made, and a few other productions.

Essentially, I love story telling. There’s a Hassidic parable that Eli Wiesel tells with the credo that God created the world because he likes hearing a good story. And that may very well be true.

I wrote short stories that were being published in literary magazines and anthologies, and also in a collection of my own, The Bequest and Other Stories. Film is really storytelling. It’s as fascinating now as cavemen sitting around a fire relating how their buffalo hunt went that day, and all the complications they encountered.

So, I really wanted to be a story teller and figured I should combine my interest in short story writing and film and become a scriptwriter.

I sent a number of my stories to the executive producer of the new Drama Studio of the National Film Board, building up my meager editing credits. He invited me to meet and in that meeting hired me to write a short film. I did a ten minute film about five men doing the midnight shift in a boiler room, which we shot on the midnight shift in an actual boiler room. The film won an award, and a nascent career was launched.

In the mid-90’s, you wrote for a show that happened to hit the airwaves at the exact time I would have been a target audience member for, and was definitely caught up in. That show as Are You Afraid of the Dark? That appeared on Nickelodeon when I was just a pre-teen boy. One episode I noticed you are credited with happens to be the one that has truly stuck with me, which was The Tale of the Vacant Lot. I thought about this particular during my middle school years that followed. So with that in mind, what was it like to write for a series like this? It’s one that seemed like it was supposed to be a bit scary, yet some lessons to be taught. Was it this the intention all along?

I remember once telling my wife that when it’s time for me to go the great beyond, at least I’ll go knowing I scared little children.

I really enjoyed writing Afraid of the Dark. One reason is because it’s a pure anthology series, like the old Twilight Zone, with every episode being a unique story with unique characters. Anthology writing is one of my most favourite and I had already had a number produced for a variety of networks. (This was the eighties and these kind of series like Tales From the Crypt and Afraid of the Dark were still being made at that time). I love the format where each episode is like a mini, finite feature film and you don’t have to worry about creating complications for the same characters week after week.

The intention of the series was very much to be scary, and also convey a moral message. There was no profanity or violence, yet that didn’t stop the series from being incredibly popular. Which can be a nice lesson for media today.

I had never especially been a fan of the horror genre. But I found in writing Afraid of the Dark that I had a real affinity for it. Again – it’s all storytelling and the same  criteria Aristotle put down two thousand years still apply. The effect, emotions may be different from a romantic drama, but the storytelling still has the same basics.

A few years later you worked extensively on another show I remember catching on Showtime at my grandparents’ house, late at night when they had gone to sleep, and was actually my introduction to David Bowie, known as The Hunger. This was another highly original series, but a whole lot more frightening that AYAOTD?, for obvious reasons. So how was your experience working on such a truly original anthology? Was there anything about it that sets it apart from the plethora of other work you have done?

The Hunger, with David Bowie as host (and actor in one episode) was a nice segue from Afraid of the Dark. Like Afraid of the Dark it was a “pure” anthology series. I was a writer/producer on that, writing 13 of the episodes and being on board as a writer/producer on the entire series.

It’s interesting that at the time I was hired for The Hunger a feature film of mine, Margaret’s Museum, with Helena Bonham Carter had just been completed and was getting rave reviews in Variety, LA Times, Boston Globe, etc. I got the Genie for Best Screenplay and the film won the grand prize at San Sebastian and numerous other awards. Though essentially a drama, it did have a horrific ending. I thought Tony and Ridley Scott, who produced The Hunger, and Showtime would be really impressed, but apparently what really made them want me was my work on Afraid of the Dark, specifically an award-winning episode called “Train Magic”.

Again, The Hunger was a “pure” anthology series. With a rather, unique coda. All serialized drama wants to keep your hero around every episode. In The Hunger, the hero got “what he wished for” and died a horrible death. No need to worry about what adventures or mishaps he’s going to get into in subsequent episodes.

But like Afraid of the Dark, there was a moral lesson, or Coda to it. In Afraid of the Dark, generosity and honesty always trump evil. There is always redemption. In The Hunger, in every episode someone desperately wants something – food, money, fame, sex. And when they get it, it destroys them. Usually in some horrible way.

The ending of every episode generally sets The Hunger apart from virtually any other series I’ve written for and anything else on TV, then, or now, in the fact that our protagonist suffers and dies for what he wants, in every episode. (He or she generally have some good sex along the way, which at least mitigates the journey.)

While the world of horror is far from being your mainstay in the world of film and television, you have had some great success in the genre. And this being our Month of Horror showcase and all, I am curious to know what it is you enjoy about working in the more frightening world of suspense and horror? What sets it apart from other projects you tend to work on?

I honestly don’t know why I found an affinity to horror. Again – it’s all storytelling. The better the storytelling, the more effective the horror. It’s a challenge to tell a story that doesn’t just have scary moments, but that also has characters that engross you, and a journey that is plausible, and human enough, for the viewer to want to be with it every inch of the way. A good scary film is not one you watch to see what frightening bit will come next, but rather to see your characters change, learn on their journey. You want to see a bit of yourself in these heroes. The scary stuff is the icing.

What is your favorite scary movie?

That’s a hard one to answer but one film that really stands out for me is Nicholas Roeg’s 1973 film, Don’t Look Now. The opening 7 minutes of the film are a masterpiece of tension, mystery, humanity and terror – all done with magnificent editing, sound design, and virtually no dialogue. Anybody studying cinema should study that film and particularly the opening.

A more recent film that stands out for me is Under The Skin with Scarlett Johansen. She plays an alien who uses her beauty to kill men in an extraordinarily beautiful and creepy way. But she too is on a journey and despite a trail of bodies (or oozing, disappearing masses) one can’t help feel great empathy for her by the end.

What are you plans for the upcoming Halloween? Any kind of traditions you try to uphold each year?

No plans at all. My kids are grown and flown the coop and I have no real connection except to let my wife hand out candies to trick or treaters.

What does the future hold for you? Anything you would like to plug to our readers?

Right now I’ve been hired to rewrite a feature that in a way could fall into Afraid of the Dark arena – a kid who discovers he has paranormal powers. The powers do nothing but get him into trouble and he desperately wants to get rid of them. Have also been brought in to help develop a new Canada/US/Uk co-pro drama series presenting a unique way into the world of Muhamad Ali. Clement Virgo (The Wire, The Book of Negroes) is the director on that.

What was the last thing that made you smile?

My daughter reminding me of the many plays, films and concerts I’ve taken her too, and despite my many faults, still loves me.

Kevin Connor [Interview]

Welcome to Day 26 of Trainwreck’d Society’s Annual Month of Horror Showcase! We have a fully loaded month of all things horror for you fine folks! October is our favorite month for this very reason, and we are so excited to share 31 full days of film showcases and interviews with some of the finest folks from the world of horror, just as we have been doing for the last 5 years. What started as a simple 5 day showcase, has now blossomed into a full blown month long event. You’re going to love this! Enjoy!

I am very excited to share today’s wonderful interview with you fine folks! Today we are speaking with the legendary filmmaker who brought the world such classics as Motel Hell and the Emmy Award winning Hallmark mini-series Frankenstein, which is one of the finest tellings of Mary Shelley’s famous story to ever hit a screen of any kind. It’s the wonderful British bred artist Kevin Connor! The man has had a career that is 60 years long, and has had no sign of slowing down. This is a true testament to Connor’s legendary status in the world of film and television.

Of course Kevin’s work expands WAY beyond the world of horror, we were very inclined to ask him about some of his wonderful work from the world of horror, from both the past and even what the future holds for his stance in the world of horror. It is a wonderful one Folks, you’re going to love it! Enjoy!

What inspired you to get into the world of film and television? Was it an early aspiration to do so, or did you just happen to find yourself in this world one day?

Like most kids of the fifties I was brought up on films at the local cinemas – the main one being the Ritz in Potters Bar – in England. Films fascinated me but it never occurred to me that one could get a job ‘making’ films – so I made do with a borrowed 9.5 mm camera and filmed the Annual School Sports (mainly to get out of running, jumping races and hurling pointy objects around). This led to finishing school at sixteen and wanting to be in the camera department swinging around on one of those Meccano like camera cranes. Unfortunately, the British film industry was in the doldrums but I wrote to every film company in the London Telephone Directory and managed to land a job in the cutting rooms of a documentary company in Soho, London, as a Trainee Assistant Editor.

So, to answer your question – I guess it was an early aspiration at age 14.

Your 1980 film Motel Hell is an absolute staple in the world of horror, making it a cult classic amongst die hard horror fans. I know on a personal level why I still enjoy the film so much, but I am curious to know your opinion. What do you believe it is about Motel Hell that keeps it so damn entertaining almost 40 years after it came out?

