New Music Tuesday: Gerry Spehar – Anger Management [Album]

First and foremost, I have to be honest when I say that I was sadly uninformed when it came to the genius of the great Gerryy Spehar…..until now. Now, I am slightly informed, and feel as though I need to know so damn much more. This is because of the idea that if his amazing record Anger Management is any indication of what this man has been doing throughout his career, then I have definitely been missing out over the years. I now consider myself a HUGE fan of Gerry, based on the contents of the album I am here to talk to you all about today.

Anger Management is the modern equivalent to all of those old and beautiful Woody Guthrie-esque protest songs that are held dearly in the annals of history. And while those old folk songs are definitely special for very good reasons, Gerry Spehar has creating something uniquely different, and actually a bit more impressive in my own opinion. Gerry blends classic old timey folk songs with a brilliant seasoning of blues and rock & roll, and even a bit of a country ballad feel at times, that makes for an album that is not only important to our current political climate, but also sounds absolutely amazing! While I do appreciate a good protest song for its basic nature, it always has more of an impact when there is immense talent involved. And Spehar is definitely an extremely talented singer and musician, as well as a mesmerizing songwriter.

Whether it is a slow paced and gut-wrenching ballad like “A Soldier’s Spiritual”, the high-speed satirical folk ditty “Thank You Donald”, the 90’s alternative like cut “Except For the Bomb”, or the seriously funky, blues-driven “Bitch Heaven”, I am here to tell you that Gerry Spehar’s Anger Management is without a doubt one of the best albums you are going to hear in 2018. And even more so, this music is absolutely timeless and should be the catalyst for people to listen to 100 years in the future to truly understand what these days were like. This is a perfect album with a perfect message, and most importantly, it is an absolute joy to listen to!

Gerry Spehar’s Anger Management will be available on May 18th wherever you find music. Check out his WEBSITE for more details!

Lin Tucci [Interview]

When did you decide you wanted to join the world of acting? Was it something you sort of fell into, or has it been a passion brewing within you for quite some time?

My passion for acting came first at an early age. I grew up in a very colorful Italian community where my uncles owned a produce market. The cast of characters were a revolving door of entrances & exits akin to a  “commedia dell ‘arte”.

I loved listening and watching their every move, and having a captive audience. That’s when I began impersonating them. Having a captive audience, the customers laughed seeing me imitate the priest whose sing song sermons had a message and moral to each story then the punch line, the girl scout leader who had a huge beehive, reciting the girl scout rules with a cigarette in her mouth and a lisp that came from her lips between each puff, the “bookie”, “who was all of 5’4”  arriving with “the numbers” in his hand. His swagger ruled the roost. 

It was then that I was bitten and I never turned back! Learning the craft became my focus. First in junior college, then continuing to Boston Conservatory of Music, graduating with a B.F.A . Drama Major/ Musical Theater Minor.

Then the world of acting opened wide.

You were without a doubt the highlight character for me in the 1995 film Showgirls, appearing as Henrietta “Mama” Bazoom, which also featured past TWS guests like Robert Davi and Rena Riffel. You were absolutely hilarious! So what was it like to work on a project like this? Was it an enjoyable shoot?

Showgirls was my first feature film. MGM, Paul Verhoeven and Joe Esterhas were enough for me to sign on. From the first day on set to the premiere, the journey was an adventure of a lifetime. The Henrietta “Mama” Bazoom character on paper was a pisser!  She was “large and in charge”, at least at the Cheetah Club. Henrietta’s “bazoom’s” were originally scripted to be revealed as a computer generated move, like Jessica Rabbit. When the contract was ready to be signed the deal was “au naturel” or nothing. I thought, “Well, as Elvis said, ‘it’s now or never’.” 

Somewhere in one of the Planet Hollywoods is a dress of Henrietta’s displayed in infamy!

TWS guest Robert Davi and Rena Riffel were all part of the Cheetah Club clan. Robert gave the grit. Rena was the temptress of titillation. Rena & I had a blast  when we were asked to put our handprints at the Vista Theater in LA as an homage to Showgirls! 

Elizabeth Berkley was “lightning in a bottle”. I love that woman. She was brave beyond imagination. Nomi was the only one who could get Henrietta’s Ta-Ta”s to HA HA !

Showgirls  has proven to be timeless.. over 20 yrs later it is regarded as a cult classic and I LOVE THAT !!!

More recently, you appeared on the hit of a show known as Orange Is The New Black. What was it like to be a part of a program like this from the beginning only to watch it blossom into the massive hit that it is ?

The Orange Is The New Black tagline is “every sentence has a story”. I never would have imagined the epic story I could tell after being in 44 episodes and I am so honored to have received two SAG Awards. Jenji Kohan, the show runner, is our “fearless leader” and she is without a doubt a genius. Jenji cast the pilot with the majority of actors who sat together at Kaufman Studios Day 1 on set, not knowing the “arc” of their character or how many  episodes they would be in. The playing field was level. Series regulars like Kate Mulgrew had star power. Even then I remember sitting next to her in the hair department. Wig’s coming in and out. “Red” had not been imagined…yet. Everything was raw and awesome in every aspect. I had never worked on a TV series, so the learning curve for me was an everyday event. In Piper Kerman’s book, Anita DeMarco was based on a real person Piper knew in prison. When I read for the role, I felt I immediately knew Anita . I became her the moment I put on my khakis and was set behind bars. I knew where Anita lived in her mind. The writing on the show is FLAWLESS! Piper Kerman gave me the greatest compliment when I first met her, she said, “Lin”, you are Anita!