No one is more surprised than me that Motel Hell is still popular! It was my first directing assignment that I landed after arriving in Los Angeles – fresh off the boat – so to speak. I suspect it’s longevity and enjoyment is because there is no ‘slasher’ element on-screen. It all happens off-screen in one’s imagination – real horror. Also, the characters play their roles straight and don’t take the ’piss’ out of the genre and at the same time it’s tongue in cheek. There’s an innocence about it.

In 2014, you directed the amazing Emmy Award winning 2-part TV film Frankenstein for Hallmark, that I absolutely loved! Mary Shelley’s classic story has been told and re-told many times over the years. What I am curious to ask about is what exactly do you as an artist do to put your own personal touch to a well-known tale such as Frankenstein? How much of Kevin Connor can one recognize in your telling of this story should they look hard enough?

Frankenstein is one of my favorite TV Mini Series dramas – one that I’m proud of – (despite some of the bizarre editing that was perpetrated by the producers.) Basically, thanks to a great script and wonderful actors. Not to mention a great DP and Production Designer. As to personal ‘touches’ – I’m not sure that I consciously have them – except to say that any such ‘touches’ come out of the pre-production researches and viewing as many Frankenstein films as possible and trying to find a different angle or take on the story. Through long chats with the Production Designer I was fortunate to find several sketches and designs from the 30’s and 40’s of Frankenstein films that never got made. But at the end of the day it’s always down to a good script. My style (if any) is generally a classic approach to the subject matter – clear story-telling, establishing a photographic mood and no complicated flashy editing.

With 60 years of experience in the world of film and television, working in so many different areas of the process, I am curious to know what it has been like to adapt to the vast changes in the world of film production, marketing, etc.? And what would you say are some staples that haven’t changed in the world of filmmaking since your earliest days in the business?

Before moving to Los Angeles I worked some 40 years in the British Film industry – in all the various wonderful studios, Pinewood, Shepperton, Elstree and Twickenham. I was surrounded by great producers, directors, DP’s, Art Directors (they were called in those days), editors, technicians and actors of that era. Everyone knew everyone and you could rub shoulders and network with the best of the best in the bars and pubs in and around the studios. Today it is impossible to find and enjoy that camaraderie because of the way film making technology has developed. Everyone is behind closed/electronically controlled doors. Very little social contact. So that’s what I lament and miss most of all.  So, one just adapts to the changes and go with the flow – what else are you going to do? I was never into the marketing/producing side of the business – but I guess the staples that haven’t changed are that 90% of people in the world of filmmaking love what they do – are dedicated and hard-working. They are still great craftsman and developing the most amazing cinema magic.

While the world of horror is far from being your mainstay in the world of film and television, you have had some great success in the genre. And this being our Month of Horror showcase and all, I am curious to know what it is you enjoy about working in the more frightening world of suspense and horror? What sets it apart from other projects you tend to work on?

The few horror films I directed I have thoroughly enjoyed – except maybe for ‘The House Where Evil Dwells’. The genre does allow you to go beyond conventional set-ups and manipulate the audience unashamedly. Your characters can be ‘over- the–top’ or underplayed. The lighting, music and set design can be more bizarre than for a ‘normal’ film plot. They are just so much fun to make and one gets left alone to play more than with TV projects.

What is your favorite scary movie?

By scary I guess you mean pure horror genre – but I was scared by Rosemary’s Baby and Clouzot’s Wages of Fear.

But I was really really scared by Tobe Hooper’s The Texas Chain Saw Massacre as I recall. I couldn’t watch it through to the end. It was so vivid and such real horror – but I wouldn’t call it my favorite but it sure worked on me. Otherwise Pyscho and The Exorcist are up there as my favorites.

What are you plans for the upcoming Halloween? Any kind of traditions you try to uphold each year?

Actually, no plans – no traditions. Since my kids are long gone into their own worlds I no longer have the excuse to traipse around the neighborhood. Sometimes I go and look at a few extraordinarily over-the-top spookily decorated houses (by SPFX guys) in Toluca Lake. Otherwise I stay home.                                                                               However, I am working on a Halloween script at the moment.

What does the future hold for you? Anything you would like to plug to our readers?

I have several scripts in hand at various stages of development (like every other director in town) –  my favorite is Connemara Days a delightful script set in Cong, Ireland in the 50’s when John Ford and John Wayne were making The Quiet Man. It’s a parallel story of two local kids who were extras in the film and Ford and Wayne’s activities seen from their point of view. Hopefully shooting next year.

The Halloween script – Mortuary Girl – a revenge tale by a teenager that was accidentally killed by her friends but covered up to look like an accident. She returns in the abstract through her mother – every Halloween –  and extracts justice on the kids that killed her and subsequently their offspring.

An anti-poaching romantic comedy set in Africa called Missionary Position. And it’s not what you think!

What was the last thing that made you smile?

As it happens – a few hours ago – part of Obama’s speech at John McCain’s funeral – who was a true American Hero.

MEAT’S MEAT AND MAN’S GOTTA EAT!!!

David Dubos [Interview]

Welcome to Day 25 of Trainwreck’d Society’s Annual Month of Horror Showcase! We have a fully loaded month of all things horror for you fine folks! October is our favorite month for this very reason, and we are so excited to share 31 full days of film showcases and interviews with some of the finest folks from the world of horror, just as we have been doing for the last 5 years. What started as a simple 5 day showcase, has now blossomed into a full blown month long event. You’re going to love this! Enjoy!

Today we have what may be one of the most intriguing interview we have ever done, at least to me on a personal level. David Dubos is a writer and filmmaker who has done some incredible work in and outside of the world of horror. He is a part of one of my favorite franchises, which would be the Leprechaun franchise. But, what has intrigued me the most was learning that he is currently working on a biopic of John Kennedy Toole, which I am so damn stoked for, and hoping that it comes sooner than later! And learning that he is a NOLA based artist makes that fact even better because Toole was from there, and it is frankly the greatest city in the United States. I firmly believe that. Fight me on it as you will, but you will be wrong.

We are so damn excited to share these amazing answers from a truly talented individual here today. Dubos is a hard working and obviously talented human being that has given the world of film so damn much to be excited about, and we are so happy that he was able to take some time from his busy schedule to share a few words with us here. So, please enjoy some beautiful words from the great David Dubos!

What inspired you to get into the world of film and television? Was it an early aspiration to do so, or did you just decide to try it out one day?

When I was very young, my father let me have this old black & white TV with a coat hanger for an antenna.  The only channel that came in clear was a local PBS station.  I’m not sure who the programmer was but he (or she) was definitely a classic film buff because every night they ran a series of classic black & white films, everything from Citizen Kane and Hitchcock to Billy Wilder and film noir to silents from Chaplin and Keaton. It was my accidental film school.  So I got hooked early on. Then like so many filmmakers from my generation, I saw Jaws and was fascinated by the film on many levels. I bought The Jaws Log by Carl Gottlieb and read it dozens of times. (I later met Carl Gottlieb in person and he’s a great guy!).  My parents bought me a Super 8 camera soon thereafter and I started making little movies.  I was also fortunate that in New Orleans (where I grew up) there was a repertory cinema called The Prytania Theater.  They changed films 4x a week and they would mix in recent foreign films into their classic film showings.  This was before VHS so you might say The Prytania was my Blockbuster Video.  That’s how I got bit by the movie bug.

In 1995 you joined in one of my favorite horror film franchises by penning the script for the frightening, yet also hilarious, film Leprechaun 3. I am always curious to know what it is like to jump into an established franchise? How were you able to put the DuBos personal touch to the third installment of the franchise?

That’s an interesting story.  I had been writing spec scripts and had sold one and optioned a couple of others. One of the scripts that got optioned was by a company called Blue Rider Pictures who made Witchboard and Night of the Demons, both successful films for them.  One of the partners was Jeff Geoffray (also from New Orleans).  He called and told me that Blue Rider had been assigned Leprechaun 3 to produce and would I be interested in throwing my writer’s hat in the ring for it.  I was competing against 6 other writers. Jeff told me to write a short treatment and all he said to me was “Leprechaun in Las Vegas”. That was it.  Well, the timing was fortuitous.  I had just returned from a two-month assignment in Vegas writing a spec script about a Cirque du Soleil performer and the time I spent there gave me a pretty good idea of what Vegas was about, not just the place but the people behind the scenes, the players who really ran it.

Mind you, I had not seen either of the first two Leprechaun films.  So Jeff arranged for me to get VHS copies of them. I think I watched about 30 minutes of the first one and 10 minutes of the second one. To me, they weren’t scary, they were just silly.

So I decided to think outside the box.  Instead of trying to write a horror film, I wrote it as a dark comedy, a Grimm’s fairy tale with a satirical edge about the world of gambling.  The idea of a Leprechaun in Vegas, this disgusting creature, greed personified, and he fits right in.  He’s such a perfect fit, no one gives him a seond glance.

I turned in the treatment and then, surprise, I got the job.  I wrote the script very quickly because the production was being fast tracked and they needed pages.  I was cranking them out every day.  I put in a lot of humor and decided that the characters who ended up as the Leprechaun’s victims would die by their own greedy and selfish desires. Hence the woman who wants to be beautiful via plastic surgery dies from her vanity; the magician that wants to be famous via the best trick/illusion ends up being sawed in half; the pit boss is sex-obsessed and he dies from that, etc.  One of my other little “DuBos touches” ended up in the film and again it was something I saw in Vegas. An elderly woman in a wheelchair hooked up to oxygen is putting endless coins in a machine.  Needless to say, I never gambled after my experience in Vegas.

The movie went on to become the biggest selling Direct-To-VHS of that year.  It was supposed to be the last one in the franchise but it made so much money they made 3 more (or 4?).   I also heard it was Warwick Davis’ favorite one of the franchise so that was nice to hear.

I am intrigued by a film you have in the works, Bayou Tales, not only because it sounds wonderful, but it also features our friend Neil Brown Jr. New Orleans is, in my opinion, the greatest American city, but is also can be scary as hell! So, I am excited to know what we can expect to see in Bayou Tales with your amazing talent behind the proverbial wheel. So can you tell us anything about the film?

Bayou Tales is an anthology film, 3 stories, that take place in and around New Orleans.  They’re all different from each other in terms of content and style.  (The trailer is available to see at bayoutalesfilm.com). It’s more in the tradition of the British anthology films of the 1970’s (House that Dripped Blood, Asylum) than Tales from the Crypt.  What I found when I watched those old Brit horror films was the level of talent they had in them.  I mean, Ralph Richardson is in one of them!  Are you kidding me?  So I thought, why not make one of these anthologies, set it here, mix in a lot of Southern Gothic atmosphere, and get really good actors to be in them.  So we have Lin Shaye (who I’m sure you and your readers are well aware of), Roger Bart, a Tony-winning Broadway actor and Neil Brown Jr who you mentioned.  Neil’s segment is interesting.  We ended up reshooting quite a bit of it because I realized halfway through filming that Neil was really talented and I wanted him to be the focus of the story, so I rewrote the script and elevated Neil’s role.  We have one more story to film still.  We’re hoping to finish that this year.  But I have a lot on my plate now so we’ll see.  It’s turning out really well and I’m taking my time with it because I want it to be really good.

While the world of horror is not the only one you work in, you have done some great work in the genre.  And it is our Month of Horror Showcase after all, so I am inclined to ask you how you enjoy working in the world of horror or thrillers? What sets it apart from other genres?

I like all genres as long as the film is good.  But I think most horror films these days rely way too much on gore and that, for me, is a cheap way to make a horror film.  I think most of the great horror films are more psychological. They stay with you, they disturb you, upset you, but they don’t try and disgust you.  The thing about making thrillers (and I’m working on one right now as we speak) is that you get that audience reaction that can be quite visceral.  They jump, they get anxious, nervous, scared, but for all the right reasons. You’re making them uncomfortable, intentionally so.  Hitchcock understood this better than anybody.  He’s my favorite filmmaker because I return to his films more often than any other Director.    William Friedkin once said people go to the movies for only 3 reasons: To Laugh, to Cry, or to Be Scared.  Because films are by their essence an emotional experience.  Horror films and Thrillers aim for a very primal response from the viewers.  And if you pull it off, it can be quite rewarding.

What is your favorite scary movie?

I can’t name just one so I’ll just start riffing on my favorites.  Jaws scared me when I first saw it.  That goes back to the last question. It strikes at a primal fear of almost every human on the planet. What exactly is in that vast ocean?  The answer is that there are monsters that can kill you in the most horrific way.  I’m not a big fan of “monster movies” per se, though I admired the first Alien film even if at the end, it’s a guy in a suit.  Same thing with Predator. Those films don’t scare me because I know they aren’t real.  But Jaws is very real.  So is Psycho.  And, come to think of it, Deliverance.  That’s an intensely frightening film.  Midnight Express.  Silence of the Lambs.  The Stepfather (the original, not the remake) was terrific.  Donald E. Westlake wrote the script for that one.  Doesn’t get better than him.  What’s another classic one?  Freaks is very shocking still.  Eyes Without a Face.  Diabolique.  The Other, which is kind of forgotten, is still very disturbing after all this time.  And The Changeling with George C. Scott, the ultimate haunted house movie.

One recent film that I thought was brilliantly done was Martyrs, a French film.  It went off in so many interesting directions.  Of course, I have to cite The Exorcist.  It’s an amazing film on many levels but even Friedkin doesn’t call it a horror film which is interesting.  There’s also this little-known Belgian film called Baxter about a pit bull that talks (narrates) his story.  Have you seen that one? It’s wickedly funny and very distubing.  Jacques Audiard (who’s a great filmmaker by the way) wrote the script for that one.

Anything that’s reality based is frightening to me. I’m working on a thriller now that fits into that idea.  It’s a very real type of situation that can happen to anyone if you find yourself in the wrong place at the wrong time.

What are you plans for the upcoming Halloween? Any kind of traditions you try to uphold each year?

Last year, I was in Los Angeles and went with my friend Robin Matthews, an Oscar-winning makeup artist (for Dallas Buyer’s Club) to see The Nightmare Before Christmas.  Believe it or not, she hadn’t seen it. So I went with her and her Mom (they’re from NOLA as well).  This year, a couple of friends who own a local indie cinema here are showing the 40th Anniversary screening of Halloween.  So I’ll probably go see that.  Maybe go to a party or two depending on my schedule. Of course, if I’m in the middle of filming, I won’t have time to do anything fun.

Beyond the world of horror, I understand you are working with our new friend Oley Sassone on a biopic about John Kennedy Toole entitled Butterfly in the Typewriter. I had no idea about this project until Oley mentioned it, and I can not tell you how damn excited I am to see this! For those who may not be aware of Toole or A Confederacy of Dunces and the story behind the book being published, can you tell us a bit about it? And what made you decide to jump in a share this story with the world?

First of all, A Confederacy of Dunces is one of the great modern literary classics.  I can’t tell you how many people all over the world love that book and admire Toole.  Toole himself is a bit of an icon, he embodies the meaning of undiscovered talent.  I’m sure many writers, not just novelists, and other artists look up to him as a symbol of the neglected genius and certainly, many of those same artists and writers have probably projected themselves onto Toole.

To me the story behind the writing of his great book is the ultimate David and Goliath story in the arts.  How about this for a pitch? An elderly lady, destitute and living with her brother, finds her dead son’s unpublished manuscript, one that he toiled on for years, put his heart and soul into it, only to see it get soundly rejected by a famous literary editor and publishing house.  Already suffering from schizophrenia, he descends into madness and commits suicide at a young age (32).  Years later, his mother, after discovering the novel, gets it into the hands of a famous writer who champions it to publication and then it wins the Pulitzer Prize for fiction.  I mean, you couldn’t script a more bittersweet ending to that story than that.

I read Cory MacLauchlin’s book (and found it quite by luck or accident or fate, but that’s another story) and immediately I saw it as a film.  I wrote the script and we assembled a cast of talented actors.  Elijah Wood’s company is co-producing the film with me.  We are in the last stages of financing so we’re hoping to get it into production beginning early next year.

What else does the future hold for you? Anything else you would like to plug to our readers?

As I said before, I have another script I’m trying to make, a psychological thriller that a friend originally wrote and I’ve now rewritten.  We’ll see.  It’s very Hitchcockian but also has Southern Gothic elements to it.

I’ve also written a limited series about New Orleans featuring a bevy of characters who intersect with each other in different ways.  It’s got humor, heart, drama, tragedy, a virtual gumbo pot of emotions.  It’s much like Altman’s Short Cuts but set in New Orleans. It also has a supernatural undertone to it. I’m very proud of it.  I believe it contains some of my best writing.

I’m also finishing a documentary on the late singer/songwriter Bobby Charles who hailed from Abbeville, Louisiana, right in the heart of cajun country.  Bobby had a really interesting career. He started out in the mid-1950’s as a very young (16 years old!) singer during the early years of rock ‘n roll.  He was the first white singer to sign with Chess Records.  They had primarily black singers and musicians, and Bobby was signed to that label because Leonard Chess thought he was a mid-30’s black soul singer when in reality he was a skinny 16-year-old cajun.  He toured with many famous black musicians and thus, became a target of bigots.  He went on to write many songs for the likes of Elvis Presley, Willie Nelson, Fats Domino, Kris Kristofferson, Neil Young and many others. He was part of The Last Waltz, the Band’s final concert that Scorsese made into a great concert film.  Interestingly, Bobby’s on the soundtrack but he’s the only one on there that’s not in the film.  There’s a mystery surrounding that. After that concert, he became a recluse and never performed in public again though he continued to put out records with the assistance of his longtime friend, Dr. John, another NOLA musical icon.  He’s a fascinating story.