When the show’s critical acclaim increased after Season 1, I knew we’d be “riding a rainbow”. The show was a hit. Now indeed it is a massive hit and I’m still in shock that I’ve been a part of it. OITNB will go down in history as a Netflix phenomenon whose voice will resonate forever.


I have to admit that I am very naïve and sadly unaware about something called, Nunsense? I notice that in your credits that you have appeared in a couple of these productions? I am definitely very curious, and would love it if you wouldn’t mind telling us a bit about this production?

My first national tour in the USA was Nunsense. My character was Sister Robert Anne, a streetwise nun from Canarsie, Brooklyn. Nunsense is a 5-character musical. Robert Anne’s character was exactly like a nun I had in school, Sister Dora. My resume reflects many productions of the show because I absolutely LOVED LOVED LOVED  singing & dancing as Robert. Little known fact: when I was cast in both Showgirls and OITNB, I had been doing Nunsense.

I went from being a “saint to a sinner” then a saint to a “prisoner”! Robert is a wise cracking “bob & weave” kind of gal. Talks to her students in the language they can connect to. Each character in the show reveals in their back story what their dreams were if they did not have ‘the calling”. Robert sings a song “I Just Want To Be A STAR”…’nuff said! I was lucky to be in productions with the late great Phyllis Diller and Dody Goodman and Laugh-In’s  wild & wonderful Jo Anne Worley.

Nunsense legacy lives on… AMEN!!

I am always intrigued and impressed by anyone in the acting world who has moved freely between film, television, and the stage, as you have done. And I always like to ask: If you were forced to only work in one of the mediums, what would it be? Why?

TELEVISION !! I love everything about it ! The pace and craft is a master class of thinking on your feet. I love creating the character at home, delving into  the intention the writer has written in each scene for the character, learning the lines, arriving on set ready to  meet the director for the day’s shoot.. In TV, a plethora of “mega-mind’s” constantly surround you. Each bringing their own style and vision. 

Every episode has the footprint of the writer and director. I had the privilege of being directed by Jodie Foster on OITNB, yup ,TV….Acted & directed with Laura Prepon in the same episode  on OITNB yup, TV ..Danced with RuPaul in the B’52 “Love Shack” video yup, TV ! Working with actors who move freely in all genres raises the bar when on a TV set. We share the pulse of timing in televison bringing the skills of a theater foundation. When I hear the word “ACTION” I get an adrenaline rush which is exhilarating. BRING IT !!!

What does the future hold for you? Anything you would like to plug to our readers?

I have signed on for an indie film called Megaball$, a comedy feature . It’s about geeks, the Lotto & mob. The tagline is: You never know when you’re number is up ! My character is spicey! That’s all I can say! 

The Chiller Theatre Expo asked me to do an autograph meet & greet April 27 – 29. It is in Parsippany New Jersey. Come on down if your in the hood, would love to meet you. If the spirit moves you, join me on Twitter, @lintucci, and check out my FB page, Lin Tucci, for some fun behind the scenes OITNB photos and magical red carpet moments. 

What was the last thing that made you smile?

Ron, I am smiling now ! Your questions reminded me of so many memories. Thank you for reaching out. Phyllis Diller once said ” a smile is a frown turned upside down”.

Sunday Matinee: Strawberry Flavored Plastic [Film]

“The origins of the story revolved around a few main ideas that germinated into what the film eventually became. One of those ideas revolved around a real life person whom a friend of mine had worked with for many years, and the sort of lunacy and unhinged nature of this person (non-violent, might I add) whom I heard stories about sort of grabbed my attention. Coupling that with an innate desire to tell a layered, challenging and relevant tale, it all built itself into what SFP became. It’s also worth noting that I’m absolutely fascinated with the concept of nearly forcing an audience to align themselves with a questionable character; there are many positive and sympathetic facets to Noel’s character that run parallel to his darker and sociopathic side, and I really wanted to explore that and expand upon those notions.” – filmmaker Colin Bemis

Hello there fine readers! Welcome back from our week long hiatus, and back to our first Sunday Matinee in quite sometime. And we have an amazing film to showcase for you fine folks! In our last interview with indie filmmaker Colin Bemis, we promised you we would talk a bit about Strawberry Flavored Plastic. A film that is poised to be one of our top 10 films of the 2018. I thoroughly enjoyed this movie just so damn much.

And while everyone truly acted their asses off in this film, a huge shoutout has to go to Aidan Bristow. This man had be feeling literally anxious and a bit on edge. His role as Noel Rose is the type of stuff that legends are made of. And of course, an actor is only as good as the writing, and our man Colin Bemis has written the hell out of a story and has been kind enough to share it with the world! Another shoutout has to go to the brilliant Bianca Soto who comes in extremely strong as well.

Again, I can not say enough great things about Strawberry Flavored Plastic. It is a brilliant debut film from our new friend Colin Bemis, and I can not recommend it enough. So be sure to check it out when it hits VOD or a theatre near you when it drops!