What was the last thing that made you smile?

I definitely smile when the Saints win, when I see a great film, and when a beautiful woman smiles at me.

Vanessa Grasse [Interview]

Welcome to Day 24 of Trainwreck’d Society’s Annual Month of Horror Showcase! We have a fully loaded month of all things horror for you fine folks! October is our favorite month for this very reason, and we are so excited to share 31 full days of film showcases and interviews with some of the finest folks from the world of horror, just as we have been doing for the last 5 years. What started as a simple 5 day showcase, has now blossomed into a full blown month long event. You’re going to love this! Enjoy!

Today’s interview subject is an absolutely brilliant actress who has taken the world of horror by storm with some pretty incredible performances. From big budget films like Leatherface, to a more modestly budgeted but equally impressive It Came From the Desert, and right back to some brilliantly hilarious and thrilling SyFy originals. Vanessa Grasse is the type of performer who has truly herself to be a genius in the world of horror, but is obviously geared up to move on to the next level. Grasse is simply too obvious of a talent to be pigeonholed into one genre. But, as a hardcore horror fan, I hope she doesn’t leave us for good! Have fun expanding your career that you surely deserve….but don’t forget about us!

So Folks, please enjoy some words from the sensational actress we adore so much, the wonderful Vanessa Grasse!

What inspired you to get into the world of acting? Was it an early aspiration to do so, or did you just happen to find yourself in this world one day?

I’ve always enjoyed doing impressions of people and different accents to make my friends laugh; I was a bit of a class clown at school. I’ve also always loved the idea of being someone else and taking on another persona. But it wasn’t until I was 14 that I discovered acting. I auditioned for the annual school play with my friends and I got the main part! I was so surprised but I absolutely loved being on stage, and from then on continued doing school plays and eventually also got a drama scholarship. Deep down I wanted to act professionally but a huge part of me thought it would never be possible, given how popular and competitive it is. So I studied English and Theatre at university but after that moved back to London to get an agent and pursue acting. I knew if I didn’t at least try I would regret it for the rest of my life, and luckily, so far it’s been going okay!

We have a real love for SyFy Original films here at TWS, and have featured several folks who have been involved with them. And we are doing so again! You appeared in the brilliant and hilarious film Roboshark! So how was that experience for you? What sets working on a SyFy film apart from other projects you have worked on?

That was my first ever acting job! We shot the entire film in 2 weeks in Bulgaria, so everything was fast paced with no room for mistakes. It was great to be thrown into the deep end and the cast, particularly Alexis and Isaac, were so easy to get on with. The script was very over the top and silly so everyone on set had a relaxed attitude.  It was fun to be part of a spoofy/tongue in cheek movie, similar to another project I worked on called It Came from the Desert.

Vanessa Grasse in “Leatherface”

In 2017, you appeared in the amazing installment to the Texas Chainsaw Massacre franchise, known as Leatherface, which was co-produced by our dear friend Christa Campbell. So what was it like to dive into this absolutely legendary franchise?

It was very overwhelming! I watched the original TCM when I was younger and knew the franchise was adored by many. It’s one of the best horror films of all time so there was pressure to do the franchise justice.  The cast and crew were an absolute dream to work with, I couldn’t have asked for a better team to have on a job when I was still learning and starting out. The most challenging aspect was probably being covered head to toe in fake blood every day for about two weeks! It would dry but get very sticky so my legs and arms would get stuck together or I’d get stuck to a chair if I sat down! I learnt so much on this film and met some amazing people who I still speak to every week. It was an incredible experience and I’m so thankful to be part of such an epic franchise.

Vanessa Grasse in “Open 24 Hours”

While the world of horror is not the only one you work in, it is our Month of Horror Showcase after all, so I am inclined to ask you how you enjoy working in this genre? What sets it apart from other genres?

You say that, but most of the films I’ve done so far are horrors! I have two more horror films coming out over the next few months, one is called Astral and the other is Open 24 Hours.  For some reason I keep getting cast in horror films. When I was growing up my mum and I would watch all the classic horrors so maybe somehow it’s rubbed off on me! I really enjoy working in this genre. Even though the material might be dark or disturbing the atmosphere on set is always light and fun.  You also get to do awesome things like learning stunts, using weapons and prosthetics and being chased either on foot or by car. I feel like some films may have given the horror genre a bad reputation but recently I’ve seen some horror movies that have blown my mind!

What is your favorite scary movie?

The most recent horror film I saw was Hereditary. I went to watch it on my own in the cinema, which I thought would be a great idea, until I realized I was the ONLY one in the entire movie theatre! It was one of those screens with hundreds of seats so I was freaking out and considering leaving but then luckily a couple came in just before it started. Even though it was terrifying I absolutely loved this film and couldn’t believe it was Ari Aster’s directorial debut. I love how he shot it and thought the entire cast were phenomenal.  I also love Don’t Breathe, The Conjuring and Get Out.

What are you plans for the upcoming Halloween? Any kind of traditions you try to uphold each year?

Every Halloween is different for me but I’ll always do something to celebrate. One year I dressed up and did the parade down Santa Monica Blvd in LA which was fun! I’m not sure what I’m doing this year yet but I’m sure it’ll involve dressing up. I’m not the kind of person to do a Ouija board or anything, I wouldn’t be able to sleep!

Vanessa Grasse in “Open 24 Hours”

What does the future hold for you? Anything you would like to plug to our readers?

I’ve got two films that should be coming out in the next few months, as I mentioned earlier. One is called Astral, a British independent horror film about astral projection, spirits and demons with Frank Dillane (Fear of the Walking Dead) and Damson Idris (Snowfall). Paranormal horrors are my favourite because they’re usually really jumpy.  The other is called Open 24 Hours where I play Mary, a mentally unstable woman whose just been released from a psychiatric hospital, and her serial killer ex boyfriend is tracking her down for revenge. Even though I love horror films I’d love to branch out into comedies or period dramas.

What was the last thing that made you smile?

A dog compilation on YouTube.

Check out this trailer for Vanessa’s upcoming film, Open 24 Hours:

Shay Astar [Interview]

Welcome to Day 23 of Trainwreck’d Society’s Annual Month of Horror Showcase! We have a fully loaded month of all things horror for you fine folks! October is our favorite month for this very reason, and we are so excited to share 31 full days of film showcases and interviews with some of the finest folks from the world of horror, just as we have been doing for the last 5 years. What started as a simple 5 day showcase, has now blossomed into a full blown month long event. You’re going to love this! Enjoy!

Hello Folks! We have an absolutely wonderful interview to share with you all today. Today we have a terrific interview with a very talented child star turned teenage sensation turned adult human actor who has been entertaining the masses for almost as many years as she has been alive. It’s Shay Astar! Shay was a regular figure for me as a young boy growing up in the 90’s, and I will admit that she was indeed one of my first celebrity crushes from that era.

Shay appeared in one of the best Halloween films of all time, in my and many other’s opinions I am sure, which would Ernest Scared Stupid, when she was but a child. And let me tell you people, these Ernest movies hold up! I literally shared this wonderful film with my three daughters, and they absolutely LOVED it! It’s a pure-hearted silliness that is so hard NOT to love.

I watched this particular Ernest movie a whole lot as a kid, and it was such a great when she became a regular on a television show I loved alongside the brilliant Joseph Gordon-Levitt known as 3rd Rock From The Sun. So yeah, Shay was a pretty big deal to me then, and remains so now. She has continued to work extensively in the world of film and television, and we are so happy that she was able to share some words with us all here today as we near the end of our Month of Horror showcase that has been so great to share with you all.

So, please enjoy some wonderful words from the brilliant Shay Astar!

What inspired you to get into the world of film and television? You have been at it for a quite a while, so was it always something you aspired to do?

There are a lot of performers and writers in my family going back generations so it’s in the blood. I started dance lessons at 3 years old and I took practice and performance very seriously, even then. I would also put on variety shows for my family, performing skits and doing original songs at four years old. I think it was obvious to my parents that I was going to be a performer one way or another and I’m incredibly grateful that they helped me find a disciplined, structured approach. I just love it, I always have, it’s a huge part of my life.

In 1991, you appeared in what would be one of my favorite Halloween movies, but just one of my favorites in general. And that would Ernest Scared Stupid, the most superior of the Ernest films in my opinion. It’s just so damn silly and entertaining (I still sometimes call milk “miak”…it’s almost been 30 years!). So what was it like as a young person to work on such a brilliantly silly film?

You know, I took the work very seriously. I always wanted to do the best I could and to make the people I worked with proud. Jim Varney was such an interesting, intelligent man and he was also deeply kind to me. I took my cues from the adults on set about how to behave and Jim would joke around with us in between takes but was focused and devoted to his craft in every moment. And we also had the legend Eartha Kitt on set and she was also extremely focused and serious about her work. So, even though it is absolutely a hilariously silly film, I was there to work and to learn and I was very lucky to with with such skilled actors and comedians.

While the world of horror is not the only one you work in, you have given some great performances in the genre.  And it is our Month of Horror Showcase after all, so I am inclined to ask you how you enjoy working in the world of horror or thrillers? What sets it apart from other genres?

The most interesting thing I’ve noticed about working in the world of horror is that the people involved have proven to be the most well-adjusted, kind-hearted, good-natured people I know. It’s amazing! I wonder if it’s just that horror is fantasy, so there’s a wonderful element of childlike play and imagination involved. I don’t know what exactly it is but all the people I’ve worked with have been sunny, happy people. Isn’t that funny?

What is your favorite scary movie? 

I hate to admit this but I actually do not like scary movies! The last horror move I watched was The Ring in 2002 and it took me like 3 years to get over it. Some of the more recent “horror” movies I’ve worked on are most psychological horror that involve the monster within, and those I can watch. But anything involving ghosts or monsters or demons or anything, NO THANK YOU! Way too scary for me- my imagination runs wild and I turn into a kid again, thinking there are monsters in the closet.

What are you plans for the upcoming Halloween? Any kind of traditions you try to uphold each year?

I really enjoy going to Olvera street in downtown LA for the Dia de Los Muertos. I love the idea that it’s the one day of the year when the lines between living and dead can be crossed. Like the wonderful movie Coco. I also love seeing all the little kids in their costumes. I’ve gone to the Hollywood parade a lot and that’s also so so fun. One year, many years ago, I went to the re-release of The Exorcist on Halloween and after that I had to sit Halloween out for like 5 years. This year, I have a new baby so I’m probably going to dress him up in something ridiculous and take a bunch of pictures.

What does the future hold for you? Anything you would like to plug to our readers?

Thanks for asking! I have a short film I wrote and directed that will hopefully be starting to make the rounds by the end of the year. As long as you guys will keep googling me or follow me in instagram, I’ll keep updating with my new work!

What was the last thing that made you smile?

My 5 months old son finds the word “Potato” to be the world’s most hilarious thing and his joyful laughter makes me smile every time :).

Joleigh Fiore [Interview]

Welcome to Day 22 of Trainwreck’d Society’s Annual Month of Horror Showcase! We have a fully loaded month of all things horror for you fine folks! October is our favorite month for this very reason, and we are so excited to share 31 full days of film showcases and interviews with some of the finest folks from the world of horror, just as we have been doing for the last 5 years. What started as a simple 5 day showcase, has now blossomed into a full blown month long event. You’re going to love this! Enjoy!

It is another fine Monday here at Trainwreck’d Society, and we are kicking off this week like we do most weeks, with a wonderful interview from a brilliant person from the world of horror and beyond. Today we have some great words from the talented actress Joleigh Fiore! She has portrayed the character Jenna in the film Hatchet, as well as the film’s sequel Hatchet II. And that is why we thought her to be perfect for our Week of Horror. Of course, she is also an accomplished actress outside of the world of Horror, working on projects like Tennis, Anyone? with our dear friend & comedian Kirk Fox, as well as numerous other films like Rampage: The Hillside Strangler Murders and Trespassers. Not to mention TV appearances in shows like Nip/Tuck, CSI: Miami, The Mentalist, and more!

She is a wonderful human being, and we are so excited to have her on the site today. So please enjoy some wonderful words from the brilliant Joleigh Fiore!

What inspired you to get into the world of film and television? One would assume you had a close influence in the world, but that isn’t really fair. What was it about this world that, to you personally, really drew you in?

I’ve always been a very outgoing, dramatic & exuberant person, even as a child. Whether it be a school play ,family gatherings or just a random grocery store trip, I was always “putting on a show” as family would say. As far as close influencers go, my Grandmother was my biggest supporter and co-signer of me pursuing acting professionally.

Additionally, Jim Carrey, is a close second to being the most influential  in my decision to purse acting professionally. He was, is and will always be the reason that I decided to make my dream a reality. I saw him on In Living Color for the first episode and was like “THAT’S what I want to do, I want to entertain like him”.

I really enjoyed both of the fantastic Hatchet films you worked on. It’s one of the best modern horror series around right now. So I am curious to know how it was to work on such a damn fine couple of films spawned from the mind of Adam Green?

Well thank you for that generous compliment! It truly is so amazing working with Adam F’ing Green (as we like to call him;). His visions are so ahead of his time in my opinion. I would describe him as a creative genius who is simultaneously the most down to earth, funny and twisted (in a good way), director/writer/performer and now friend, I’ve ever worked with. He’s just great, he’s “Adam F’ing Green!”

Beyond the world of horror, you worked on a wonderful film that was co-written by and featured a dear friend and past TWS guest, comedian Kirk Fox, entitled Tennis, Anyone? I am curious to know what the set life was like on a project like this? Was it as fun to work on as it was for viewers to watch?

OMG what a great time I had on that set! Kirk and Donal are both each so funny naturally

On their own, so when you put those two together on a set the improv and laughs just kept coming! They had the whole crew in stitches on and off camera. Kirk is someone who makes me laugh the min I hear his voice or see his face, he just has that “thing”!.

While the world of horror is far from being your mainstay in the world of film and television, you have had some great success in the genre. And this being our Month of Horror showcase and all, I am curious to know what it is you enjoy about working in the more frightening world of suspense and horror? What sets it apart from other projects you have work on?

Horror and Comedy have always been my 2 favorite genres of film to watch as well as act in.

Horror is just so amazing because of the Fans! As a fan of horror  myself, I know first hand all of those scary, suspenseful feelings that are deep within us and then invoked when watching a horror film. So knowing that I loved horror movies so much and how much of a role they played in my childhood memories, and then getting to be part of them is what makes my job so great. The Horror genre has the best Fans, just saying!

What is your favorite scary movie?

Halloween, HANDS DOWN! Oh man that Michael Myers! I tell ya, he’s still haunting me in my dreams! I seriously til this day will have this reoccurring dream that I get a call and the person tells me that Michael Myers is coming for me and to be on the look out and so I sit and wait all night for him and I see him start coming towards me from across the street like he does when he’s Heading to the Doyle’s house for Laurie Strode. There is something that gets me real good when I watch Halloween!

What are your plans for the upcoming Halloween? Any kind of traditions you try to uphold each year?

Well, I absolutely love Universal Studios Hollywood Horror Nights.

The mazes are so good and the actors are so scary and do not break character at all! I have such a fun time, so I do that every year. This year one of the maze themes is a tribute to none other than my favorite movie Halloween! I cannot wait to see what they’ve come up with this year! surely, it won’t disappoint! Speaking of, I’m super excited to see the highly anticipated release of the new Halloween! I hear it’s the best one! That’s some tough shoes to fill so let’s see!

What does the future hold for you? Anything you would like to plug to our readers?

Lots of good stuff happening, I’m traveling to Vancouver for a film which shoots in early November then off to NY for some more filming and catching up with fam, to which I will be keeping fans updated via my Insta @jofiore23, on all the things 🙂

What was the last thing that made you smile?

This interview of course!!! Oh and playing with my Sharpei-Bully mix, Haddie! She’s the best!

Hank Braxtan [Interview]

Welcome to Day 19 of Trainwreck’d Society’s Annual Month of Horror Showcase! We have a fully loaded month of all things horror for you fine folks! October is our favorite month for this very reason, and we are so excited to share 31 full days of film showcases and interviews with some of the finest folks from the world of horror, just as we have been doing for the last 5 years. What started as a simple 5 day showcase, has now blossomed into a full blown month long event. You’re going to love this! Enjoy!

What inspired you to get into the world of film and television? Specifically in the field of visual makeup effects? Was it an early aspiration to do so, or did you just happen to find yourself in this world one day?

Well as a kid that worshiped Halloween, I always loved November 1st almost as much as Halloween…because all the make up and costumes were like 75% off!  I used to stock up.  As a young do-it-all-myself filmmaker, I learned some special make up effects by necessity.  I also used to love behind the scenes documentaries, so I would often try to emulate what I saw in those. 

I am very intrigued by one of your latest projects entitled Snake Outta Compton. It’s such a unique sounding project that I feel compelled to ask one of the most basic questions: What made you want to put a project like this out into the world?

The title, really.  I had a couple of bad bounces as far as projects go, and needed something that I could just have fun with and be creative.  Snake was a good opportunity for that, and the timing was perfect.  Of course, it ended up being so much work (and so little pay), that I ended up spending almost 2 years on it.  Very stressful project…but I really like the film, and the cast and crew are great people.

You are an extremely multi-faceted person in your line of work. There doesn’t seem to be many gigs that you haven’t done, from writing or directing, to editing and special effects. With that in mind, I am curious to know what your favorite part of creating a film? If you were only able to work in one field for the rest of your career, what would it be? Why?

That’s tough…I can’t imagine myself not doing almost everything on set…especially in micro cinema where you don’t have budget for all the proper positions.  I suppose in this hypothetical, I’d have to be on big budget stuff, in which case I’d have to say directing would be my main goal.  Then again, I really enjoy producing for other directors.

While the world of horror is not the only one you work in, you have done some pretty amazing work in the genre.  And it is our Month of Horror Showcase after all, so I am inclined to ask you how you enjoy working in this genre? What sets it apart from other genres?

It’s probably my favorite (other than Sci Fi and Comedy…but I like to mix those into the Horror) mainly because I grew up with it.  The effects, the monsters, the mood…it’s all so fantastic.  Plus, horror fans are so forgiving…they want to like your movie, and so lower budgets can deliver a satisfying experience.  I think a lot of horror fans have suffered through a lot of tragedies in their lives, or themselves were outcasts as youth…horror is a great escape.

What is your favorite scary movie? 

It’s hard because not many of them scare me.  As a kid, I was pretty terrified of A Nightmare on Elm Street 2, and also the super low budget “Monster Dog”…probably because I was 5 or 6 years old when I was watching them.  As an adult, I don’t think anything has given me nightmares like The Ring (or moving, ha ha ha!).

What are you plans for the upcoming Halloween? Any kind of traditions you try to uphold each year?

There are some parties I like to go to in LA, and of course, I like to cram the whole month with horror viewings…something about October just feels right.

What does the future hold for you? Anything you would like to plug to our readers?

Watch Snake Outta Compton with an open mind…then we’ll see what comes up next.

What was the last thing that made you smile?

I think it was a cat video.

Caleb Emerson [Interview]

Welcome to Day 18 of Trainwreck’d Society’s Annual Month of Horror Showcase! We have a fully loaded month of all things horror for you fine folks! October is our favorite month for this very reason, and we are so excited to share 31 full days of film showcases and interviews with some of the finest folks from the world of horror, just as we have been doing for the last 5 years. What started as a simple 5 day showcase, has now blossomed into a full blown month long event. You’re going to love this! Enjoy!

We are trucking along here folks, and it has been a wonderful winding road thus far. Today we are chatting it up with a wonderful filmmaker who made waves in the indie horror world in 2005 with the brilliant film that he wrote and directed entitled Die You Zombie Bastards! It’s Caleb Emerson Everyone! Caleb has worked not only behind the screen, but has done some amazing in work in front of the camera as well, including a great role in 2012’s I Spill Your Guts which also happens to feature our new friend Genoveva Rossi! Not to mention his work in the wonderful world of Troma that he did alongside our other new friends Asta Paredes and Catherine Corcoran on the wonderful film Return to Nuke ‘Em High.

We talk a bit about these projects, and so much more in this wonderful interview with the great Caleb Emerson. You’re going to love it! Please enjoy some wonderful words from this amazing artist!

What inspired you to get into the world of film and television? Was it an early aspiration to do so, or did you just happen to find yourself in this world one day?

It was pretty early. I grew up during the VHS boom of the mid eighties and I spent a lot of time at our local video store, so I got excited about movies at a pretty early age. Genre movies and comedies were always my favorites. When I got a little older and started reading Fangoria and Gorezone I read interviews with horror film makers and realized it might actually be a possibility to make one myself. Bad Taste in particular was the one that really got me to thinking I could do it. Peter Jackson pretty much hand-made that whole movie over a long period of time with his friends and local talent and Haig and I set out to do the same with Die You Zombie Bastards! I taught myself how to do make up FX, we both made most of the props and sets. We were lucky to be around so many talented people who could lend their skills to that movie. 

You have worked in the wonderful world of Troma Films, one that we have covered excessively here at TWS, and always love to hear more! So how was it working under the guise of someone like Lloyd Kaufman and the wonderful bit of weirdness that Troma has brought to the world?

Lloyd is amazing and he’s the real deal. Just watch any of the “making-of” features that accompany his movies. It’s really, really hard work to be involved with one of his productions, and isn’t always pleasant, but it’s really rewarding and you can learn more than on any other set. It is 100% what you make of it. Some people show up thinking it’s going to be a party, and those people usually wind up going home. Lloyd is like a slave driver, and a cult leader and he can be frustrating to work for…but when it’s all over you realize he’s a genius and he’s one of the most generous people I’ve ever know with favors and with his time.

Probably one of your best known works would be the brilliant cult classic of a film, Die You Zombie Bastards! How did you come up with the concept of this film? And is there anything about this film specifically that makes it special to you?

Thanks. It was written kind of stream of consciousness-like by myself and Haig Demarjian, and a good deal of the material came from or was at least inspired by the lead actor, Tim Gerstmar. I made a series of short film in college starring Tim where he played the character Red and Die You Zombie Bastards! sprang from those. They were mostly just jokes between me and Haig and Me and Tim brought to life. It took a little over 2 years to shoot (not straight…a few days every couple of months)  and another year and a half to edit. It’s a really personal film to me and  it was a pretty major part of my life. That may sound silly saying that about that kind of movie, but it’s true.

Outside of the world of horror, you have had a long running gig as an editor on the very popular Comedy Central series, Tosh.0. How has it been working on a show like this? Is it as hilarious to work on as it is to watch?

Tosh.0 has been a fantastic job. I’ve been on the show for 8 years and it’s provided me the stability to pursue other projects while having a normal life as well.  Is it hilarious to work on? I guess, compared to most other shows…I get to be on it all of the time and I have done some pretty ridiculous stuff on TV.

While the world of horror is not the only one you work in, it is our Month of Horror Showcase after all, so I am inclined to ask you how you enjoy working in this genre? What sets it apart from other genres?

One way in which it’s different is that there is such a huge, crazy fan base that in some ways it’s easier to find an audience and interact with them. I’m not saying that it’s necessarily easier to make a living doing that, but if my first film had been a romantic comedy, or a western…there aren’t conventions all around the country to go to to promote your film, and fans aren’t clamoring for t-shirts and toys related to your movie. It’s a very interactive scene and I’ve met a lot of great people.

What is your favorite scary movie?

Movies rarely scare me, but my favorite movies that are considered straight horror movies are The Texas Chainsaw Massacre and The Exorcist. The stuff I make is nothing like them, but I would say that those two films are essentially perfect. Each is like nothing that came before it and each has been endlessly copied (unsuccessfully) and even though it may not be obvious on the surface, each was a big influence on me.

What are you plans for the upcoming Halloween? Any kind of traditions you try to uphold each year?

My wife and I usually make the rounds to Universal Halloween Horror Nights, Knotts Scary Farm, and those kinds of things. Los Angeles is an amazing place for Halloween. There are so many haunted attractions, and clubs that do Halloween events. This place is crazy and filled with crazy, wonderful people. We also have a son now who is just getting to the age where we can take him to do Halloween stuff so we’re figuring out what to do with him this year. Probably a few parties and trick or treating around our neighborhood in Glendale.

What does the future hold for you? Anything you would like to plug to our readres?

I have a somewhat secret TV series in development that I can’t talk about, but my partner Dan and I are pitching it to networks as we speak. If it happens, it’ll be the most amazing show ever…exactly the kind of show I would want to watch. We also have an adult animated series that we’ve been shopping around. I  probably won’t make another movie in the way we made DYZB and the way I made my second movie “Frankie in Blunderland”…the raise all of the money, do everything yourself and then try to sell it method. It drove me crazy and I don’t know if I have it in me to do again, so I’m trying my hand at doing things a little more traditionally. Keep an eye out…I have many things brewing!

What was the last thing that made you smile?

Probably something my son said. That kid cracks me up every day and I can’t wait to see what kind of brilliant weirdo he turns into.

Check out this trailer for 2005’s Die You Zombie Bastards! and check it out on whatever platform it is available:

Catherine Corcoran [Interview]

Welcome to Day 17 of Trainwreck’d Society’s Annual Month of Horror Showcase! We have a fully loaded month of all things horror for you fine folks! October is our favorite month for this very reason, and we are so excited to share 31 full days of film showcases and interviews with some of the finest folks from the world of horror, just as we have been doing for the last 5 years. What started as a simple 5 day showcase, has now blossomed into a full blown month long event. You’re going to love this! Enjoy!

17 straight days in Folks, and it is only getting better and better! Today we have some amazing words from a brilliant performer who has dominated not only the world of horror, but specifically our beloved Troma series as well! It’s Catherine Corcoran, Everyone! She is an amazing and talented actress that has been killing it in the world of horror (pun intendend). She also worked on  a film that we have been talking about a lot here at Trainwreck’d Society entitled 100 Acres to Hell, produced by our friend Ernie O’Donnell and featuring our new friend Genoveva Rossi, that we are so excited to see…..soon?

Catherine was nice enough to give us some words for this year’s Month of Horror showcase in which she discloses what exactly it is she loves about the world of performance, working in the world of Troma, and so much more! She is an absolutely delightful person and we are so excited to have her grace our digital pages here today! So Folks, please enjoy some great words from the brilliant Catherine Corcoran!

What inspired you to get into the world of film and television?  Was it an early aspiration to do so, or did you just happen to find yourself in this world one day?

I have always had a passion for storytelling. Growing up, you could find me organizing performances of nursery rhymes or various dance routines on the recess yard. 

As I got older, that transitioned into more organized theatre and professional productions but I also developed a passion for a variety of social-political issues and corresponding activism. This was often very frustrating for me, because I so often was met with a general indifference to these issues by my peers. 

It wasn’t until I saw Darren Aronofsky’s Requiem for a Dream, that I connected the two things. I felt such a visceral, physical sickness watching that film and it helped me to understand the importance of storytelling, particularly in that medium. Often, cinematic experiences are the only way that we can understand the experience of another human or situation. It moves us, but also frees us, because at the end of the experience, we are purged of whatever suffering we may have witnessed, with a new understanding and, subsequently, the ability to create change. 

I think genre cinema in particular has always had this impact on its audiences, so I was definitely drawn to it in that regard. I was a huge Buffy the Vampire Slayer fan, growing up, and I think John Vulich’s work creating the practical monsters in that show to still be some of the most haunting that I’ve seen. 

Though, it wasn’t until working in the medium that I really developed a understanding of the FX processes and an appreciation for the work that goes into creating characters like that. I was super fortunate to be exposed to that work, early on in my career, and even more fortunate that the artists on those projects (Doug Sakmann, Lisa Forst, Kaliegh and Jason Koch) allowed me to see some of their process and educate me on it. They truly are masters.

You recently worked with our old friend Ernie O’Donnell that we are very excited to hopefully see soon entitled 100 Acres of Hell. It is a very intriguing story, so I am curious to know what your experience was like working on this unique project? 

Ernie is wonderful. I met one of his production partners, Ed McKeever, while promoting another film in the horror circuit and they (with Jason Koerner) really went out of their way to bring me on 100 Acres. Creating an entirely new horror villain and mythos is not an easy endeavor and the whole team did a great job. Ernie and his team are legends in their own right, and it was an honor just to be able to work with them. 

You are rightfully renowned for your role as Lauren in Troma’s brilliant Return to Nuke ‘Em High and its follow up film. There was a four year gap between the two films being released. With that, I am curious to know what it was like to dive back into that world after some time had passed? Was it a “like old times” scenario when you met up with everyone again? 

Thank you so much for the kind words. I honestly met some of my best friends on that production, and am lucky that many of us still stay in touch. Being that we’re friends, I had actually seen much of that team in-between releases, so it wasn’t all that different. Still anytime there is a screening or event for either film, it’s an awesome excuse to get everyone together and a blast to hang with everyone again. 

While the world of horror is not the only one you work in, you have done some pretty amazing work in the genre. And it is our Month of Horror Showcase after all, so I am inclined to ask you how you enjoy working in this genre? What sets it apart from other genres? 

Thank you so much. I think this harkens back to what I was talking about earlier, regarding the ability that cinema has to create an experience that you may not otherwise have or understand. 

Of course, the horror genre takes this to an extreme, but fear itself is an innately primal feeling- necessary for survival. I think we can connect to one-another in sharing those moments of “safe-terror” in a theater, because we all understand that emotion. 

I also think that the best horror films serve as allegories for larger societal tropes or archetypes, and I really enjoy being a part of work that challenges it’s audience and makes them reevaluate things.

What is your favorite scary movie? 

That’s a touchy one! I have a few that rank pretty high up there. The first true-horror film that I ever saw was, Hitchcock’s The Birds, so that one has a real special place in my heart. It was a slumber party in a neighbor’s basement, so the environment was perfect for a horror introduction, and I couldn’t have chosen a better master director to dive in with. 

After that, I really love late eighties- early nineties horror (especially ones with great soundtracks). Joel Schumacher’s The Lost Boys and Andrew Flemming’s The Craft are still two of my favorite films of all time. People argue that The Craft isn’t horror, but I don’t feel that way. I mean, come on, with the demonic possession and snake-man chasing young girls down the street?! Get out of here with that nonsense. 

Then more recently, The Babadook was the first modern horror film in a while to give me nightmares (shadow monsters are never good to watch before bed- thanks Jennifer Kent!), and Robert Eggers knocked it out of the park with The Witch– the dialect work alone in that film is outstanding. 

What are you plans for the upcoming Halloween? Any kind of traditions you try to uphold each year? 

I honestly haven’t gotten that far yet, but I do try to outdo myself each year with pumpkin carvings. A few years ago I did a Fairuza Balk [from] The Craft pumpkin which I thought was pretty cool. My boyfriend and I have a lot of fun making our own cinema-inspired couples costumes from scratch, so we’ll probably try to do that again, this year. We did Mad Max and Furiosa a few years back (I built the mechanical arm out of a football pad, motocross glove, belts and miscellaneous wires), and then we did Leeloo and Corbin Dallas two years ago (we won a prize for that one, haha) and last year we did Mick and Mallory from Natural Born Killers– so who knows what’s in store for this year! 

What does the future hold for you? Anything you would like to plug to our readers? 

I’m really excited for the release of the upcoming feature Long Lost, by Erik Bloomquist, which starts doing the festival circuit in October. It’s not a horror film but definitely has a ton of thriller elements and some really great horror film alumni cast, and I’m really proud of the work that we did on it- so definitely keep an eye out for that. 

Then in a very different note, you can see me in the TV feature, The Last Vermont Christmas by David Jackson, this Holiday Season. That whole team is just the sweetest, as is the film. 

And I just signed on to be involved in the development of another feature with Ernie O’Donnell, Ed McKeever, Jason Koerner and team so keep a look out for updates about that as well. 

What was the last thing that made you smile? 

At this very moment, my puppy, Luna, is rolling on her back because she wants my attention over this article, and I cannot help but be filled with smiles.

Sarah French [Interview]

Welcome to Day 16 of Trainwreck’d Society’s Annual Month of Horror Showcase! We have a fully loaded month of all things horror for you fine folks! October is our favorite month for this very reason, and we are so excited to share 31 full days of film showcases and interviews with some of the finest folks from the world of horror, just as we have been doing for the last 5 years. What started as a simple 5 day showcase, has now blossomed into a full blown month long event. You’re going to love this! Enjoy!

Folks, I know I say this about every interview we do here at Trainwreck’d Society, because I am….but I am REALLY excited about today’s words! Sarah French is another absolute legend in the world of both mainstream and b-horror. I have been following her career closely over the last few years or so, ever since I caught a glimpse of her genius in the work of our dear friend and former TWS Person of the Year, filmmaker Steve Sessions. She has a brilliant eye for sensationalism and really brings out the best of any character she is taking on. She is the ideal Scream Queen for the modern era, and we are so excited she is gracing our digital pages today.

We were so pleased with her responses as well, as we got to learn that French is even moving beyond the world of horror, which I always believed she should do and so happy to see her talents being stretched across all genres. Her success in this genre is inevitable and will definitely continue forward, but I am under the opinion that the more French the better! I’d love to see her in EVERYTHING! So, again, we are so excited to have her as a part of this year’s Month of Horror. Please enjoy some great words from the amazing Sarah French!

What inspired you to get into the world of film and television? Was it an early aspiration to do so, or did you just happen to find yourself in this world one day?

I’ve always been a ham in front of the camera as far as I can remember. In high school my friends and I would make our own horror short films on a VHS camcorder… does that show my age?? Eventually we upgraded to an 8mm. I think I still have those tapes around here somewhere. I would write the scripts and do most of the directing. I knew nothing about filmmaking so I’m sure the scripts weren’t in proper format haha! I just always loved to create and entertain people, whether it was on camera or in person. I also did my fair share of backyard wrestling and promos on camera with my friends. For those of you who know wrestling, I would be the “Stephanie McMahon” of our backyard wrestling. When I was going to college for Criminal Justice I took a few theater and acting classes as well. One day I was at a metal concert and a photographer came up to me and gave me his card because he loved my look and wanted to shoot. Naturally I thought it was crazy, but a few months went by and I decided to shoot with him. From there on I grew confidence and wanted to give the movies a shot. Being a big horror fan my whole life, I was on a horror forum and saw an independent film was casting. I auditioned for a movie called, Pajama Party Massacre, got the part, and the rest is history. Eventually I quit college to pursue acting. How do you go from Criminal Justice to acting? Beats the hell out of me.      

 What was your very first paid gig you remember getting in the world of entertainment? And did this experience have any lasting

If I remember correctly, my very first paid gig was a Car Soup commercial that was horror related, because they were releasing it around Halloween. They picked me to do the commercial because at that time I had a few horror projects under my belt and someone in the industry recommended me. It’s the typical slasher style set up… a killer is running after me through a house then the woods. Eventually I come up to my car, of course drop the keys with the killer right behind me, but I get in the car and it starts up right away because it was a car from Car Soup. I drive away spitting up dust in the killers face. I had a blast shooting that. When we were done I got paid and went on my merry way. I remember at the time thinking about how cool it was to get paid to have fun… basically getting paid to play! From then on I wanted more and more.  

 You have appeared in two wonderful films that were written and directed by our favorite B Horror filmmaker, the great Steve Sessions. These would be Shriek of the Sasquatch and Zombie Pirates. We’ve spoken with several folks who have worked with Steve, and we always like to ask what it was like to work on a Sessions project? Was there anything about working on his very low budget films that was special or set itself apart from other projects you have been a part of?

I love Steve and had such an amazing time working with him on those films. Those films hold a special place in my heart. Steve is very passionate at what he does and is such a hard worker, he’s basically a one man army. When he wants something done, he gets it done no matter the budget, he makes it work. His attention to detail is impeccable. As you know these films were very low budget, with that being said, he didn’t skimp on anything. He makes sure to have great set dressing, lighting, wardrobe, props, and SFX. As we all know period pieces are very hard to do especially in the low budget world. Shriek took place in the 70’s, so everything had to be 70’s related. As you saw in the film, it is! Steve collected items over the year that were either from the 70’s or looked like they were. He even got an old newspaper and soda cans that were authentic 70’s items. Working on very low budget is different in many ways. For one, you have more creative control. You don’t have a bunch of producers and execs down your throat every time you want to do something. If you want something done, you just do it. You don’t need to ask anyone. Also it seems to be more intimate when you’re on a low budget set. Not as much hustle and bustle, not on Steve’s sets anyways. Like I said, he likes to take his time, talk to the actors, and make it as stress free as possible. Steve is very chill and still manages to get the job done!

 I am very intrigued by a project you worked on that is currently in post-production, and happens to be written and directed by another old friend of ours, one Rolfe Kanefsky. So, is there anything you are allowed to tell us about this project? What sort of character can we expect to see you brilliantly portraying on this film?

Oh yes, you are referring to, Art of the Dead! Let me just say, I loved working with Rolfe. I’ve known him for a few years now, and we finally got the chance to work together. He’s such a great director and knows what he wants. He takes his time with each shot and makes sure it’s done how he envisions it in the script. I also got to work with one of my favorite DP’s on this set, Michael Su, whom I just worked with on another feature earlier this year called, Automation, which Rolfe wrote the script for as well. Everyone on this set was amazing! It was also my first time working with the Mahal brothers who are powerhouses in the Vegas film scene. Art of the Dead is about a family who buys possessed artwork from a high end dealer and they have no idea what horrors they are in for. I had the honor of playing Heidi, who is a “high end” prostitute on the streets of Vegas. She gets targeted by one of the leads in the film, Zachary Chyz, who plays Louis, who is possessed by the artwork at this point. Heidi has no idea what she’s in for and has to fight for her life to stay alive. I had such a blast with this role. Let me just say this, this role had one of my most intense stunts I’ve ever done… you guys are in for a treat!

One of the nights we shot right on Freemont Street in Vegas on a Saturday night and it was insane! By the end of the shoot we had a huge crowd watching us and asking for autographs and pictures. Such a great experience! I’m a big fan of creating a backstory for the character I’m playing.  I wrote a two page bio for Heidi in order to fully be able to step into her shoes.  

When it comes to the world of horror, you are hands down one of the most legendary figures in the genre. And this being our Month of Horror showcase and all, I am curious to know what it is you enjoy about working in the more frightening world of suspense and horror? What is it about this genre that has you so drawn to it, and yearning to continue having great success within it?

Oh wow… thank you! I’ve always been a fan of horror, as far as I can remember. When I was a kid, my mom didn’t want my sister and I to watch horror flicks, so naturally we wanted to even more! One day my grandma took us to a video store and we somehow convinced her to rent us Childs Play. From that day on I was hooked! As a teenager my friends and I would make our own short films, and they were all mostly horror related. I’ve always been drawn to the darker side of things. When I hit my 20’s I started out modeling then eventually started working in film. My very first flick was a short film called, Pajama Party Massacre. I had so much fun with that I was hooked, I loved every minute of it! I’ve always wanted to be that girl running in the woods, half naked, covered in blood… and it’s happened, more than once, haha! I love to be scared and do the scaring!  It’s just so much fun to step outside the box, experience other worlds, and basically get paid to play. As much as I love horror, I don’t just do horror flicks. This year alone I star in a romantic comedy called, Bryan, the RomCom with Vernon Wells, Felissa Rose, and Vincent Ward. I also star in a mobster film called, Booze, Broads, and Blackjack with Vincent Pastore, James Duval, and Felissa Rose.  I love all genres, though horror has my heart.

  What is your favorite scary movie? 

That’s always a tough one for me because I have so many I love. Scary wise, one of my favorites is the classic, Texas Chainsaw Massacre.  A few months back I went to a triple feature, 35mm screening at the Egyptian theater of Texas Chainsaw 1-3, with Caroline Williams introducing them. It was so great to see them on the big screen, such an amazing experience. The original TCM has such a gritty, uncomfortable, and realistic feel to the film. Tobe Hooper really knew how to get under your skin. When I watch TCM I feel like I’m in that house with Sally and Leatherface is after me. Because it feels so real, it scares me to this day and the film is 40+ years old! They just don’t make films like that anymore.   

What are you plans for the upcoming Halloween? Any kind of traditions you try to uphold each year?

I love Halloween! The whole month of October is special for me. I’m usually pretty busy working on projects or at conventions. But the last few years my boyfriend, Joe Knetter, and I would go to all of the Halloween filming locations… the Strode house, Myers house, Brackett house, the hedge where you see Michael standing next to while he’s stalking Laurie, the opening of the film when Halloween pops up, and we always have a drink at The Buccaneer, the bar from Halloween 3.  I love that movie and I’m glad it’s finally getting the respect it deserves. We make a day out of visiting these cool filming locations, it’s so much fun! This year I have a few things lined up but one thing I’d really like to try to make is Halloween Horror Nights at Universal Studios Hollywood! I’ve never done that yet and I live ten minutes from the park. This year they have attractions from Stranger Things, Trick r Treat, Poltergeist, Halloween 4, and more! I mean, you can’t go wrong!

What does the future hold for you? Anything you would like to plug to our readers?

Always! The trailer just came out from one of my newest features, directed by Marcel Walz, called Rootwood, and is projected to be released before the end of the year! Horror Society quotes, “Combines the aesthetics of ghost films and the intensity of monster movies to create a unique horror experience with surprising twists and turns.” So be sure to check it out!! Also my mobster film that I mentioned earlier, Booze, Broads, and Blackjack, is set to be released before the end of the year as well, so be sure to keep an eye out for that! I was just in an art gallery show as a cover model for VHS covers from the 80s and 90s for Revenge of Slashback Video at the Mystic Museum in Burbank, CA. I had so much fun with this art piece. My photographer Ama Lea and I paid homage to Ken Hall’s Horror Workout, so we went full 80s! Spandex, big hair, leg warmers, you name it! It’ll be on display at The Mystic Museum till the end of September!

I’m really excited about Bryan the Rom Com.  It’s my first romantic comedy and I had an absolute blast working on that one.  I’m a huge metal fan so I’d like to plug the band Witherfall.  They are absolutely amazing.  I worked on the video for their song “Portrait”.  It’s totally badass.  They are all very cool guys.  I just shot a fun little part in Eben Mcgarr and Chris Ott’s slasher film Hanukah. Tons of cool people in that one.  Garo Setian’s film Automation is also very cool.  I think it’s amazing to be working on movies that I would be watching whether I was in them or not.  I’m just a huge horror nerd and love it.  I have a few more projects in the pipeline I have to keep under wraps, but let me tell you, this has been an amazing year and can’t wait to see what else comes my way! To keep up with me be sure to check out my FB fan page and my website at www.sarahfrenchonline.com  Or find me on Instagram.  It’s my preferred social media page.  That’s where I post the most and interact.

 What was the last thing that made you smile?

My amazing boyfriend, Joe Knetter. 🙂

Check out this trailer for Sarah’s latest film Rootwood, mentioned above, as well as a beautiful gallery of photos provided by Sarah French herself: